Researching her family history after the death of her father, Scruggs came across the following entry in a 19th-century Mississippi county assets census: "1 pair waffle irons, 2 washing tubs, one waggon (sic) one carriage, eleven plows, one grinding hoe Also the Following Negroes, viz Lynda and her children": it was there that she discovered her grandfather. This moving, beautifully written memoir charts Scruggs's uncovering of her family history and her own, as well as the resolution of her conflicted feelings about her critical, domineering parents and her awakening into a new spiritual life more closely associated with African traditions. In the process of weaving these three strands, Scruggs tells stories about her kin, including how her 15-year-old uncle was shot and killed by a white store owner. She can be ironic describing how in her 1960s Nashville childhood (she could not understand why the water in the fountain marked "coloredwater" looked no different from what was dispensed in other fountains ) or can simply convey her pain and confusion after discovering that she cannot buy an Afro-comb when she is studying Russian at Middlebury College in Vermont. After training for an academic career in Slavic languages, Scruggs ended up a journalist, and her search into her past triggers a calling (in the form of dreams) to African spiritual practice. With an ear finely attuned to language and emotions, and an investigative reporter's sense of driven narrative, Scruggs has written a book that explores and clarifies both the personal and the political.
Copyright 2002 Cahners Business Information, Inc.
From Booklist
The sudden death of her father sent Scruggs on a genealogical search that culminated in a spiritual journey. Since her youth, she'd sought to keep her family at a distance, choosing colleges in the Midwest and the East over the Tennessee institutions long favored by her relatives. Careers in academia and journalism hadn't satisfied a personal longing that began with research of her family back to 1847 and led to a farm in a nearby county where her ancestors had been slaves. Talking to elderly and distant relatives, visiting archives, and piecing together her history, she put meat on the factual bones, imagining the life of Dick Scruggs, a slave ancestor who lived to see emancipation. The author later learns the long-buried family secret that Scruggs may not have been a direct relative, but she holds onto the sense of family she has discovered in the process. A columnist with the Cleveland Plain-Dealer, Scruggs has written a sensitive and compelling recollection of a woman's search for her family roots and personal spirituality. Vanessa Bush
Copyright © American Library Association. All rights reserved



