Customer Reviews

City of Industry [VHS]

5 star:		(7)
4 star:		(8)
3 star:		(3)
2 star:		(0)
1 star:		(0)

 

 

In this contemporary film noir, two brothers with the same alma mater-- Folsom Prison-- discover something about loyalty and what "honor among thieves" really means, in "City of Industry," directed by John Irvin. Lee Egan (Timothy Hutton) puts together a crew of four men, including his brother, Roy (Harvey Keitel), to take down a jewelry store in Palm Springs, California. If all goes well, they look to score a cool three mil in diamonds, and Lee has a fence in L.A. ready to move the merchandise. Lee and Roy are solid, as is Jorge (Wade Dominguez), the third member of the crew who is already looking at 2 to 5 in Folsom, having been convicted of carrying a concealed weapon. Jorge wants a quick score that will take care of his wife, Rachel (Famke Janssen), and their two kids while he's away. The wild card of the bunch is Skip Kovich (Stephen Dorff), their wheel man; he has a wild streak that emboldens him too much for his own good, a flaky girlfriend and some ideas of his own about how the split from the job should go down. Lee contends that it's going to be an easy score, with each man's share being "Not bad for a day's work." But you can bet that anytime you have a "sure thing" it's going to turn out to be anything but, and this caper is, of course, no exception.

As is befitting the subject matter, the film is dark-- much of it takes place at night, or in rather seedy, industrial locales-- with a touch of artistic cinematography that gives a sense of urgency to the story. It quickly shifts from the posh atmosphere of Palm Springs to downtown Los Angeles and Chinatown, an environment through which you get a sense of who these guys are and what they are about. As Rachel says to Roy at one point, "You guys are all alike--"

As Roy, Keitel carries the film with the kind of credible performance we've come to expect from him. While this character is certainly not a stretch for him-- you've seen "Roy" many times before, played by Keitel and others-- he does put a unique stamp on him; he's familiar, but Keitel manages to avoid letting him slip into stereotype. And that is no easy task when you take into consideration that in reality a man like Roy would necessarily share certain traits with others of his ilk. What makes the difference is Keitel's consummate ability as an actor, and his concern with fleshing out the details of his character.

The role of Lee is something of a departure for Hutton, though similar to the part he played in "Playing God," but with much more definition. He gives Lee a very "real" quality, the cool confidence of one who lives just beyond the fringe of what society deems acceptable. When he mentions that he's been in Folsom, it's believable. Dorff, meanwhile, is effective as Skip, a guy perpetually pumped and strung out, crazy-- but like a fox-- with an aura of menace about him that is nearly tangible. In attitude and style, Skip is reminiscent of Laurence Fishburne's two-fisted, gun toting Jump in "King of New York." And Janssen gives a notable performance also, successfully creating the one character in the film with whom the audience can sympathize. You feel her desperation and the concern she has for her children's well being, which effectively adds valuable context to the story.

The supporting cast includes Michael Jai White (Odell), Lucy Liu (Cathi), Reno Wilson (Keshaun), Dana Barron (Gena), Tamara Clatterbuck (Sunny), Brian Brophy (Backus) and Francois Chau (Uncle Luke). A violent and stylish examination of the criminal element in our midst, "City of Industry" is a hard-edged film that presents the matter-of-fact way in which those who subscribe to a life of crime seemingly function within their own sect of society. It's a part of life many would just as soon deny in reality, but as Steve McQueen said many years ago in "Bullitt," "That's where half of it is." And a film like this is not about to let you forget it.

Your girlfriend won't like it, but then again, she didn't like Escape from New York. City of Industry is a treat for Keitel fans as he is at his best. With the seedy underworld of LA as the backdrop, Keitel methodically searches for the man who killed his brother. You won't get a lot of clever dialogue in this one but you will get a fun to watch Keitel and a compelling Stephen Dorff as the paranoid pyscho. If you want a modern day western with a tough guy, this one's for you. I for one, loved it.

City of Industry is another entry into Tough Guy Cinema. The story could be from any noir of any decade. It's a stylish, violent crime movie. You're either on board or off.

Roy (Harvey Keitel) comes to LA to help his brother (Timothy Hutton) and two other hoods pull a high profile robbery. They take down a jewelery store and before you know it they're splitting the cash. Then Skip (Stephen Dorff) caps Timothy Hutton (who looks like preppy sleaze with that scruffy beard).

This movie is about Harvey Keitel getting revenge, no matter what. He dedicates his life, or about a week in his life, to hunting down Stephen Dorff. It's a stylish, slick film, full of LA 'industrial' locations of the machinery and criminal type. Take a bit of To Live and Die in LA, a bit of old fashioned noir, a lot of blood (including a head-bashing finale), and Harvey just being Harvey. A highlight is the laptpop bit in the lawyer's office. Subtle menace.

Highly recommended.

A jewel robbery goes bad, leaving a Mom and child without a Dad. Payback takes a while but the road it takes is wild. Not for the squeamish, but then that seems to be Harvey's niche. Shot in L.A. with style.

Interesting characters, believible plot. I have watched it a number of times, and enjoyed it each time. Probably my favorite DVD.

I am not sure why I like this movie so much. It's not a big budget film and the script is not very original, but for some reason I seem to enjoy it every time I see it. Harvey Keitel gives a great performance in this movie. A small LA classic you might have not heard much of that has a lot to offer. A tale of one man's pursuit for justice no matter what comes his way, it's my favorite Keitel film I have seen yet. The storyline is well written and rounds out a great cast which includes Timothy Hutton and Stephen Dorff. If you like vigilante movies or are a Harvey Keitel fan, then take a look at it and think you will not be disappointed.

Peter J. Miller
Traverse City, MI
peterjoemiller@gmail.com

harvey is hard to beat, a really great actor. i love most all his movies and this is no exception. the plot is exciting, the action mostly non stop, and i found to be an exceptional screen play with lots of thought put into the overall product. entertainment value is excellent.

In this movie Harvey Keitel plays a low key Clint Eastwood, the rest is suspenseful and worth a look

Harvey Keitel (Roy) plays his usual self-assured character leading a group in a jewelry heist, and then goes up against a myriad of contract killers.

Famke Janssen is very convincing as a mother of two and wife of one the jewelry heist gangmembers who gets caught up in the mess. Famke is very attractive with or without makeup, (and very tall-with those long legs). Timothy Hutton, Roy's brother (killed off early by Dorff) and Lucy Liu have minor parts.

All I can say is you'll be so very happy when Harvey Keitel smears Stephen Dorff's brains all over the pavement, towards the end of the movie. Stephen Dorff gives and absolutely first-class perfomance of a double-crossing, short-tempered, quick-drawing psychopath, who won't be double-crossed (as he has double-crossed) by anyone. Why does Harvey Keitel always seem like that "cleaner-upper" character in Pulp Fiction? You'll love the lawyer's office "laptop computer" scene. Classic.

This was better than I thought it would be, particularly due to Keitel and Janssen's performances. A little more Timothy Hutton would have been terrific too, as their relationship, as brothers was a success.
After all, this genre (betrayal & underworld/a brothers revenge)isn't original. But the environmental use of Los Angeles' working class and industrial areas adds it to a list that includes To Live and Die in L.A., The Limey, Heat, and Training Day...A good list indeed.
But I return to Keitel who stabalizes this film, even with the histriotics of Stephen Dorff and the so-so script.