The Classic Era of American Pulp Magazines [Hardcover]

Peter Haining (Author)

Book Description

Publication Date: April 1, 2001

The period between the World Wars—the era of sexual liberation, Prohibition, the rise of organized crime, and the Great Depression—was also the classic era of American pulp magazines, the subject of this fascinating volume. Pulps, with their lurid color covers depicting the thrills of sex and violence, and with stories to match inside, fuelled America’s dreams—and nightmares. For a few cents they offered everything young men wanted: sex, action, adventure. But they also fostered the talents of some of the greatest popular writers of the century—Arthur C. Clarke, Isaac Asimov, Raymond Chandler, James M. Cain, and Dashiell Hammett, among others—and virtually invented the genres of science fiction and hard-boiled crime. From the cheap thrills of the “hot” and “spicy” pulps and the sexual sadism of the “shudder” pulps to the weird worlds of the fantasy, sci-fi, and horror pulps, this book displays their art and tells their history, capturing the original magazines in all their sleazy, sensational glory.

Editorial Reviews

From Publishers Weekly

Peter Haining (The Fantastic Pulps) pays homage to the sensation-packed, nickel and dime publications that brought the "stuff of dreams" to millions of ordinary people from the 1920s to the '40s in The Classic Era of American Pulp Magazines. Numerous cover illustrations and sketches culled from Haining's personal collection of pulps complement a running narrative that chronicles the inception and expansion of the mass-produced magazines. From "hot and spicy" pulps to sci-fi and crime pulps, Haining details the trends that evolved to accommodate the times and notes the authors such as Arthur C. Clarke, Isaac Asimov and Edgar Rice Burroughs who made their mark writing for the pulps. With its tantalizing story excerpts and luscious artwork, this volume is a an essential collector's item for pulp aficionados and sci-fi, horror and fantasy fans. (Chicago Review Press, $39.95 240p ISBN 1-55652-389-0)

Copyright 2001 Cahners Business Information, Inc.

From Booklist

The golden age of American pulp magazines has been the subject of numerous retrospectives, often emphasizing the cover art, but this British import provides an excellent overview of all aspects of the topic. Haining, a pulp collector and unabashed fan whose lively prose reflects his enthusiasm, isolates the three key ingredients in pulp stories--action, adventure, and sex--and traces how these elements were exploited in various genres: hard-boiled mystery, fantasy, science fiction, horror, and spicy romance. He traces the publishing history of each genre, with equal time given to the notable authors, the superb cover artists, and the cultural phenomena that created a receptive audience for the pulp worldview. And, of course, the pages are filled with well-produced, nicely printed reproductions of those fabulous covers (see front cover of this issue). Eminently browsable, this delicious volume will be a welcome treat for pulp-era devotees. Bill Ott
Copyright © American Library Association. All rights reserved

See all Editorial Reviews

Product Details

• Hardcover: 240 pages
• Publisher: Chicago Review Press (April 1, 2001)
• Language: English
• ISBN-10: 1556523890
• ISBN-13: 978-1556523892
• Product Dimensions: 11.8 x 9.2 x 1 inches
• Shipping Weight: 3 pounds
• Average Customer Review: 4.4 out of 5 stars  See all reviews (5 customer reviews)
• Amazon Best Sellers Rank: #873,469 in Books (See Top 100 in Books)

More About the Author

Discover books, learn about writers, read author blogs, and more.

Customer Reviews

Most Helpful Customer Reviews

34 of 34 people found the following review helpful:

3.0 out of 5 stars Of limited value, June 3, 2001

By 

Rory Coker (Austin, TX USA) - See all my reviews
(REAL NAME)   

This review is from: The Classic Era of American Pulp Magazines (Hardcover)

Peter Haining has published a huge number of volumes on a variety of topics, which tend to be both well illustrated and very carelessly researched. This latest addition to the stack unfortunately follows that pattern.

First the good stuff: the book offers a large number of well-reproduced covers from a wide variety of pulps. The images are photographs (two are out of focus slightly), and so do not have the problems seen in several similar recent books which had electronically-scanned covers displaying a color palette nothing whatsoever like the actual covers.

Now for the bad part. The text is mainly just a description of particular magazines which happen to be in the author's personal collection. Where the text departs from what is really just a catalog of the collection, to provide background on publishers, specific titles and authors, the material is so riddled with errors as to be of very limited use and reliability. So much of the text is clueless, every reader will have his favorite (and different) gaffe. Mine is the reference (p. 203) to "famous American space artist Chester Bonestall." He's apparently not as famous as I thought!

To summarize the contents: Chapter 1 provides a confused account of the origins and types of pulp magazines. Chapter 2 is devoted to the very-soft-porn pulps usually sold from under the tobacco shop counter. Chapter 3 deals with detective, crime and gangster pulps. Chapter 4 covers the "spicy" pulps and their imitators. Chapter 5 introduces the weird fantasy pulps, of which the best and best known were WEIRD and UNKNOWN. Chapter 6 surveys the "shudder" pulps which featured heavy doses of sadism and torture. Chapter 7 fairly casually dips into the huge sea of science-fiction pulps. Finally, chapter 8 shows us a little bit of the little-known world of British pulps and pulp publishing. (About half the space actually is devoted to paperbacks rather than pulps.) Notable complete omissions from the book are the most popular pulp genre, westerns (perhaps half of all pulp titles at peak), and the justice-figure pulps such as THE SHADOW, DOC SAVAGE and the SPIDER, which are the best remembered pulps today. Also largely ignored are the general fiction titles, such as BLUE BOOK, ARGOSY and ADVENTURE. With such omissions, the present book cannot be considered very valuable even as a pictoral survey of the pulp era.

Buy it for the cover reproductions and you won't be too disappointed. But if you try to read the text, you're in for dismay and frustration.

7 of 8 people found the following review helpful:

5.0 out of 5 stars What the glory years of pulp magazines had to offer, June 6, 2001

By 

Midwest Book Review (Oregon, WI USA) - See all my reviews

This review is from: The Classic Era of American Pulp Magazines (Hardcover)

The colorfully covered, cheaply printed pulp magazine of the 1920s and 30s great out of the 19th-century dime novel and served as the forerunner of the comic books and paperback novels of today. In its heyday, pulp magazines were a staple of popular culture that offered every genre of readership the thrills, adventures, and entertainments they craved -- often to the dismay of parents, teachers, and clergy! Virtually creating the now popular literary genres as science fiction and the hard-boiled private eye mystery, these magazines were the incubators of such American literary talents as Arthur C. Clarke, Isaac Asimov, Raymond Chandler, James M. Cain, Dashiell Hammett, and a legion of others. An outstanding recommendation for personal, academic, and community library collections, The Classic Era Of American Pulp Magazines tells the complete story of these colorful pulps and those that wrote and published them, with a wealth of colorful cover art giving today's readers an accurate sense and taste of what the glory years of pulp magazines had to offer their enthusiastic readers.

3 of 3 people found the following review helpful:

5.0 out of 5 stars Eye Candy of Beautiful Maidens from Another Era, September 18, 2007

By 

Wanderer (Sacramento, CA) - See all my reviews

This review is from: The Classic Era of American Pulp Magazines (Hardcover)

Note: There are a couple Mormons who are angry over my negative reviews of books written in defense of the Book of Mormon, and they have been slamming my reviews. Your "helpful" votes are appreciated. Thanks.

As a non-artist, it's hard to write a review of an art book, but I know what I like. So here's a non-expert's opinion.

This book is well worth the price. It is full of color covers of pulp magazines from the 1930s through the 1950s. I've owned it for many years, and I still love browsing through it. I've copied a couple of them and hung them on my wall.

Also, if you don't already know about Bud Plant, then also check out his site. You'll go broke ordering from it. What a wonderful collection classic illustrations!

Check out my download pictures.