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4.0 out of 5 stars An Attractive but Limited Sonic Signature
This is a retrospective of Vitamin Records' four classical tributes to Rush: Exit . . . Stage Right (2002), Baroque Tribute (2004), Rush's 2112 (2005), and Piano Tribute (2006). The company specializes in tribute albums and it's being a little clever by linking the graphic design of its retrospective, which features images of the previous albums on a museum wall, to the...
Published 10 months ago by R. Freedman

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5 of 6 people found the following review helpful:
3.0 out of 5 stars Good but not exciting.
Faithing translation to a light classical sound, but lacks in creativity in the arrangement. A case of 'going through the motions' rather than a passionate or inspired rendition.
Published on May 15, 2007 by J. M. Cousins


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5 of 6 people found the following review helpful:
3.0 out of 5 stars Good but not exciting., May 15, 2007
This review is from: The Classical Tribute to Rush: Through the Prism (Audio CD)
Faithing translation to a light classical sound, but lacks in creativity in the arrangement. A case of 'going through the motions' rather than a passionate or inspired rendition.
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4.0 out of 5 stars An Attractive but Limited Sonic Signature, April 23, 2011
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R. Freedman (Washington, D.C.) - See all my reviews
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This review is from: The Classical Tribute to Rush: Through the Prism (Audio CD)
This is a retrospective of Vitamin Records' four classical tributes to Rush: Exit . . . Stage Right (2002), Baroque Tribute (2004), Rush's 2112 (2005), and Piano Tribute (2006). The company specializes in tribute albums and it's being a little clever by linking the graphic design of its retrospective, which features images of the previous albums on a museum wall, to the Rush retrospective series, which does the same thing. The visual mimicry is a bit of a metaphor for the whole tribute concept.

That said, if you like the way Vitamin Records has translated Rush's popular record staples Like "Tom Sawyer" and "Limelight" into the classical format, then you might find this compilation valuable if you haven't already bought the previous tributes. I say might, because one of the problems with the previous tributes is the limited variation in instrumentation and arrangement. The pieces start to sound claustrophobic after a few listens, because you get the same violin-cello combination over and over again. Even with the piano and baroque tributes, which move away from that violin-cello arrangement, the sonic signature of the albums sounds very much the same. That has to be attributed to the way the albums were produced, recorded, and engineered. It would have been better to either bring in different musicians or different producers for the albums, so the treatments sound fresh. After all, Rush wrote the songs, so the only thing a tribute album brings to the pieces is its imagination in presenting them. If that imagination is limited, then what's the point?

The classical approach to Rush's popular music is valuable, and the pieces are enjoyable to listen to, and it can certainly be said that this approach puts the complexity and musicality of Rush's work in sharp relief. If you appreciate classical interpretations of Rush and don't already have one or more of others, this compilation is the way to go.
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The Classical Tribute to Rush: Through the Prism
The Classical Tribute to Rush: Through the Prism by Tribute to Rush (Audio CD - 2007)
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