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Classical Drawing Atelier: A Contemporary Guide to Traditional Studio Practice
 
 
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Classical Drawing Atelier: A Contemporary Guide to Traditional Studio Practice [Hardcover]

Juliette Aristides (Author)
4.5 out of 5 stars  See all reviews (45 customer reviews)

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Book Description

October 13, 2006
Ateliers have produced the greatest artists of all time—and now that educational model is experiencing a renaissance. These studios, a return to classical art training, are based on the nineteenth-century model of teaching artists by pairing them with a master artist over a period of years. Students begin by copying masterworks, then gradually progress to painting as their skills develop. Classical Drawing Atelier is an atelier in a book—and the master is Juliette Aristides, a classically trained artist. On every page, Aristides uses the works of works of Old Masters and today’s most respected realist artists to demonstrate and teach the principles of realist drawing and painting, taking students step by step through the learning curve yet allowing them to work at their own pace. Unique and inspiring, Classical Drawing Atelier is a serious art course for serious art students.

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Classical Drawing Atelier: A Contemporary Guide to Traditional Studio Practice + Lessons in Classical Drawing: Essential Techniques from Inside the Atelier + Classical Painting Atelier: A Contemporary Guide to Traditional Studio Practice
Price For All Three: $61.86

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  • Lessons in Classical Drawing: Essential Techniques from Inside the Atelier $18.99

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Editorial Reviews

About the Author

Juliette Aristides is the author of Classical Painting Atelier and Classical Drawing Atelier. She is the instructor of the Aristides Classical Atelier at the Gage Academy of Art in Seattle, Washington, where she lives. Her work is exhibited at the John Pence Gallery in San Francisco and can be seen at the Art Renewal Center.

Product Details

  • Hardcover: 144 pages
  • Publisher: Watson-Guptill; First Edition edition (October 13, 2006)
  • Language: English
  • ISBN-10: 0823006573
  • ISBN-13: 978-0823006571
  • Product Dimensions: 9.3 x 0.7 x 11.3 inches
  • Shipping Weight: 2.2 pounds (View shipping rates and policies)
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (45 customer reviews)
  • Amazon Best Sellers Rank: #33,587 in Books (See Top 100 in Books)

More About the Author

Juliette Aristides, whose beautiful art is featured throughout this book, is the founder and director of the Classical Atelier at the Seattle Academy of Fine Arts. She studied with realist master Jacob Collins and at the National Academy of Design and the Pennsylvania Academy of the Fine Arts. She lives in Seattle, Washington.

 

Customer Reviews

45 Reviews
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 (31)
4 star:
 (9)
3 star:
 (3)
2 star:
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Average Customer Review
4.5 out of 5 stars (45 customer reviews)
 
 
 
 
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65 of 73 people found the following review helpful:
3.0 out of 5 stars Approach With Caution...., July 15, 2009
This review is from: Classical Drawing Atelier: A Contemporary Guide to Traditional Studio Practice (Hardcover)
No question this is a beautiful book, and I often have my own copy open to enjoy the excellent reproductions of drawings by masters past and present. The text, especially the chapter on composition, is very thorough and persuasive.

The crux of my growing discontent with the book is the demonstration on how to copy an old master drawing, a drawing by Raphael. It's an impressive performance, accomplished, like most of the projects demonstrated in the book, using the straight line block-in method, and the final result is a near-exact duplicate of the original drawing. The problem is: Raphael didn't draw this way. Neither did Michelangelo, Pontormo, Rubens, Van Dyck, Rembrandt, Prud'hon or Ingres.

There is much which is of value in this book, but in order to understand drawing in a wider context, I would recommend, in addition, anything by Robert Beverly Hale, Burne Hogarth, George Bridgeman, John H. Vanderpoel, or Harold Speed. Also, I highly recommend "The Language of Drawing" by Sherrie McGraw, which is a pointed and subtle rebuttal to what some might see as the over-emphasis on accuracy in the methods taught in this book.

Drawing is a big subject, and no one book covers it all.

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53 of 60 people found the following review helpful:
5.0 out of 5 stars This book is the best on its subject, December 5, 2006
This review is from: Classical Drawing Atelier: A Contemporary Guide to Traditional Studio Practice (Hardcover)
I have quite a collection of art books that I keep as reverences and browse into every now and again. I bought this book as I taught that it might be good, and since I am always looking for `that knowledge' of fine art schools, but since I do not have the time and money to attend to classes, I try to study by myself. Few books ever give me the satisfaction of buying it, and most of the time I end up gathering some information which is either irrelevant or keep on reading the same text from book to book, with just a few words that make it different from all the others. But this one is sooooo different. I have found what I have been looking for in the last couple of years. Can't believe this book is so cheap!!! The pictures are massive, the knowledge is wicked and the style is simply out of this world! If you're into classic fine art, this book is a must, whether you re a beginner or a professional artist.
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19 of 20 people found the following review helpful:
5.0 out of 5 stars Drawing in depth, October 3, 2007
By 
William Polm (North-western Oregon, USA) - See all my reviews
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This review is from: Classical Drawing Atelier: A Contemporary Guide to Traditional Studio Practice (Hardcover)
This is a deep book, a kind of survey of essential drawing topics for the artist student, beginning or advanced. My impression is that Ms. Aristides covers the curriculum of her Atelier, explaining the theory behind the practices and learning accomplished there. At any rate, what she discusses she treats thoroughly and thoughtfully with valuable insights. For instance, I have read a number of excellent books on drawing, but hers is the first that defined for me the different meanings contained in straight lines verses curved lines. For me, a key insight. So I think the true value of this book, in addition to spelling out what her students do and learn, is the key artistic wisdom Ms. Aristides shares out of her experience and expert skills.
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Inside This Book (learn more)
First Sentence:
Oftentimes in order to advance one must look back.  Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
golden ratio rectangle, narrow knitting needle, cubed forms, smooth drawing paper, golden ratio proportions, comparative measuring, core shadow, assemble the following materials, cast drawing, vine charcoal, master copying, ratio rectangles, toned paper, drawing medium, directional lines, kneaded eraser, logarithmic spiral
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Art Resource, Leonardo da Vinci, Aristides Classical Atelier, Juliette Aristides, France Photo Credit, Peter Paul Rubens, National Academy of Design Museum, Edgar Degas, Jacopo Pontormo, Kollar Fine Paintings, Annie Rosen, Henri Fantin-Latour, Italian Renaissance, Jean-Auguste-Dominique Ingres, Joshua Langstaff, Previous Spread, Reunion des Musées Nationaux, Steven Assael, Jacob Collins, Jeffrey Mims, Mark Kang-O'Higgins, Michael Grimaldi, Richard Lack, Thomas Couture
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