Clifford Curzon: Decca Recordings 1937-1971 Vol.3

Sir Clifford Curzon | Format: MP3 Download

Product Details

• Original Release Date: August 9, 2005
• Release Date: August 9, 2005
• Number of Discs: 6
• Label: Decca
• Copyright: (C) 2005 Decca Music Group Limited
• Record Company Required Metadata: Music file contains unique purchase identifier. Learn more.
• Total Length: 6:46:40
• Genres:
• ASIN: B0017MSJ9O
• Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
• Amazon Best Sellers Rank: #529,977 Paid in MP3 Albums (See Top 100 Paid in MP3 Albums)

Customer Reviews

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6 of 7 people found the following review helpful:

5.0 out of 5 stars More Classic Curzon, February 14, 2006

By 

Michael B. Richman (Portland, Maine USA) - See all my reviews
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This review is from: Clifford Curzon: Decca Recordings, 1937-1971, Vol. 3 [Box Set] (Audio CD)

After enjoying (and reviewing) the previous two installments of pianist Clifford Curzon's Decca Recordings in the "Original Masters" series, I was delighted to pick up Volume 3 over the holidays. The performances on this six disc set span nearly thirty-five years, from a 1937 orchestrated account of Schubert's "Wanderer" Fantasy with Sir Henry Wood and the Queen's Hall Orchestra, to a final disc of all Schubert, the majority of which was made in 1971. In between are many brilliant concerto recordings, and though some have been previously available on CD, all have been out-of-print for some time. The true gems are paired on disc four -- the 1959 stereo Grieg with Fjeldstad and the London SO (my personal favorite -- I had the old "Classic Sound" series CD), and the 1957 mono Brahms No. 2 with Knappertsbusch and Vienna. Coming in a close second is disc three's coupling of the Tchaikovsky 1st, with Solti leading Vienna in stereo from 1958, and the Rachmaninov 2nd, with Boult and the LPO in mono from 1955. The remaining two Concerto performances -- Mozart's 23rd and Brahms' 1st -- are regrettably from the 1940s and suffer from both mediocre sound and comparatively uninspired conducting (Neel and Jorda respectively). Rounding out this set are 1952 performances of the two Mozart Piano Quartets with members of the Amadeus Quartet, and an entire disc (no. 5) of stereo Liszt solo piano works. In all, this is a great collection, and here's to hoping there is enough material in the vaults to produce a Volume 4!