3 of 3 people found the following review helpful:
2.0 out of 5 stars
It's Warriors meets Mad Max meets Kim Cattrall!, June 24, 2008
"City Limits" is a surprisingly dull movie about a post-apocalyptic world where feral teenagers rule the streets on their motorbikes and evil corporations are in control of the gutted cities. It's all about a boy named Lee who goes to the city,learning that he's the prophesied "Cowboy" who will liberate the people. The teenagers,it turns out,use comic books to guide their lives! There are also vicious fops like Ray (Danny De La Paz) In the meantime, Kim Cattrall is a bureaucrat who works for the malevolent Sonya Corporation. They're bad,they're power-hungry... but it's not exactly clear what they're doing. Lee battles bad guys and finds himself torn between Yogi (Rae Dawn Chong,in a hilarious outfit) and Cattrall (with whom he has sex in the country,rather than the city) In the end,Uncle Albert (James Earl Jones) defeats the bad guys with remote-controlled planes.
"City Limits" is a hilariously bad,boring movie. On its own,it's dull. But enjoy with Mystery Science Theater 3000, Joel Hodgson and the 'bots,and the great song "Oh,Kim Cattrall!" from Crow!
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2 of 4 people found the following review helpful:
1.0 out of 5 stars
One of the 10 worst movies I've ever seen., February 7, 2000
By A Customer
I only watched this because James Earl Jones was in it, and I think no actor in the world could have saved it.
The cinematography is so dark that you have to think that they had no budget for lighting.
And there's no plot. Two gangs joint their forces to defeat an evil corporation. That's all.
I know there's a MiSTing of this abomination. I'd love to see it.
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0 of 1 people found the following review helpful:
2.0 out of 5 stars
U.S.-made post-apocalyptic entry that fails on most counts, September 17, 2011
1984's "City Limits" is a rather obscure entry in the post apocalyptic/futuristic genre of the '80s that has likely remained in obscurity for a reason. I'm going to have to agree with the few other reviews here in saying that it's just not very good.
The premise is somewhat interesting, if a bit derivative, it being set in the desolate near future, after a plague has wiped out most of adult civilization, leaving behind bands of roving biker gangs of 20-somethings who rule the cities with little to no social order present. Largely uneducated, they get their combat directives from old super hero comic books and pass the time by getting drunk off of Old Milwaukee. Soon a corporation enters the picture with plans to level the place in order to create a patterned workforce for its own corrupt purposes, and is ready to kill off the youth gangs by any means necessary to achieve its ends.
Now on the surface that sounds like the makings for my kind of action movie, that and the fact that the directing/writing team consists of Aaron Lipstadt and Don Opper, who made 1982's "Android," which was a perfectly acceptable bit of sci-fi fluff. Lipstadt even coproduced '82's slasher classic "Slumber Party Massacre," but the energy and inventiveness that made that one good is sadly not present here.
As L.A. Morse points out in his indispensable 1989 film guide "Video Trash & Treasures," Lipstadt and Opper seemed to be heavily influenced for the story and set-pieces by "1990: the Bronx Warriors" and its sequel, "Escape from the Bronx," which had been produced in Italy in the couple years prior to this. I must say though that with the exception of John Carpenter's seminal "Escape from New York," an American movie without which "City Limits" probably would have never been made, low budget post-apocalyptic adventures of this period seem to have been best left in the hands of the Italians. In comparison to their superior output, "City Limits" is tame, not very interesting visually, and even at just 85 minutes, somewhat tedious to slog through.
I'm giving it two stars based only on the fact that it contains a few name actors for a budget of its size, most notably James Earl Jones, Rae Dawn Chong, and Kim Cattrall, the latter appearing two years before she would break into the mainstream as the Mannequin. She looks cute here as an erstwhile member of the corporation who ultimately ends up siding with the gangs, and you even get to see her bare-breasted for about two seconds, which wasn't unwelcome.
I might have even given this 2004 DVD release on Substance Entertainment another star were it not for its typically faded, washed out and just barely watchable transfer job, clearly sourced from an old VHS tape.
Despite the fact that I really didn't like it, I've marginally decided to keep "City Limits" in my DVD collection only because I'm an avid collector of low budget '80s post-apocalyptic trash of this type, which was once again done far better by the Italians. I can't recommend "City Limits" though to anyone but the most ardent fan of this genre of film. Disappointing for the most part.
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