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Classic Ellington
 
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Classic Ellington

Simon Rattle , Luther Henderson , Lena Horne , Regina Carter Audio CD
3.7 out of 5 stars  See all reviews (3 customer reviews)

Price: $7.44 & eligible for FREE Super Saver Shipping on orders over $25. Details
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Formats

Amazon Price New from Used from
MP3 Download, 12 Songs, 2007 $9.49  
Audio CD, 2000 $7.44  

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song TitleArtist Time Price
listen  1. Take the 'A' TrainSir Simon Rattle/City of Birmingham Symphony Orchestra/Lena Horne/Clark Terry/Bobby Watson/Joshua Redman/Joe Lovano/Regina Carter/Geri Allen/Lewis Nash/Peter Washington 9:09$0.99 Buy Track
listen  2. You're The OneLena Horne/Joshua Redman/Sir Simon Rattle/City Of Birmingham Symphony Orchestra 2:58$0.99 Buy Track
listen  3. Sophisticated LadyBobby Watson/Sir Simon Rattle/City of Birmingham Symphony Orchestra 5:13$0.99 Buy Track
listen  4. Harlem (a tone parallel to Harlem)Simon Gardner/John Barclay/Mark Goodchild/Sir Simon Rattle/City of Birmingham Symphony Orchestra14:12$2.99 Buy Track
listen  5. IsfahanPeter Walden/Bobby Watson/Sir Simon Rattle/City of Birmingham Symphony Orchestra 4:51$0.99 Buy Track
listen  6. Ad Lib on Nippon (Part 2)Colin Parr/Geri Allen/Sir Simon Rattle/City Of Birmingham Symphony Orchestra 8:56$0.99 Buy Track
listen  7. That Doo-wah Thing from 'It Don't Mean a Thing If It Ain't Got That Swing': Part 2, duet/fugueLena Horne/Clark Terry/Bobby Watson/Joshua Redman/Joe Lovano/Regina Carter/Geri Allen/Lewis Nash/Peter Washington/Sir Simon Rattle/City Of Birmingham Symphony Orchestra 9:07$0.99 Buy Track
listen  8. Something to Live ForLena Horne/Joe Lovano/Sir Simon Rattle/City Of Birmingham Symphony Orchestra 4:35$0.99 Buy Track
listen  9. Come SundayRegina Carter/Clark Terry/Sir Simon Rattle/City Of Birmingham Symphony Orchestra 5:32$0.99 Buy Track
listen10. Solitude in TransblucencyAndrew Barnell/Richard Simpson/Sir Simon Rattle/City Of Birmingham Symphony Orchestra 4:41$0.99 Buy Track
listen11. MaybeSir Simon Rattle/City Of Birmingham Symphony Orchestra/Lena Horne/Bobby Watson 2:44$0.99 Buy Track
listen12. Things ain't what they used to beSir Simon Rattle/City of Birmingham Symphony Orchestra/Lena Horne/Clark Terry/Bobby Watson/Joshua Redman/Joe Lovano/Regina Carter/Geri Allen/Lewis Nash/Peter Washington 7:16$0.99 Buy Track


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Sir Simon Rattle - Tchaikovsky's The Nutcracker

Biography

Sir Simon Rattle was born in Liverpool and studied at the Royal Academy of Music in London.

Between 1980 and 1998, Rattle was Principal Conductor and Artistic Adviser of the City of Birmingham Symphony Orchestra, then Music Director. He toured and recorded extensively with them and also conducted leading orchestras in London, Europe and the USA, enjoying a close association with the Boston… Read more in Amazon's Simon Rattle Store

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Product Details

  • Performer: Lena Horne, Regina Carter
  • Conductor: Luther Henderson
  • Audio CD (September 26, 2000)
  • SPARS Code: DDD
  • Number of Discs: 1
  • Label: Angel Records
  • ASIN: B00004W479
  • In-Print Editions: MP3 Download
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #337,791 in Music (See Top 100 in Music)

Editorial Reviews

Amazon.com

Duke Ellington, a restless experimenter, flirted occasionally with the traditional symphony orchestra, most memorably in 1963, when he recorded his band with three European classical orchestras. This new development of those experiments is lent authenticity by the involvement of Lena Horne, who sang with Ellington in 1940, and Clark Terry, who worked with Ellington through the 1950s (and performs a hilarious vocal and trumpet duet with himself in the final blues here). The orchestration is by Luther Henderson, and he, too, worked with Ellington, shortly before the latter's death, in 1974. Along with these veterans, seven younger jazz musicians, including Joshua Redman, Regina Carter, Geri Allen, and Lewis Nash, are heard in excellent form. Although this CD is released by EMI Classics, the jazz contribution dominates, despite some out-of-tempo passages in "Solitude" and "Sophisticated Lady." Henderson's eclectic integration of traditionally separate elements works well, and Rattle's lively conducting of the Birmingham Symphony Orchestra demonstrates his commitment. Most of this material (some by Billy Strayhorn) didn't receive symphonic treatment from Ellington himself and is therefore doubly welcome in this very clear recording from Birmingham Symphony Hall. --Graham Colombé

 

Customer Reviews

3 Reviews
5 star:
 (2)
4 star:    (0)
3 star:    (0)
2 star:    (0)
1 star:
 (1)
 
 
 
 
 
Average Customer Review
3.7 out of 5 stars (3 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

16 of 16 people found the following review helpful:
5.0 out of 5 stars JazzMasterworks re-interpreted, September 26, 2000
By A Customer
This review is from: Classic Ellington (Audio CD)
Having heard excerpts from this on the radio before it was released whetted my appetite,and I rushed out and bought the disc on day one.Why,you may ask,should you purchase this in preference to the Orchestra(s) of the Duke himself? Well,for one thing it's an album featuring a host of the best players from today(Lovano,Redman,Watson),players whom the Duke himself would surely have welcomed into his ranks (and who could complain about the compositions chosen?)For another,although this is'nt a priority for me(my own record collection ranging from the dawn of recording history to now),there's a very good quality of recording throughout in,but the real question is--to whom would this release be aimed at primarily...the classical enthusiast,the jazz enthusiast,which? Which particular pigeon hole should the marketing men slot this into?Answer--I don't know,because this a delight that really crosses categories, transcending mere factionalism, and suceeding in the same way that the "Third Stream" music of a few years ago was supposed to do,but conspicuously failed to deliver.Of course,Rattle has crossed musical divides before,mostly garnering praise,and I can't help but feel that his all-encompassing approach is the only sensible path,as so much can be lost to those whose loyalties are unwaveringly tied to one type of music or another(Gil Evans and his Hendrix tributes are another good example of broadening horizons for an audience of mainly jazz fans). So,let's hope that this real alternative to the Ducal catalogue has the success it deserves,and some more of the same would be nice...the music of Mingus would especially be suitable to this revisionist treatment,as this was concieved(if only in the head of the man himself)for a more classical interpretation.Try this,you'll think it money well spent.
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5.0 out of 5 stars simon rattle-jazz, June 5, 2010
Amazon Verified Purchase(What's this?)
This review is from: Classic Ellington (Audio CD)
rattle has had a career as a conductor of classical music with the city of birmingham orchestra. this is an excellent jazz album featuring ellington,s music with lena horne among others.highly recommended as is the earlier "jazz album"
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2 of 5 people found the following review helpful:
1.0 out of 5 stars Rattle's Clinker (Simon says, "Hold Your Nose!"), December 21, 2005
This review is from: Classic Ellington (Audio CD)
Okay, I'll bite...

In an alternate universe, one wonders what Duke and Stray might have given us if they adapted Brahms, Mahler and Beethoven symphonies for their orchestra.

EKE's original long form compositions are true works of genius. Note Ellington Suites written for the Queen England in 1959 or his clever, uncompromising jazz nod to Tchaikovsky in "Arabesque Cookie" and Grieg's "Peer Gynt".

There are conductors who could handle a project like this credibly: Andre Previn, Gunther Schuller? That said, and despite heroic efforts of soloists both gifted and renown, nothing can save Sir Rattle and his orchestra (Cough, "band"). They are out of their element and beyond redemption on this album.

One star because Clark Terry is so beautiful. Nothing he contributes to can be all bad.
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