"Paul Tremblay is a storyteller of the highest order--edgy, sensitive and fearless. As a horror writer, he possesses the deadliest secret: he knows where we live. He is expert at taking us to places where the familiar and comforting give way to the strange and dangerous--those borderlines where anything can and will happen."
--Stewart O'Nan, author of A Prayer for the Dying and The Night Country
"The horrors of Compositions for the Young and Old are entirely of the human variety, however surreal or strange, and run the gamut of pain we are likely to feel in our lives--from the frailty of a child on a wobbly bike to that of an old warrior in a nursing home. Paul Tremblay remembers childhood and anticipates old age and knows all the stages in between. This is accomplished, sensitive work by a writer who not only means to scare you and maybe even warn you, but to move you."
--Jack Ketchum, author of The Girl Next Door and Red
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Most Helpful Customer Reviews
2 of 2 people found the following review helpful:
5.0 out of 5 stars
Surreal and satisfying,
By Jan Wildt (San Diego CA) - See all my reviews
This review is from: City Pier: Above and Below (Paperback)
Tremblay's 94-page novella is something of a tour de force: four stand-alone stories, in various voices and styles, which interlock in satisfying fashion in a mash-up of science fiction, horror, and noir. All take place in the double milieu of City, a gritty urban environment, and Pier, the stripped coastal sequoia forest whose treetops somehow provide City's foundation. (If this sounds surreal, wait until the balloons arrive.) The hardboiled opener, "Meat's Story", gives us a mad-scientist weapons dealer, his hired muscle, a wayward son, and a dead druglord. "Dole As Ribbit" adds a doubting priest who mind-reads a demented homeless man at the behest of a corrupt cop. "The Strange Case of Nicholas Thomas," detailing the mysterious flotilla of balloons that arrives every 19 years, seems an outright homage to Borges (who also appreciated noir) with its library setting, its layered editorial pseudoscholarship, and its reality-bending implications. Finally, "She Wants To Be Saved" picks up threads from previous stories and knots them in a tangle of blood and degradation, told backward, "Memento"-style. City Pier is preoccupied with fathers and sons and especially with the contrast between gritty adulthood and childhood innocence; like all good noir, it is steeped in melancholy.
1 of 1 people found the following review helpful:
5.0 out of 5 stars
Above and Below,
By Jeffrey Thomas (Massachusetts) - See all my reviews
This review is from: City Pier: Above and Below (Paperback)
City Pier is a sprawling metropolis filled with, of course, corruption and violence, weirdly built on a pier-like structure the posts of which are fashioned from vast tree trunks, a kind of wooden open-air underworld inhabited by exiles and outsiders. CIY PIER is a slim, curious book, not so much a novella as four short stories that end up linking together, or at least sharing various plot threads in a weird and fascinating PULP FICTION kind of way. Each story seems to get stronger and more assured. The first two, MEAT'S STORY and the achingly sad DOLE AS RIBBIT, feel like they could have made great spots in a SIN CITY graphic novel or movie. But if these two have a gritty kind of Punktown vibe, the next story -- THE STRANGE CASE OF NICHOLAS THOMAS: AN EXCERPT FROM A HISTORY OF THE LONGESIAN LIBRARY -- calls to mind Jeff VanderMeer's CITY OF SAINTS AND MADMEN, which calls to mind Mark Z. Danielewski's HOUSE OF LEAVES, which may call to mind Nabokov's PALE FIRE, etc. and so on. In other words, an enigmatic plotline seen through shifting veils of stories within stories, and other tricky experiemtal devices. Finally, there is SHE WANTS TO BE SAVED, told backwards ala MEMENTO, the best written of the stories, with some surprises regarding the earlier tales. From this book you can see that Tremblay is willing to experiment in any number of ways in his writerly pursuits, his voice matter-of-fact and jazzy in the first two stories, poetic and haunting in the last two, fusing the fantastical and the literary, working in troubling themes of parenthood in all four stories, and generally leaving us wanting more of City Pier -- or at least, leaving us anxiously awaiting his forthcoming books, such as THE LITTLE SLEEP from Henry Holt & Company and THE HARLEQUIN AND THE TRAIN from Necropolitan Press. (Also impressive is Tremblay's earlier collection, COMPOSITIONS FOR THE YOUNG AND OLD.) Definitely, this is a name to watch.
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