Close Encounters of the Urban Kind is a solid anthology that stays true to its base premise of mixing urban legends with aliens, complete with an author note at the end of each story indicating where the legend came from and how the story came to be written. The stories are generally sufficiently creepy to be entertaining, especially the opening few and closing few stories, with just a touch of middling performance in the middling regions of the book. Stories include: Lollo, by Martin Livings, a nicely creepy story about a babysitter and a toy clown; Green Tears on Black Velvet, by Jeff Soesbe, a tale of artistic alien arson; Racing Lights, by Erik Scott de Bie, with some particularly credible dialogue; Waterheads, by Ivan Ewert, which teaches the lesson of listening to the locals; The Fingernail Test, by Bev Vincent, which teaches the advantages of proper reflection; Headlights, by Jennifer Pelland, a tale of friendships and transitions; Shiny Eyes, by Jonathan McKinney, a short short about trusting yourself and breaking the rules; The Invitation, by Carole Jonstone, a tale of storms and mirrors; Frames of Reference, by Nathan Crowder, a story which shows that the line between fiction and reality can be very, very important; Late Night Snack, by Robert Farnsworth, a tale to creep you out the next time you are driving a lonely highway late at night; Two Out, Wendigo, by Rosemary Jones, a story which shows that the Cubs aren't the only thing in the Midwest that's cursed; The Hippie Monster of Eel River, by Shannon Page, a tale which mixes parties, drugs, and a message of peace in quite uncomfortable ways; Roadkill, by Rick Silva, a tale which will make you wonder if the aliens agree that there is intelligent life on this planet; End of Life, by Richard Lee Byers, a cautionary tale about the government or strangers at the door or worse; Teacups and Saucers, by Ramsey Lundock, a story which answers well-known questions in an unexpected way; Gloomy Sunday, by Eddy Webb, a tale of the power of music; Mastihooba, by Joshua Palmatier, a story about how bad things from your childhood never really go away unless you make them; I Am Sorry For Talking So Rarely To Strangers, by Alma Alexander, a tale of the power of a mother's love; Dead Letter Drop, by Pete Kempshall, a particularly powerful tale of the horrible things that sentient beings do to one another; and It Came From The Backseat, by Eric Lowther, which is about exactly what you think it is about, or not.