I was always surprised in the wake of 9/11 that we never heard of an instance where an Arab looking passenger got up to use the lavatory on an airplane and was attacked by the other passengers. With tensions and suspicion both running high I thought such incidents were inevitable, but if they happened I never heard about them. There was the incident where six Muslim clerics where pulled off of an airplane in Minneapolis because the pilot received a note from a passenger pointing out there were "Arabic men" on the plane, but that has been the exception rather than the rule (the airport in Minneapolis is apparently just a place where strange things happen if you pray in Arabic or go around tapping your foot too often in a restroom).
"Civic Duty" is a 2006 film that deals with the sort of paranoid over-reaction to the terrorist attack that I had suspected might become commonplace. Terry Allen (Peter Krause) has just lost his job as an accountant and without work to keep his mind occupied he becomes obsessed with coverage of the War on Terror on cable television. Especially since a "Middle Eastern" looking young man (Khaled Abol Naga) has moved into an apartment that Terry can see from his window. We already know that Terry is predisposed to see the worst in people after he cruelly points out to a smiling bank teller the idiotic redundancy of the term "ATM Machine." Like those strange little beings on those annoying television commercials, Terry stars off sour and then tries to be sweet. It is just that we never really buy it, any more than we can really believe that there is a terrorist in that other apartment. The more desperate Terry is to believe it, the more we resist the idea. But is the film just toying with us?
Everything Terry sees--and he goes too far to see too much--fits into the "profile" that the media has been talking about. Terry calls the FBI, but Agent Tom Hilary (Richard Schiff) seems more suspicious of Terry than of the subject he has under surveillance. Terry's wife, Marla (Kari Matchett), sees the glass as barely wet and not nearly full, and her approach to the situation is to go over and knock on the neighbor's door, introduce herself, and find out who the guy is and what he does. The answers satisfy Marla, but not Terry, who is starting to spout rationalizations usually associated with being a good Nazi rather than a vigilante America. There is an overwhelming feeling that this is all going to end badly, and it is just a question of how badly it is going to end, even if you do not foresee the particular way the end game plays out here.
Ultimately, "Civic Duty" is more about psychology than it is politics. Director Jeff Renfroe shoots scenes to enhance the idea of paranoia, while the screenplay by Andrew Joiner tries to keep Terry tottering on the fence as to whether he is right or if he is wrong. The epilogue to the film seems at first glance to be one last gambit on that idea of ambiguity, but if you keep a careful watch on Terry's left eye you can decode the final scene successfully. The DVD has the trailer for the film and that is it, which seems totally bizarre these days when most DVDs seem to have way too many extras. What this film is doing and what it has to say would seem worth pursuing a bit more, but apparently we are simply to watch "Civic Duty" and come to terms with it on our own.