Cornell's use of philosophy, literature, and cinematic theory makes this an intriguing (yet surprisingly accessible) work. Her weaving of plot summarization and critical analysis is elegant and seamless. Highly recommended.
No doubt many fans of Eastwood's directorial work will find additional reasons to examine his methods thanks to Cornell's thoughtful, thorough analysis.
Drucilla Cornell's powers of cultural analysis and critique are in rare form in this lucidly written and extraordinarily rich philosophical portrait of one of Hollywood's most brilliant and often controversial icon of masculinity. The work inspires reflection not only on the meaning of masculinity in the world of cinematic fantasy, a world with a troubled history of female and racial subordination premised both on its presence in American society and its cultivation and fomentation as imagined by directorial license, but also on struggles for humanistic portraits of human possibility in a clearly less than ideal world. It's a triumph in new critical theory and philosophical analysis of contemporary culture. Bravo!-Lewis Ricardo Gordon
About the Author
Drucilla Cornell is National Research Foundation Professor in Customary Law, Indigenous Ideals, and the Dignity Jurisprudence at the University of Cape Town in South Africa and Professor of Political Science, Women & Gender Studies, and Comparative Literature at Rutgers University.