From Publishers Weekly
The rediscovery of the previously unpublished title work is the occasion for collecting Vidal's short stories—all eight of them—for the first time. That piece, which closes the collection, features an episode from Tennessee Williams's childhood in which the young playwright decides to pre-empt sin through suicide, a decision complicated by knowledge that his uncle is being blackmailed for sexual misconduct with a minor. Discretion kept this story from Vidal's 1956 collection
A Thirsty Evil, but it's clearly continuous with the seven others, many of which also contain homoerotic elements and a tone of tart disillusion: in "Three Stratagems," a suave young man suffers an epileptic seizure before he can sell his body; in "The Zenner Trophy," a prep school athlete is expelled for an affair with a male classmate. Mortality and shades of E.B. White's famous distortions of time enter as well, as a middle-aged man runs into himself as a boy ("A Moment of Green Laurel"), and another spends a night in his childhood bedroom ("The Ladies in the Library"). Vidal's short-form execution is strangely ineffective: he often locates action off the page, then labors to bring the information into the story cleanly. But readers will recognize the frosty vision and frequently artful prose of the essayist of
United States and the novelist of
Myra Breckinridge.
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These eight short stories from one of the most highly regarded contemporary American writers, who is, however, much better known as a historical novelist and provocative essayist, represent--
present--Vidal's obvious capability in the form. This is the first time all of his short pieces have been published together. In his trademark highly polished style, burnished to a fine sheen, Vidal shows an acceptance of and even dexterity in facing the requirement of being brief. Whether he is writing about older men picking up younger ones in Key West, private-school adventures, or what expatriates in Rome are up to, his tone is sophisticated, his stories informed by an all-the-right-places kind of sensibility. A certain Somerset Maugham urbanity imbues every piece, injected with such lines as "By the time I was ten I do recall that I talked almost entirely in sonorous cliches and I had begun to demonstrate an alarming talent for didactic poetry." Vidal is, of course, cosmopolitan to his fingertips, and this is a book for comprehensive public library fiction collections.
Brad HooperCopyright © American Library Association. All rights reserved