Closing Time [Hardcover]

Joseph Heller (Author)

Book Description

Publication Date: October 1, 1994

The sequel to the classic novel that came to symbolize the absurdity of war takes on politics, the greed of business, and the decline of society and brings back most of the original major characters as they battle The End.

Editorial Reviews

From Publishers Weekly

Worked on for many years and long anticipated (and perhaps dreaded) by admirers of the incomparable original, Heller's "sequel" shares with his great WWII saga a surreal sense of the absurd and of the fatuity of most human institutions. But it is hard to avoid a sense of keen disappointment, nonetheless. The satirizing of American contemporary life has been done so frequently-and often successfully-since the 1961 Catch-22, which helped make so much of that satirizing possible, that Heller is in effect competing with himself, and failing. Here again are John Yossarian, Milo Minderbinder, Sammy Singer, Chaplain Albert Tappman, and the giant Lew. Newcomers include Washington finagler G. Noodles Cook and the mysterious and ubiquitous know-it-all Jerry Gaffney. The wartime buddies are old men now, worried about their health, their sex lives and their children, but they find 1990s civilian life as corruptly absurd as the old Air Force days. There are flashbacks to the war, some of which recall the power of Heller's original inspiration; there are nostalgic passages about Coney Island, long Jewish dialogues that could have been penned by a whacked-out Neil Simon, bravura passages (notably, a magnificent wedding reception held at New York's Port Authority Bus Terminal) and hare-brained Pentagon meetings to discuss the new Shhhh super-quiet warplane. There are patches of vaudeville, dreamscapes, far too much sophomoric doodling, and longueurs when Heller seems simply to be filling pages. In the end, despite flashes of the old wit and fire, this is a tired, dispirited and dispiriting novel. 200,000 first printing; first serial to Playboy.
Copyright 1994 Reed Business Information, Inc.

From Library Journal

Just like the original Catch-22, this sequel opens with Yossarian in a hospital bed, flirting with the nurses. Now in his seventies, Yossarian is depressed by his perfect health: things can only get worse. He lives alone in a Manhattan apartment not far from most of his old war buddies, including Milo Minderbinder, a defense contractor straight out of Dr. Strangelove. Yossarian and company mourn the decline of New York City and American culture in general and look back longingly to the golden age of prewar Coney Island. The symbolic center of the book is a surreal wedding extravaganza held at the Port Authority Bus Terminal and hosted by Minderbinder, who recruits highly paid actors to portray derelicts and prostitutes. This work attempts the same sort of giddy black humor that made its predecessor a classic, but the underlying mood is somber, almost elegiac. A profoundly disturbing novel, if not quite up to the standard of Catch-22; recommended for all fiction collections.
Edward B. St. John, Loyola Law Sch. Lib., Los Angeles
Copyright 1994 Reed Business Information, Inc.

See all Editorial Reviews

Product Details

• Hardcover: 464 pages
• Publisher: Simon & Schuster; 1st edition (October 1, 1994)
• Language: English
• ISBN-10: 0671746049
• ISBN-13: 978-0671746049
• Product Dimensions: 9.3 x 6.4 x 1.6 inches
• Shipping Weight: 1.8 pounds
• Average Customer Review: 3.0 out of 5 stars  See all reviews (56 customer reviews)
• Amazon Best Sellers Rank: #1,080,859 in Books (See Top 100 in Books)

More About the Author

Joseph Heller was born in Brooklyn in 1923. In 1961, he published Catch-22, which became a bestseller and, in 1970, a film. He went on to write such novels as Good as Gold, God Knows, Picture This, Closing Time (the sequel to Catch-22), and Portrait of an Artist, as an Old Man. Heller died in December 1999.

Customer Reviews

Most Helpful Customer Reviews

69 of 77 people found the following review helpful:

2.0 out of 5 stars A Good Argument for the Abolition of All Sequels, October 12, 2000

By 

Stone Junction "The Suburban Hobo" - See all my reviews

This review is from: Closing Time (Hardcover)

I read Joseph Heller's CATCH-22 on a rainy day, with nothing to do but gaze at the novels my father had collected over the years. Plunging in to avert crushing boredom, I discovered what all readers before me have, the absolute brilliance of it. CATCH-22 is one of the finest war novels I have read, surpassing even M*A*S*H* and THE SHORT-TIMERS in its audacious mix of humour, horror, and insanity. I also was overwhelmed by the fact that this was Heller's first novel. When I completed it, I rushed to a second-hand bookstore to buy CLOSING TIME. I had become such an instant fan of Heller's work, that it never crossed my mind that some things are better left alone.

Why, oh why, did Heller pen CLOSING TIME? CATCH-22 did not need a continuation. It was lightning in a bottle, a once-in-a-lifetime event that could never be repeated. But Heller, late in his career, decided, for better or for worse, that Yossarian and Milo Minderbinder had lives worth examining yet again.

The plot begins with Yossarian (whom I desperately wanted to meet after finishing CATCH-22) in a hospital, now older, still bitter, but unfortunately, not funny. As the labyrinth storyline progresses, Yossarian bumps up against a plethora of eccentric characters, both old friends and new enemies. There's the Chaplain (who can produce heavy water from his bowels), a president addicted to videogames, a bizarre wedding coordinator with dreams of the ideal society wedding within a decrepit bus station, and Milo, the schemer extrordinaire, now trying to sell invisible bombers to clueless generals. All this, plus a subplot in an underground playworld that may or may not be Hell.

Why doesn't this work? Part of the problem, I believe, is that CATCH-22 had a genuinely insane setting in which to place its insane characters. The comparison of war with mental imbalance may not be new, but CATCH-22 made it fresh and invigorating. CLOSING TIME finds Heller without such a setting, frantically trying to create insanity where there was none before. It's not enough to simply show nutty people; they need a context in which they can flourish. CLOSING TIME doesn't provide them with one.

Is it fair to keep comparing CLOSING TIME to CATCH-22? Probably not, but Heller invites the comparison. Reading CLOSING TIME is akin to attending your high school reunion. You meet all the people you once knew and loved, but despite your being glad to see them, you leave in a sonewhat depressed state. You've grown up, but they haven't. They were fun in school, but in the real world, you can't wait for them to leave you alone.

18 of 20 people found the following review helpful:

4.0 out of 5 stars A good book on the effects of growing old in modern society, July 9, 1999

By A Customer

This review is from: Closing Time: The Sequel to Catch-22 (Paperback)

Judging from the reviews on this page, it seems to me like most (but not all) of the negative reviews are from people who were merely expecting more Catch-22. Some comment that Closing Time has nothing to do with Catch-22, some that it is merely a poor rehashing of the material from Heller's earlier work, thus implying that the content is effectively similar, albeit inferior. I suppose I'm lucky not to be a Novel Nerd, because it seemed to me that Closing Time does an excellant job of what Heller set out to do: show us the effects of time, age, and society on young people with strong ideals and direction. The meandering reminicences of Yossarian and the others are not shoddily constructed prose, they are the sounds of old men trying to put their past into the context of what their present has become, and vice-versa.

If I could offer any constructive negative critism of this book, it would be that the surreal juxtaposition of concrete life, the military, and Hell seemed somewhat ill-defined, and as a result Heller's conclusion to the novel lacks some of the conviction that it could have had.

14 of 15 people found the following review helpful:

2.0 out of 5 stars It was hard for me to be hard on this book, June 1, 2007

By 

Matthew Smith "Roger Mexico" (TN USA) - See all my reviews
(REAL NAME)   

This review is from: Closing Time (Paperback)

I am a big Heller fan who has read most of his work and enjoyed almost every minute of it, but Closing Time was just a painful read.

The book is basically nothing more than a sub-par Catch-22. Heller attempts to catch some of the old magic, but Yossarian as a disappointed geriatric made me want to cry. I would much rather have kept Yossarian sitting naked in a tree inside of my imagination rather than ever see him as a feeble old man. I compare seeing him as a vulnerable old man to the feeling I had when, as a kid, I figured out my dad couldn't beat up everyone else's dad. I didn't want to see my dad as a mortal man nor did I want to see my favorite literary character as a mortal either.

Other than the disappointment of seeing my favorite characters as old timers, the book tries to read like its predecessor but falls very short. The humor is the same but the jokes have become as old and tired as the characters. Catch-22 had me rolling on the floor one minute and then crying a few minutes later, but this book had a few smirks and no tear jerkers. The conversation about where the water went (if you read the book you know what I am talking about) was a brief, shining moment among many lusterless ones.

I would advise anybody who is as big a fan of Catch-22 as I am not to even read this book, even if you get a free copy. I wish I hadn't. The image you want in your mind is Orr paddling away to freedom and Yossarian flying off into the sunset on his trail, but if you read this book that image will be gone forever.

Review from a huge fan of Catch-22 telling other fans do not read this book for your own good.