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Classic Book Jackets: The Design Legacy of George Salter
 
 
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Classic Book Jackets: The Design Legacy of George Salter [Paperback]

Thomas Hansen (Author), Milton Glaser (Author, Foreword)

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Book Description

December 7, 2004
It's said that you can't judge a book by its cover. George Salter, a legendary figure in the field of book design, never subscribed to this belief. For more than forty years, his beautifully drawn and lettered covers served as elegant windows onto the works of such revered authors as Albert Camus, John Dos Passos, Jack London, and Thomas Mann. Salter had the rare ability to reduce the illustrated dust jacket -- a new part of the book package -- to its essential elements. He could visually evoke -- with typography, calligraphy, and pictorial imagery -- the contents of any given book.
Salter's life and work bridged two continents and cultures, and spanned the severest political turmoil of the 20th century. Through a tumultuous life, nothing halted his tireless and brilliant design work. Classic Book Jackets tells Salter's story and describes the innovative design thinking he brought to his design students (including his designation of seven different jacket types that are still valid today). It includes more than 200 reproductions of his finest works, and a complete catalog of his jackets, designs, layouts, and lettering jobs for the book trade.

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Classic Book Jackets: The Design Legacy of George Salter + By Its Cover: Modern American Book Cover Design + Penguin by Design: A Cover Story 1935-2005
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Editorial Reviews

From Publishers Weekly

In today’s maximum-impact market, with bold colors and graphics plastering book jackets of all sorts, it’s refreshing to peruse this book, which features the work of George Salter, one of the most successful book-jacket designers of the past century. It starts with a biographical synopsis of Salter’s work, but the real raison d’être here are the illustrations, which show how brilliantly Salter captured a book’s theme and plot. Take the swirling collage of characters and images on his cover for Isak Dinesen’s Winter’s Tales or the haunting images of ghost-like figures looking upon a man in a black suit in his cover for Franz Kafka’s The Trial. Sometimes the book cover’s relation to the subject is subtle, yet definite—for instance, a series of wavy lines against a black backdrop on the cover of Evelyn Waugh’s The Ordeal of Gilbert Pinfold subtly depicts the book’s topic: one man’s neurological illness. This overview commendably goes a step further than the jackets themselves, showing Salter’s lasting contributions to the world of book design, such as a three-dimensional, calligraphy-inspired font called "Flex." Sometimes, one does wish for a bit more cross-study—it would have been nice, for instance, to see examples of Salter’s "Flex" font in recent work by today’s designers—but, overall, this is a pleasantly nostalgic look at an important figure in the world of books. 220 color illustrations.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review

"will appeal to readers who love books not just for their contents but for their look and feel as well." -- L.A. Weekly, December 17, 2004

...both delightful to look through and a concise, thorough, and semischolarly account of all of Salter's work. -- Fine Books and Collections, July/August 2005

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Inside This Book (learn more)
First Sentence:
George Salter's stature in the history of book design is undisputed. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
conversation with author, book jackets, book jacket design
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Die Schmiede, Georg Salter, Thomas Mann, Mercury Publications, Random House, United States, The Trial, Alfred Knopf, Modern Library, Erich Reiss, Norbert Salter, Oxford University Press, Franz Kafka, Fritz Kredel, Fritz Landshoff, Joseph Roth, National Socialism, Pocket Books, Robert Nathan, Charles Skaggs, Columbia University Press, Ernst Reichl, Jan Tschichold, Paul Standard
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