A Clash of Kings (A Song of Ice and Fire, Book 2) (Mass Market Paperback)

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Editorial Reviews

Amazon.com Review

How does he do it? George R.R. Martin's high fantasy weaves a spell sufficient to seduce even those who vowed never to start a doorstopper fantasy series again (the first book--A Game of Thrones--runs over 700 pages). A Clash of Kings is longer and even more grim, but Martin continues to provide compelling characters in a vividly real world.

The Seven Kingdoms have come apart. Joffrey, Queen Cersei's sadistic son, ascends the Iron Throne following the death of Robert Baratheon, the Usurper, who won it in battle. Queen Cersei's family, the Lannisters, fight to hold it for him. Both the dour Stannis and the charismatic Renly Baratheon, Robert's brothers, also seek the throne. Robb Stark, declared King in the North, battles to avenge his father's execution and retrieve his sister from Joffrey's court. Daenerys, the exiled last heir of the former ruling family, nurtures three dragons and seeks a way home. Meanwhile the Night's Watch, sworn to protect the realm from dangers north of the Wall, dwindle in numbers, even as barbarian forces gather and beings out of legend stalk the Haunted Forest.

Sound complicated? It is, but fine writing makes this a thoroughly satisfying stew of dark magic, complex political intrigue, and horrific bloodshed. --Nona Vero --This text refers to the Hardcover edition.

From Publishers Weekly

The second novel of Martin's titanic Song of Ice and Fire saga (A Game of Thrones, 1996) begins with Princess Arya Stark fleeing her dead father's capital of King's Landing, disguised as a boy. It ends with the princess, now known as Weasel, having led the liberation of the accursed castle of Harrenhal. In between, her actions map the further course of a truly epic fantasy set in a world bedecked with 8000 years of history, beset by an imminent winter that will last 10 years and bedazzled by swords and spells wielded to devastating effect by the scrupulous and unscrupulous alike. Standout characters besides Arya include Queen Cersei, so lacking in morals that she becomes almost pitiable; the queen's brother, the relentlessly ingenious dwarf Tyrion Lannister; and Arya's brother, Prince Brandon, crippled except when he runs with the wolves in his dreams. The novel is notable particularly for the lived-in quality of its world, created through abundant detail that dramatically increases narrative length even as it aids suspension of disbelief; for the comparatively modest role of magic (although with one ambitious young woman raising a trio of dragons, that may change in future volumes); and for its magnificent action-filled climax, an amphibious assault on King's Landing, now ruled by the evil Queen Cersei. Martin may not rival Tolkien or Robert Jordan, but he ranks with such accomplished medievalists of fantasy as Poul Anderson and Gordon Dickson. Here, he provides a banquet for fantasy lovers with large appetites?and this is only the second course of a repast with no end in sight. Author tour.
Copyright 1998 Reed Business Information, Inc. --This text refers to the Hardcover edition.

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Product Details

• Mass Market Paperback: 1040 pages
• Publisher: Bantam; 8th THUS edition (September 5, 2000)
• Language: English
• ISBN-10: 0553579908
• ISBN-13: 978-0553579901
• Product Dimensions: 6.9 x 4.1 x 1.9 inches
• Shipping Weight: 1 pounds (View shipping rates and policies)
• Average Customer Review: 4.5 out of 5 stars  See all reviews (651 customer reviews)
• Amazon.com Sales Rank: #1,791 in Books (See Bestsellers in Books)

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• This is item 2 in The Song of Ice and Fire Series.

Customer Reviews

Most Helpful Customer Reviews

179 of 199 people found the following review helpful:

5.0 out of 5 stars Superlative series; GRRM does it again!!!, April 6, 2001

By	MISTER SJEM "sonofhotpie" (CALIF BAY AREA United States) - See all my reviews

First off, I'm a heavy duty fan of GRRM. I've read over a 100 different fantasy authors in my time (started at 12; I'm now 32). Took about 5 years off from the genre b/c I felt it was all getting too formulaic and cliched. Typical archetype character who turns out to be the missing heir or boy wonder who saves the world against the Dark Lord.

So, when I came back to fantasy at the end of 1999, I read the usual: Goodkind, Jordan, etc. and then someone told me about GRRM and man, that was the kicker!

Here are the reasons to choose GRRM. I've also listed the reasons not to choose him to make it fair b/c I know their are certain personalities who won't like this series:

WHY TO READ GRRM

(1) YOU ARE TIRED OF FORMULAIC FANTASY: good lad beats the dark lord against impossible odds; boy is the epitome of good; he and all his friends never die even though they go through great dangers . . . the good and noble king; the beautiful princess who falls in love with the commoner boy even though their stations are drastically different . . . the dark lord is very evil and almost one sided at times . . . you get the idea. After reading this over and over, it gets old.

(2) YOU ARE TIRED OF ALL THE HEROES STAYING ALIVE EVEN THOUGH THEY ARE UNDER CONSTANT DANGER: this gets even worse where the author kills a main hero off but that person comes back later in the story. Or, a hero does die but magic brings him back.

This sometimes carries to minor characters where even they may not die, but most fantasy authors like to kill them off to show that some risked the adventure and perished.

(3) YOU ARE A MEDIEVAL HISTORY BUFF: this story was influenced by the WARS OF THE ROSES and THE HUNDRED YEARS WAR.

(4) YOU LOVE SERIOUS INTRIGUE WITHOUT STUPID OPPONENTS: lots of layering; lots of intrigue; lots of clever players in the game of thrones. Unlike other fantasy novels, one side, usually the villain, is stupid or not too bright.

(5) YOU ARE INTERESTED IN BIASED OPINIONS AND DIFFERENT TRUTHS: GRRM has set this up where each chapter has the title of one character and the whole chapter is through their viewpoint. Interesting tidbit is that you get their perception of events or truths. But, if you pay attention, someone else will mention a different angle of truth in the story that we rarely see in other novels. Lastly and most importantly, GRRM doesn't try to tell us which person is right in their perception. He purposelly leaves it vague so that we are kept guessing.

(6) LEGENDS: some of the most interesting characters are those who are long gone or dead. We never get the entire story but only bits and pieces; something that other fantasy authors could learn from to heighten suspense. Additionally, b/c the points of views are not congruent, we sometimes get different opinions.

(7) WORDPLAY: if you're big on metaphors and description, GRRM is your guy. Almost flawless flow.

(8) LOTS OF CONFLICT: all types, too; not just fighting but between characters through threats and intrigue.

(9) MULTILAYERED PLOTTING; SUB PLOTS GALORE: each character has their own separate storyline; especially as the story continues and everyone gets scattered. This is one of the reasons why each novel is between 700-900 pages.

(10) SUPERLATIVE VARIED CHARACTERS: not the typical archetypes that we are used to in most fantasy; some are gritty; few are totally evil or good; GRRM does a great job of changing our opinions of characters as the series progress. This is especially true of Jaime in book three.

(11) REALISTIC MEDIEVAL DIALOGUE: not to the point that we can't understand it but well done.

(12) HEAPS OF SYMOBLISM AND PROPHECY: if you're big on that.

(13) EXCELLENT MYSTERIES: very hard to figure out the culprits; GRRM must have read a lot of mystery novels.

(14) RICHLY TEXTURED FEMALE CHARACTERS: best male author on female characters I have read; realistic on how women think, too.

(15) LOW MAGIC WORLD: magic is low key; not over the top so heroes can't get out of jams with it.

REASON TO NOT READ GRRM

(1) YOU LIKE YOUR MAIN CHARACTERS: GRRM does a good job of creating more likeable characters after a few die. But, if that isn't your style, you shouldn't be reading it. He kills off several, not just one, so be warned.

(2) DO NOT CARE FOR GRITTY GRAY CHARACTERS: if you like more white and gray characters, this may unsettle you. I suggest Feist or Goodkind or Dragonlance if you want a more straight forward story with strong archetypes.

(3) MULTIPLE POINTS OF VIEWS TURN YOU OFF: if you prefer that the POVS only go to a few characters, this might be confusing for you.

(4) SWEARING, SEX: there's a lot of it in this book just as there is in real life. If you have delicate ears, this book may upset you.

(5) YOU DEMAND CLOSURE AT THE END OF EVERY BOOK: this isn't the case for all stories in the series. Some are still going on; some have been resolved; others have been created and are moving on.

(6) IF YOU WANT A TARGET OR SOMEONE TO BLAME: this can be done to some extent but not as much. This is b/c he doesn't try to make anyone necessarily good or evil.

(7) ARCHETYPES: some readers like archetypal characters because it's comfortable; we like the good young hero (sort of like Pug in Feist's THE RIFTWAR SAGA); it's familiar and we sometimes like to pretend we're this upcoming, great hero. You wont' get much of this in GRRM with the exception of one or two characters. There really aren't any super heroes compared to all the other characters as it's more grittier and no one is shooting fireballs every milisecond or carrying around some super powerful sword.

(8) LENGTH: you don't want to get into a long fantasy epic series. In that case, look for shorters works as this is biiig.

(9) PATRIARCHY: men are most of the main characters with lots of power (one female exception). While this is realistic of the medieval era, some readers may not prefer this if they want more girl power, so to speak.

By the way, if you don't want to commit to a big book until you know the author better, check out his short story, THE HEDGE KNIGHT, in LEGENDS. Overall, this is a great series and I happily purchase the hard cover when it comes out...

25 of 25 people found the following review helpful:

5.0 out of 5 stars Hardcore Action, Hardcore Fantasy. No One Does it Better, October 10, 2000

By	Andres R. Guevara (Aurora, CO United States) - See all my reviews (REAL NAME)

During one of those endless nights when I just couldn't put Clash of Kings down, I wondered: "Why aren't there more books like this?" George Martin has created one of those most deeply involving and satisfying series out there. In only two books, he has crafted real characters involved in the horrors of war. Many of the reviews below accurately describe the way that Martin creates characters of grey, rather than comic book black and whites. Many of the scenes in the book fit well with dark and somber lighting. This is not your daddy's fantasy novel.

Martin's characters bring a more realistic spin on knighthood and war. Cersei describes it best to young Sansa when she destroys the young girl's romantic view of knights by remarking that knights are for killing, nothing more or less. And kill they do. The battle scenes are raw and unglamorous, like the opening scene from Saving Private Ryan. Its all very realistic and gritty and heck, it makes sense: what do you really think happens when a not-so-sharp sword is swung haphazardly at another person: I've never seen it firsthand, but I'm sure its not pretty. It may be an oxymoron to claim that a fantasy book can be realistic, but this series is: after seeing the battle scenes in Braveheart or Gladiator, I have a deeper understanding of the horrors of sword fighting in, say, the medieval times in English history. Martin's story is realistic in the sense that it doesn't gloss over the horror and pain and terror of battles and the rage of the people who fight them.

Martin's series is a hardcore fantasy adventure for adults. While other authors cater predominately to a younger fantasy audience, Martin seems to write for the "college and beyond" crowd (at 31, I'm well beyond). Sex scenes, like the battles, are not glamorous in the least. Whereas characters in Robert Jordan's Wheel of Time series constantly blush and stumble at the very thought of even kissing a girl, Martin's characters think lewd thoughts, perform graphic sex scenes, etc. Yes, its not for all ages, or for every taste, but for those of us who are tired of the same old antiseptic stuff, Martin is a mature breathe of fresh air.

Meanwhile, he continues to awe me with his story telling. The different kings are now in open conflict with each other. Whereas Game of Thrones focused on the Starks v. the Lannisters, in this installment, it seems as if the entire land is in termoil, with no less than six kings fighting each other and attacking each other. The battles are terrific, including the climactic battle. (no spoilers here)

One other note I feel compelled to make is that Martin has created strong and independant female characters in his series. People might assume, based on the reviews, that this is a male-dominated story. Nothing could be further from the truth. Martin spends as much time writing about the female characters (Sansa, Arya, Catelyn Stark) as the male characters, and the female characters rule (i.e. Cersei) and fight battles (I won't reveal any specifics on this point except to say that Martin introduces two female warriors.)

Martin has created a real world, with all the vices of our own, and given all his characters life. Here's hoping that other writers take note.

25 of 27 people found the following review helpful:

5.0 out of 5 stars Ranks with Jordan, Tad Williams, and Kerr, November 9, 1999

By	Bryan Walker "ddd257" (Berkeley, California) - See all my reviews

This review is from: A Clash of Kings (A Song of Ice and Fire, Book 2) (Hardcover)

Of all the fantasy series on the market, only three, to me, combine page-turning plotlines, characters you could cry over, solid writing--and believable worlds. Martin joins Robert Jordan, Tad Williams, and early Katharine Kerr as the best of what modern fantasy has to offer. I know how popular Salvatore, Eddings, Feist, et al. are; but read them again, and what you get is good story with junior high school-level writing ability. Terry Goodkind spins a good yarn, but he's too derivative of Robert Jordan (why no copyright infringement lawsuit?) and his writing is average at best. Martin's series, though... wow. Tad Williams remains, to me, the best-written of all series, Jordan's plot is perhaps the most captivating, and early Kerr was so real you could smell the horse and steel. Martin is not the best in any one area, but he does it all so well you'll find yourself staying up all night turning pages. My only anger is the year-long wait until the next installment. I know some will chafe at the fact that this second volume is mostly build-up, with just about nothing getting resolved. But what a build-up; the tension gets so thick you want to scream at the characters to get a clue and see what's really coming. If your idea of fantasy is two-hundred pages of improbably-named Dungeons and Dragons cliches killing monsters plagiarized from Tolkien, go back to your Salvatores. But if you're into believable worlds crafted by authors who obviously have done some homework into late medieval history to flesh out the details, and characters who are _human_, with human failings, do yourself a favor and buy A Game of Thrones and A Clash of Kings. Better yet, wait until the series is done before you start, or you'll find yourself in agony, like I am now.