Clothes on Their Backs [Audiobook, Unabridged] [Audio CD]

Linda Grant (Author)

Book Description

Publication Date: January 1, 2009

Shortlisted for the 2008 Man Booker Prize, and set against the backdrop of a London from the 1950s to the present day, "The Clothes on Their Backs" is a wise and tender novel about the clothes we choose to wear, the personalities we dress ourselves in, and about how they define us all. In a red brick mansion block off the Marylebone Road, Vivien, a sensitive, bookish girl grows up sealed off from both past and present by her timid refugee parents. Then one morning a glamorous uncle appears, dressed in a mohair suit, with a diamond watch on his wrist and a girl in a leopard-skin hat on his arm. Why is Uncle Sandor so violently unwelcome in her parents' home? This is a novel about survival - both banal and heroic - and a young woman who discovers the complications, even betrayals, that inevitably accompany the fierce desire to live. This recording is unabridged. Typically abridged audiobooks are not more than 60 per cent of the author's work and as low as 30 per cent with characters and plot lines removed.

Editorial Reviews

Review

"This definitely has edge." Sue Arnold, The Guardian (audiobook review) "If you read only one novel this year, make sure it is The Clothes on Their Backs." Sunday Express "Her novel is at once a beautifully detailed character study, a poignant family history and a richly evocative portrait of the late 1970s." The Independent "A terrific novel, bursting with life." The Mail on Sunday "A meticulously textured and complex novel." The Sunday Times"

About the Author

Linda Grant is a novelist and journalist. She won the Orange Prize for Fiction in 2000 and the Lettre Ulysses Prize for Literary Reportage in 2006. She writes for the Guardian, Telegraph and Vogue. --This text refers to the Paperback edition.

Product Details

• Audio CD
• Publisher: Wf Howes; Unabridged edition (January 1, 2009)
• ISBN-10: 1407430505
• ISBN-13: 978-1407430508
• Product Dimensions: 6 x 5.3 x 1 inches
• Shipping Weight: 8.5 ounces
• Average Customer Review: 3.4 out of 5 stars  See all reviews (12 customer reviews)
• Amazon Best Sellers Rank: #3,426,807 in Books (See Top 100 in Books)

More About the Author

Linda Grant was born in Liverpool on 15 February 1951, the child of Russian and Polish Jewish immigrants. She was educated at the Belvedere School (GDST), read English at the University of York, completed an M.A. in English at MacMaster University, Hamilton, Ontario and did further post-graduate studies at Simon Fraser University, Vancouver, Canada, where she lived from 1977 to 1984.

Her first book, Sexing the Millennium: A Political History of the Sexual Revolution was published in 1993. Her first novel, The Cast Iron Shore, published in 1996, won the David Higham First Novel Award and was shortlisted for the Guardian Fiction Prize. Remind Me Who I am Again, an account of her mother's decline into dementia and the role that memory plays in creating family history, was published in 1998 and won the MIND/Allen Lane Book of the Year award and the Age Concern Book of the Year award. Her second novel, When I Lived in Modern Times, set in Tel Aviv in the last years of the British Mandate, published in March 2000, won the Orange Prize for Fiction and was shortlisted for the Jewish Quarterly Prize and the Encore Prize. Her novel, Still Here, published in 2002, was longlisted for the Booker Prize. Her non-fiction work, The People On The Street: A Writer's View of Israel, published in 2006, won the Lettre Ulysses Prize for Literary Reportage. Her Booker Prize shortlisted novel, The Clothes On Their Backs, was published in February 2008. Linda's most recent book, The Thoughful Dresser was published in March 2009.

She has written a radio play, Paul and Yolande, which was broadcast on Radio 4 in October 2006, and a short story, Lucy In The Sky With Diamonds, part of a week of stories by Liverpool writers commemorating the 40th anniversary of the Beatles, Sergeant Pepper's Lonely Hearts Club Band, broadcast in July 2007.

She has also contributed to various collections of essays. Her work is translated into French, German, French, Dutch, Danish, Swedish, Spanish, Portuguese, Italian, Czech, Russian, Polish, Turkish and Chinese.




Awards

The Clothes On Their Backs Shortlisted for the Man Booker Prize 2008
Winner South Bank Show Award

The People on the Street:
A Writer's View of Israel Lettre Ulysses Prize for Literary Reportage

When I Lived in Modern Times Winner, Orange Prize for Fiction 2000
Shorlisted: Jewish Quarterly Prize
Encore Prize


Remind Me Who I Am, Again Mind Book of the Year 1999
Age Concern Book of the Year 1999


The Cast Iron Shore David Higham First Novel Prize
Shortlisted Guardian Fiction Prize

Customer Reviews

Most Helpful Customer Reviews

38 of 41 people found the following review helpful:

3.0 out of 5 stars Even 'monsters' have a human side, June 4, 2008

By 

Ralph Blumenau (London United Kingdom) - See all my reviews
(TOP 500 REVIEWER)   

This review is from: Clothes on Their Backs (Paperback)

It takes some time before the main plot of the book really gets into its stride. The story is told by Vivien, the daughter of Ervin and Bertha Kovacs, Jews who had fled to London from the antisemitism in pre-war Hungary. They are timid people, desperate not to get into any further trouble, and they have been so traumatized by their past that they never talk about it. For example, Vivien has been told nothing about her grandparents, though she does know that Ervin has an elder brother, Sándor, who is the black sheep of the family and who arrived in England only after 1956. When Vivien was ten, she had once caught a glimpse of Sándor, who turned up at their front door, only to be driven away by his brother, who would not explain to Vivien why he hated his brother so and who forbade any mention of him in the house; but soon afterwards there were reports on television about his arrest, and then books and newspaper articles programmes appear about Sándor, who, for his crimes as a particularly notorious and vicious rack landlord, had been sent to prison for fourteen years.

In 1977 Vivien, aged 24 and out of a job, accidentally sits next to him on a park bench: she recognizes him, but does not tell him who she is, though we are told fairly early on that he did realize who she was. Both of them will for a long time keep up the pretence that she is someone called Miranda. The old man is looking for someone to tape-record and then write up the story of his life, and Vivien takes on the job. In the course of it she learns about the past of which her parents had never spoken - it covers the years from 1916 to the Hungarian uprising of 1956. And she also learns what events had turned her father into such an anxious and timid creature, while Sándor, who had had an infinitely worse time in Hungary during the war, had learnt from them that only the tough, ruthless and selfish survive. But Vivien gradually begins to realize that even a `monster' has a human side. The first climax comes about two thirds through the book in which, well described as it is, her collusion is to me frankly unbelievable. The second climax, near the end and involving the novel's secondary plot of Vivien's relationship with one of her uncle's tenants, also strikes me as somewhat forced.

The story is set against the time when racist thugs of the National Front were very active and intimidating in certain London neighbourhoods, and that of course was a frightening reminder to the generation of refugees.

One theme of the book is that Vivien, partly because she had been kept in such ignorance of her roots, does not really know who she is. As a young woman and wanting to escape from the stifling atmosphere of her home, she goes through various styles of living, each of which involves its own way of dressing up. The clothes of all the characters are described in detail throughout the book, and are symbolic of their owners' lives. `The clothes you wear are a metamorphosis. They change you from the outside in' is Vivien's rather odd generalization near the end - true perhaps of the clothes Vivien is given, less so surely of those she has chosen.

Some things in this book ring very true; others less so; but it is a good read; and when you have finished the book, you will want to read the first chapter, set in 2006, again.

12 of 12 people found the following review helpful:

3.0 out of 5 stars Interesting but not compelling, October 19, 2008

By 

M. Feldman (Maine, USA) - See all my reviews
(TOP 1000 REVIEWER)    (VINE VOICE)    (REAL NAME)   

Amazon Verified Purchase

This review is from: Clothes on Their Backs (Paperback)

This novel, which made it to the Man Booker short list, is uneven and not nearly as good as other novels on the list, like Barry's "The Secret Scripture and Adiga's "The White Tiger" (which won the prize). Grant is skillful at characterization, and almost all of the characters in "The Clothes on Their Back" are interesting, particularly Sandor, the slumlord uncle who escapes the Holocaust and then communist Hungary but can't escape his own nature. But the plot that draws the disparate characters together is thin, particularly the narrator Vivian's involvement with an alienated young punk who has a room in her uncle's apartment house. The narrator keeps pointing out that the two of them are only together for the sex, as if repeatedly trying to explain why these two would spend time together at all. Some scenes seem like a stretch, like the birthday party Sandor throws for Vivian; it's a device to accomodate the family confrontation, but it's not very convincing. Read "The Clothes on Their Backs" and see what you think; it's an interesting novel, if not a great one.

5 of 6 people found the following review helpful:

5.0 out of 5 stars Clothes reveal & conceal ..., May 19, 2009

By 

Caitlin Martin "addicted to words" (East Bay, CA) - See all my reviews
(VINE VOICE)    (REAL NAME)   

This review is from: The Clothes On Their Backs: A Novel (Paperback)

I really loved this book with its sharp, incisive character studies & underlying exploration of how a wardrobe can reveal & conceal.

The main character, Vivien, embarks on a search for her family history by talking with her father's estranged brother, Sandor, once convicted of being a slum lord. Sandor is a complex character - a slum lord, a pimp, a survivor of slave labor camps during WWII, an escapee from communist Hungary. He is by turns "the face of evil" & the soul of human kindness. I loved all the complex dualities captured in his character.

Equally interesting is the underlying story of London in the '70's - punk music & the rise of the National Front. It's interesting to think about how frightening the skinhead movement must have been to those who had survived the first go-round with Fascism.

This book is well written & literary without being overly conscious of its craft. The story is well-told, the characters fully realized and multidimensional. & the clothes - the joys to be had in costuming & re-costuming & all of the ways that clothes express who we are or who we wish we could be.