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41 of 41 people found the following review helpful:
5.0 out of 5 stars
A Classical Picaresque, December 26, 2007
This review is from: Classics for Pleasure (Hardcover)
Meandering (at a delicious, leisurely pace) through Michael Dirda's CLASSICS FOR PLEASURE, one feels as though he is riding shotgun through a world of both well-known and unknown wonders with an expert guide. And though Michael Kinsley, in his blurb, writes, "Michael Dirda is the best-read person in America. But he doesn't rub it in," he forgets to add this: Dirda seems to fervently hope you will not only appreciate his literary expertise, but will also rise to meet it. His voice is that generous and unpretentious.
Dirda divides his mostly 2-4 page descriptions of classics you should read into these novel categories: Playful Imaginations, Heroes of Their Time, Love's Mysteries, Words from the Wise, Everyday Magic, Lives of Consequence, The Dark Side, Traveler's Tales, The Way We Live Now, Realms of Adventure, and Encyclopedic Visions. Those titles alone are like browsing colorful glossies at the travel agency. You can't wait to jump in.
In Realms of Adventure, Dirda shows his range of tastes, including writers as varied as Rudyard Kipling and Dashiell Hammett. In reviewing H. Rider Haggard's KING SOLOMON'S MINES, Dirda shares a typically fascinating piece of trivia: "He [Haggard] had reportedly boasted that he could write a better novel than Robert Louis Stevenson's TREASURE ISLAND. His brother challenged him to prove it, and KING SOLOMON'S MINES was the result." At the end of the essay on Haggard, Dirda plays coy: "Is it better than TREASURE ISLAND? As a boy I thought so, but happily there's no need to choose between them." Nevertheless, Dirda's job is done. The less well-known H. Rider Haggard's two books, KING SOLOMON'S MINES and SHE are added to the reader's (THIS reader's, anyway) already listing "To-Be-Read" pile.
Which brings me to this: Bibliophile's beware. Dirda's beguilingly delightful insights into the works of some 88 authors will literally charm you onto turf where angels formerly feared to tread ("angels" being your former reading self). In the section Encyclopedic Visions, he even makes Edward Gibbon's HISTORY OF THE DECLINE AND FALL OF THE ROMAN EMPIRE sound tempting. Not that I'm going to go there anytime soon. First there are too many formerly unknown or forgotten shorter classics I want to visit: Jean Toomer's CANE, Edward Gorey's AMPHIGOREY, Lucian's THE TRUE HISTORY, and E.T.A. Hoffman's short stories, for starters.
Bottom line? This is a great resource to own for those of us who love to live by the oft-repeated words, "So many books, so little time." It's a problem we not only can, but love to, live with...
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52 of 54 people found the following review helpful:
4.0 out of 5 stars
Expanding your horizons, October 24, 2007
This review is from: Classics for Pleasure (Hardcover)
Michael Dirda is the go-to man for great reading. If you want to find intensely pleasurable reading in titles you never thought to pick up, he will expertly guide you and easily convince you of what you should read next. His tastes range from the conventional classics to the unexpected gems to genre writing and titles far afield from the usual literary lists. His enthusiasms are infectious, his tastes are broad, his explanations of why the title chosen is worth your while are persuasive.
As with his previous books, Dirda is the informed cicerone through the labyrinth of literature, a dependable companion whose advice is wise, witty and informed by the love of books. Hours in his company is time well spent.
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8 of 8 people found the following review helpful:
5.0 out of 5 stars
An exuberant exploration of neglected classics, February 27, 2008
This review is from: Classics for Pleasure (Hardcover)
So infectious is Dirda's delight in the passion for living that goes into a good book that I found myself eager to read all his recommendations - including those authors I have already read and disliked for one (obviously inadequate) reason or another.
Stunningly well read, Dirda appreciates a well-turned phrase, an individual style, a keen wit, or a powerful intellect. He illuminates his choices with quotes, artfully tantalizing plot summaries and biographical snippets. Story is key. "Nearly all the works covered tell great stories, whether these are fictional, historical or biographical."
What isn't here is The Canon. No Shakespeare, Homer, Dickens or Jane Austen. They can be found elsewhere, particularly in John S. Major's revised edition of Dirda's childhood inspiration, Clifton Fadiman's "The Lifetime Reading Plan." Dirda avoids the obvious masters to focus on "several key authors passed over by Fadiman and Major, many important writers of what one might call the popular imagination, and a few seemingly minor figures who deserve to be better known."
So, from Sappho to Agatha Christie, Thomas More to Jules Verne, "Beowulf" to "The Maltese Falcon," Dirda extols the insights and idiosyncrasies of a broad range of talents and niches. His essays are personal, witty and brief - he covers almost 90 books in little more than 300 pages and readers will almost always long for more.
He divides his book into 11 thematic sections, i.e., Words from the Wise; Traveler's Tales; Realms of Adventure, and chooses seven to 10 authors for each. Most are at least familiar, but a few are obscure (at least to me). The 16th century astrologer and thorough autobiographer, for instance, Girolamo Cardano, appears wildly entertaining and the Scotsman William Roughead spent much of his life attending murder trials and writing about the "bold artists" whose common characteristic was self-conceit.
A Pulitzer Prize-winning book critic for "The Washington Post," Dirda clearly had a lot of fun writing this concise, exuberant, and exquisitely organized book. Readers will be tempted to read, or re-read, every one of his selections.
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