From Publishers Weekly
Lakhous's prize-winning second novel is a social satire and murder mystery concerning an immigrant-filled apartment complex in Rome. After a murder in the building elevator, each occupant of the Piazza Vittorio—among these, Parviz Mansoor Samadi, an Iranian chef who detests pizza; Benedetta Esposito, an aging concierge from Naples; Iqbal Amir Allah, a Bangladeshi shopkeeper—gets a chapter to relate the truth as he or she knows it (or wants it known), apparently to the police. The odd man out, and the main suspect, is Amedo, a man believed by his neighbors to be a native Italian. The tenants are by turns outraged, disillusioned, defensive and afraid, and their frequently wild testimony teases out intriguing psychological and social insight alongside a playful whodunit plot, exposing the power of fear, racial prejudice and cultural misconception to rob a neighborhood of its humanity. (Oct.)
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A cacophony of voices fills this novel, whose putative plot concerns the murder of a man known as the Gladiator in an apartment building in Rome. One by one, the neighbors offer their querulous, seemingly tangential testimony: an Iranian immigrant explains how he sewed his mouth shut when his petition for refugee status was denied; a lonely Peruvian maid confesses, �The TV is my new family�; a grief-stricken woman accuses Chinese restaurateurs of kidnapping her dog; a Milanese professor sees in the daily desecration of the building�s elevator (by litter, by urine) the decline of civilization. The author�s real subject is the heave and crush of modern, polyglot Rome, and he renders the jabs of everyday speech with such precision that the novel feels exclaimed rather than written.
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