Most Helpful Customer Reviews
15 of 18 people found the following review helpful:
2.0 out of 5 stars
Has potential, but lacks direction, July 16, 2003
The CD opens with a fantastic adaption of Rodrigo but goes downhill from there. Too many of the tracks have a generic, slow, elevator music sound to them, something I would not have expected from a CD produced and arranged by Mike Batt. Other tracks lack direction and come off as poor imitations of Vanessa-Mae. The Planets' rendition of Contradanza, a piece composed by Mike Batt originally for Vanessa-Mae, makes my ears bleed. If you're a fan of classical crossover (as I am), this CD is still worthwhile to own. "Rodrigo" and "Classical Graffiti" show the potential of this group if they can develop more of a style and tackle some tougher material. Buy it with the caveat that you're not going to find the same creativity or dynamism as with the early albums from Vanessa-Mae or Bond. If you're looking for more of an introduction to good classical crossover music, pick up Vanessa-Mae's "The Violin Player" and Bond's "Born" instead.
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5 of 5 people found the following review helpful:
5.0 out of 5 stars
Nice Cross Over, December 30, 2004
One can hear and appreciate the classical training of these fine musicians, and this attempt to cross over into more hip crowd. I appreciate that their attempts to do this with classical pieces did not venture too far out, e.g. Rodrigo is my least favorite piece. I do enjoy the Carmen Caprice pieces and the Brandenburg Varaitions are well done.
The pieces unfamiliar to me are quite good: The Journey of A Fool, He Moved Through the Fair, A Letter from New England.
The Christmas Trilogy is nice ending, with its swirling, winding version of What Child Is This, Holly & Ivy and In Dulce Jubilo.
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3 of 3 people found the following review helpful:
5.0 out of 5 stars
Fabulous new young British group, June 4, 2002
This promising young group of 8, four men and four women ages 22-28 have produced a popular easy listening CD, following highly successful debut in London last fall. EMI is so impressed that there is more to come, following a £3 million contract. Some easy listening classical, Spanish, etc. We love it!
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