Customer Reviews

City of Nets: A Portrait of Hollywood in the 1940's

5 star:		(11)
4 star:		(2)
3 star:		(1)
2 star:		(0)
1 star:		(0)

 

 

I think I've read City of Nets 4 times since I got it. The main reason is because it's so packed with details and fascinating information that I am always finding something I missed or had forgotten in the flood of knowledge. Some might see that as a detraction, but I think it speaks to how well the author did his homework.

One of the great appeals in this book is in its truth and how it correctly points out that 1940's Hollywood, which we think we know so well from legend and the films, was actually much much more. As the book shows, Los Angeles was not only the filmmaking capital of the world, but quite possibly the center of business, classical music, and literature. It was one of those times and places when most things that were "great" were all lumped together. Throw that against a backdrop of World War II and the ensuing Cold War, and you have a narrative that is almost too good to be true.

Really a great read, many times over.

This book is one of the reasons why I became a devoted reader of Otto Friedrich's work. Two others were his excellent series in Time about Berlin in the rise of Hitler along with "Going Crazy," a brilliant study of psychoanalysis with analyses of some interesting case histories of individuals who were treated for psychiatric difficulties. "City of Nets" explores the fabled city of lights and dreams during one of its most memorable decades. In addition to receiving all kinds of interesting tidbits about Rita Hayworth's tempestuous marriage to Orson Welles and Robert Mitchum's time spent in a California honor farm on a marijuana possession charge that would ultimately be expunged, Friedrich also provides the broader picture of a town thrown into turmoil and confusion during the period following the war.

Friedrich gives a brilliant account of the tragic blacklist period. As one who has studied this period closely as a historian, I was impressed by the breadth of the author's scope as a researcher. German playwright Bertolt Brecht is colorfully displayed. His offbeat intelligence and unconventional demeanor completely astounded House Un-American Activities Committee members as they sought to interrogate him. Long after the author of "Mother Courage", "Galileo" and many other plays had returned to his native East Germany, committee members and others were still trying to figure him out. Friedrich relates the incident when Charles Laughton threw a wild tantrum at the Coronet Theater as he was rehearsing for the Los Angeles premiere of Brecht's "Galileo." Another interesting character sketch provided by Friedrich is that of Austrian emigre Billy Wilder, who fled Hitler's Germany and became a major figure in films, first as a writer, then as a director-writer.

The anecdotes and richness of the character portraits transpose the reader back to Hollywood in the forties. As revealed, it was a truly fascinating, wildly unpredictable place during a pivotal period of American history.

Of the books I've read about the golden age of Hollywood, this is easily the best. Friedrich combines brief biographies of the great directors, actors, and producers of the period along with lesser known stars to give a thorough picture of the film culture of the period. What is especially interesting is his analysis of the role refugees from Nazi oppression played in creating and not creating some of the great films of the 40's.

Otto Friedrich's City of Nets (A Portrait of Hollywood in the 1940's) is as evocative a portrait of a time and place as one could hope for. The book travels through more than film history (much, much more) as the reader explores, dragged by the wonderful writing of the author, crime, unions, politics, communism, war, racisim and a host of other isms. This book is about the parts of America that float to the surface of the pool of churning, boiling water that is Hollywood and it is not always a pretty grouping of flotsam and jetsam. The author captures the personality of the characters in this soapy drama with beautiful ease and, often, humour. It was a joy from beginning to end and deserves far more than five stars. A book about Hollywood for those who care about history and do not see a light shining on some very gloomy corners of history.

There was a land of cavaliers and studios called the 'Old Hollywood.' Here, in this pretty world, gallantry took its last bow. Here was the last ever to be seen of knights and their ladies fair, of Studio Moguls and actors. Look for it only in books, for it is no more than a dream remembered, a civilization gone with the wind."

"City of Nets" is far and away the best popular history of a Hollywood era yet written, or likely to be. Friedrich's rich, evocative overview is at once sweeping and intimate, meticulous and eminently readable, elegiac and hilarious. He captures the studio era on the cusp of a greatness largely undone by war and the elevation of mediocrity, yet limns as well the rise of the great Billy Wilder and others who would continue to nettle and challenge moviegoers -- and the movie business -- for decades to come. (Fittingly, he ends his book with the advent of Wilder's "Sunset Boulevard," the greatest satire on Hollywood ever made.) The book is a must for serious students of the movies as well as the casual reader who doesn't yet know a great deal about the subject. This is captivating stuff. I've never read a book on Hollywood I've loved more or gone back to more often.

With a title like City of Nets: A Portrait of Hollywood in the 1940's, one might expect a book about Hollywood, the place. But, Otto Friedrich doesn't provide this. He touches on it ever so briefly to begin the book and once again to end it, but in between City of Nets is undeniably about people. This isn't so much a bad thing as it is an unanticipated one, for I assumed the book would provide a good share of both.

As a history of the people of Hollywood, City of Nets is an engaging and often eye-opening book. I learned many things of which I wasn't aware. The book sagged a bit over the HUAC hearings - an obligatory and, thus, well-worn subject - but, by and large, clipped along at an enjoyable pace.

Mayer, Goldwyn, Selznick, Hughes and many lesser lights figure prominently as do a bevy of stars. But, this is not a tabloid-style tell-all and those expecting one will be disappointed. It is a sober, often wry, narrative that I devoured quite quickly. Friedrich writes well with earnestness and a begrudging impartiality. I'll take that given the subject matter. 5 big stars.

If you liked "Hollywood Babylon" as much for the history as for the macabre events, this is your book. This book is hysterically funny, profound, sad and painlessly informative. I've seen pieces of it lifted in current magazines in the two weeks since I finished it and wondered why PBS's recently aired American Experience about Ronald Reagan didn't include the remembrances of his Culver City Commando troops, as the book did.

It's one of the best books I've read.

For those who are fascinated by the history of Hollywood (particularly in the so-called Golden Era) this book is indispensable. It is written like a novel with an almost a "can't put it down" intensity. The research is impressive and it covers every aspect of life in the Hollywood community during these years. It is an overall view yet detailed about events and people. I recommend it to my film history students in every class I teach. Spending the time reading it is time well spent.

Not your typical Hollywood tell-it-all, but quite literally a fascinating, well-written and very detailed portrait of Hollywood during the 1940s.