Review
John Hurt, the star of The Climb, is an actor with an often staggering capacity for conveying human suffering. With his watery eyes and lean bony, tragic-looking face. Hurt can almost radiate pain. Yet there's a sardonic side to his acting (in stories like The Naked Civil Servant and Love and Death on Long Island ) that undercut any sentimental mush. He's capable of making us laugh at the victims he portrays and their folly even to empathize with their entrapment. Almost all Hurt's skills and view in The Climb which is one of those sterling independent films that some times unfortunately slip through the cracks. Set in 1959 in Baltimore suburb (although it was actually shot in New Zealand. It's an engrossing and sometimes wonderful little family drama, revolving around a young boy's relationship with his reticent father (played by David Strathairn), a man falsely accused of cowardice, and with the dying old engineer (played by Hurt) who lives next door. The boy, Danny Himes (a very good, unsentimental performance by Gregory Smith) obsessed with the notion of proving his courage, partly because in a neighborhood dominated by Korean War veterans, his non-veteran father Earl (Strathairn), is a target to abuse and ridicule. Danny becomes fixated on proving his own bravery by climbing an abandoned TV tower high in the hills above the suburb, as one of his collaborators is Hurt's, Chuck Langer a cancer-ravaged engineer who built many a bridge and road in South America. All of the actors in this film are good. But, as Langer, Hurt is simply tremendous. Impending death has snuffed out almost all Langer's inhibitions and turn him into a railing profane old tyrant. Yet, the warmth and the depth of his ties with Danny are always convincing. The Climb is a little jewel well-worth seeking out - for its humanity, its humor and, most of all, for the brilliant hurting of Hurt. --Michael Wilmington, Chicago Tribune
Review
With a setting and atmosphere seemingly ripped out of the pages of Boy's Life magazine, The Climb is the kind of movie that isn't made much anymore a family film in the truest sense of the word. That means it's just as enjoyable to adults as it is inspiring to teens and preteens, and when's the last time you've seen a film like that? Incidentally, something s wrong in the movie business when a studio-produced idiotic film like last year's Wild America, which has the same target audience, can become a minor hit, yet The Climb which played successfully at the 1997 Mill Valley Film Festival has had to scratch for a distribution deal. Set in 1959 Baltimore, it's about young boy, Danny (Gregory Smith), whose dream of scaling a massive radio tower before it is torn down becomes the major obsession of his life. Climbing the tower will a) prove his fearlessness to a gang of bullies; b) make him better than his father, Earl (David Strathairn), who is considered a coward in the neighborhood because he did not fight in either Korea or World War II; and c) assert his superiority to his smug and scholarly sister Leslie (Bay Area native Marla Sokoloff, the secretary on the television series The Practice.). Trouble is, Danny breaks his arm in typical young adventurous boys fashion, he does it trying to climb onto of his roof of his house. It doesn't look like he's going to be able to conquer the tower before its demise, and to make matters worse, he's also been saddled with the after-school task of caring for a dying neighbor. Chuck (John Hurt, who has fun with his gruff performance) has lung cancer, and wants nothing better than to drink whiskey and smoke cigarettes until his day of reckoning arrives. What's a boy to do? Turns out that old curmudgeon Chuck, who beguiles the boy about his days as a civil engineer (building roads and bridges in such exotic, un-Baltimore-like places as Ecuador, Bolivia and Argentina, tamping virgin jungle ), has an idea or two about how to get up there. The Climb was expertly written by Vince McKewin, who certainly has to be considered one of the best writers of family movies going he also wrote Fly Away Home. McKewin takes young adults seriously; while he can present adolescent goals and longing in their proper, sometimes amusing perspective as when Danny accidentally sees a neighbor woman undressing he doesn't question the honesty of the feelings or their importance. And there's a lot more to it than just Danny's side of things. Much time is spent on Earl's clashes with his neighbor, a gung-ho war veteran (Stephen McHattie) who endangers his fellow residents by randomly firing guns while rip-roaring drunk, and the social interaction of the adults on the street. In style and spirit though the execution is different The Climb, actually filmed (believe it or not) in New Zealand and directed by Bob Swaim, has pleasant echoes of Stand By Me. It's properly nostalgic, beautifully made, and has a little something for everyone. --G. Allen Johnson, San Francisco Examiner
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