Cloudsplitter [Abridged] [Audio Cassette]

Russell Banks (Author), George Delhoyo (Narrator)

Book Description

Publication Date: May 1998

Russell Banks's gift for creating compelling stories populated by gritty and startlingly real characters has resulted in such acclaimed masterworks as Continental Drift, The Sweet Hereafter, and his most recent bestseller, Rule of the Bone. Now Banks takes on one of American history's most misunderstood figures, John Brown, whose October 1859 raid on the federal arsenal at Harpers Ferry, Virginia, crossed the line from civil protest to armed struggle, prefiguring the greatest conflagration in this country's history. Narrated by the enigmatic abolitionist's son Owen, the novel dazzlingly re-creates the fractured political and social landscape of pre-Civil War America, when slavery and talk of secession were tearing the country apart. But Cloudsplitter is about much more than one man's quest for political change and social justice. It is a moving and powerfully told story of fathers and sons, of racial conflict and division, as well as an intimate portrait of 19th-century family life. Rich in incident and exquisite detail, Cloudsplitter is the novel that will elevate Russell Banks to the highest rank of 20th-century American authors.

--This text refers to an out of print or unavailable edition of this title.

Editorial Reviews

Amazon.com Review

The cover of Russell Banks's mountain-sized novel Cloudsplitter features an actual photo of Owen Brown, the son of John Brown--the hero of "The Battle Hymn of the Republic" whose terrorist band murdered proponents of slavery in Kansas and attacked Harpers Ferry, Virginia, in 1859 on what he considered direct orders from God, helping spark the Civil War.

A deeply researched but fictionalized Owen narrates this remarkably realistic and ambitious novel by the already distinguished author of The Sweet Hereafter. Owen is an atheist, but he is as haunted and dominated by his father, John Brown, as John was haunted by an angry God who demanded human sacrifice to stop the abomination of slavery. Cloudsplitter takes you along on John Brown's journey--as period-perfect as that of the Civil War deserter in Cold Mountain--from Brown's cabin facing the great Adirondack mountain (called "the Cloudsplitter" by the Indians) amid an abolitionist settlement the blacks there call "Timbuctoo," to the various perilous stops of the Underground Railroad spiriting slaves out of the South, and finally to the killings in Bloody Kansas and the Harpers Ferry revolt. We meet some great names--Frederick Douglass, Ralph Waldo Emerson, and a (fictional) lover of Nathaniel Hawthorne--but the vast book keeps a tight focus on the aged Owen's obsessive recollections of his pa's crusade and the emotional shackles John clamped on his own family.

Banks, a white author, has tackled the topic of race as impressively as Toni Morrison in novels such as Continental Drift. What makes Cloudsplitter a departure for him is its style and scope. He is noted as an exceptionally thorough chronicler of America today in rigorously detailed realist fiction (he championed Snow Falling on Cedars). Banks spent half a decade researching Cloudsplitter, and he renounces the conventional magic of his poetical prose style for a voice steeped in the King James Bible and the stately cadences of 19th-century political rhetoric. The tone is closer to Ken Burns's tragic, elegiac The Civil War than to the recent crazy-quilt modernist novel about John Brown, Raising Holy Hell.

A fan of Banks's more cut-to-the-chase, Hollywood-hot modern style may get impatient, but such readers can turn to, say, Gore Vidal's recently reissued Lincoln, which peeks into the Great Emancipator's head with a modern's cynical wit. Banks's narrator is poetical and witty at times--Owen notes, "The outrage felt by whites [over slavery] was mostly spent on stoking their own righteousness and warming themselves before its fire." Yet in the main, Banks writes in the "elaborately plainspoken" manner of the Browns, restricting himself to a sober style dictated by the historical subject.

Besides, John Brown's head resembles the stone tablets of Moses. You do not penetrate him, and you can't declare him mad or sane, good or evil. You read, struggling to locate the words emanating from some strange place between history, heaven, and hell. --This text refers to an out of print or unavailable edition of this title.

From Library Journal

Cloudsplitter is the Native American name for the mountain that looms over the John Brown farmstead in New York. It might also describe the force that John Brown brought to the abolitionist movement. Those of use who know Brown only from Harper's Ferry will be enlightened. Banks looks at Brown through the eyes of Brown's third son, Owen. Owen looks back on his father's life and recalls the complex road, convictions of the heart, and religious fervor that led to the violence in Kansas and Harper's Ferry. Owen explores his own difficult relationship with his resolute and zealous parent. Brown's opposition to slavery is absolute, but his son is not certain what his own path should be. Owen strains against his own awareness of racism and the stern expectations of his father. This fictional account is informed by much historical research. The narrative brings to life this enigmatic and controversial figure in American history. George DelHoyo offers an excellent reading, bringing the necessary sobriety to Banks's carefully crafted prose. This is a worthy purchase for any library.ANancy Paul, Brandon P.L., WI
Copyright 1998 Reed Business Information, Inc.

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Product Details

• Audio Cassette
• Publisher: Audio Literature; Abridged edition (May 1998)
• Language: English
• ISBN-10: 1574532707
• ISBN-13: 978-1574532708
• Product Dimensions: 7.8 x 4.8 x 1.2 inches
• Shipping Weight: 14.4 ounces
• Average Customer Review: 4.2 out of 5 stars  See all reviews (99 customer reviews)
• Amazon Best Sellers Rank: #2,448,034 in Books (See Top 100 in Books)

More About the Author

Russell Banks is the author of sixteen works of fiction, many of which depict seismic events in US history, such as the fictionalized journey of John Brown in Cloudsplitter. His work has been translated into twenty languages and has received numerous international prizes, and two of his novels-The Sweet Hereafter and Affliction-have been made into award-winning films. His forthcoming novel, The Reserve, will be published in early 2008. President of the International Parliament of Writers and former New York State Author, Banks lives in upstate New York.

Customer Reviews

Most Helpful Customer Reviews

17 of 19 people found the following review helpful:

3.0 out of 5 stars Too long, too melodramatic and a touch over indulgent, July 9, 2000

By 

Simon Jackson - See all my reviews

This review is from: Cloudsplitter: A Novel (Paperback)

Do you remember at school when there was something that you didn't quite understand - usually algebra for me - and everybody else seemingly did? The last thing to do was to put your hand up and ask the teacher for clarification, thus one would stay quiet rather than be viewed as the class dunce. The psychology of my school days apart, the reading of Cloudsplitter by Russell Banks has left me with a similar feeling. The book has received a great many plaudits and I don't quite understand why. So I think maybe it's just me, that maybe I'm just missing something. But unlike my algebra classes I like to put my hand up!

Described on its cover as `a splendid epic' and ` A great American novel' when I finished it's mammoth 758 pages I agreed with some of these assessments and indeed still do. However, with the reflection of a couple of weeks maybe rather than the pleasure of completion what I actually was feeling the relief of completion.

Written from the perspective of Owen Brown, son of John Brown there is a great deal within the pages of Cloudsplitter that can be admired. It is in many instances well written, evocative, moving and extremely powerful. But the flip side is that it is also repetitive, boring, difficult to read and at times sleep inducing. The strength of the novel is in its depth of description both in terms of events and environments. The reader gains an understanding of the hardships of existing in certain parts of 19th century America. However, for this reader there is a vast difference between depth of description and length of description. On occasions I felt length replaced depth and furthermore became frustrated at attempts to flood me with language rather than lead me with it. The second half of the book - after Owen and his brother Fred head off to Kansas - picked up pace and I felt that I had more invested in the story. I do wish however that this could have happened before page 549!

Narrating his recollections via written correspondence to a researcher the melodramatic older Owen Brown suggests that he has become "nothing but paper.... a great disheveled heap of words" and for me coming to the end of the novel that's how I was beginning to feel.

I gave this book three stars because that's right in the middle of what I could have given. I suppose this is because Cloudsplitter for me hangs in the balance, one side represented by fine writing and the other by over indulgence. Ultimately I'm glad I read the book but for me it isn't an epic or the great American novel (living in England I'm never quite sure what the great American novel actually is!).

A measure for me of how much I've enjoyed a book is how many times I'll loan it out to friends and family - Cloudsplitter I regret to say will spend some time of my bookcase.

Now about that algebra!

18 of 23 people found the following review helpful:

5.0 out of 5 stars A brilliant, epic novel of deep relevance, November 16, 1999

By A Customer

This review is from: Cloudsplitter: A Novel (Paperback)

I do not like the idea of heros; but Banks is able to humanize his characters so deeply and movingly that there is nothing else to call them. Instead of a vacuous glory like that ascribed to the so-caled founding fathers of the United States in American high school history classrooms, Banks presents us with Owen and John Brown, full of doubts and weaknesses, yet able to achieve amazing ends regardless. For these characters, bravery and integrity means something. For example, much confusion has surrounded the Pottawatomie Massacre carried out by John and Owen; it was a horrible deed, cold, ruthless, and terrorist. It is to Banks' credit that he develops his characters so well that this incident can be dealt with clearly. Reading Cloudsplitter, we can get a picture of how the real occurence might have happened.

Nearly everything about this book hits the mark. It is well-researched (although if you want to know the true history of these stories, you should look elsewhere, since Banks at times diverges from the record). The language Banks uses is appropriate to the subject, as is the epic length and scope of the work. The issues of racism are handled in their unresolved complexity, making the novel eminently useful for those living in the US today. The novel integrates broad, important ideas about spirituality, identity, and power with the emotional and psychological eruptions of all-too human beings in a way that will perhaps make it a classic statement about the human condition.

16 of 21 people found the following review helpful:

4.0 out of 5 stars Ambitious, November 30, 2000

By 

Christopher A. Smith (Houston, TX) - See all my reviews
(REAL NAME)   

This review is from: Cloudsplitter: A Novel (Paperback)

A thoroughly meticulously and hugely ambitious telling of John Brown's life, culminating in the bloody rebellion at Harper's Ferry.

Russell Banks strays from his normal storytelling formula in Cloudsplitter; this novel reads like a well researched piece of historical fiction. Banks concentrates not only on capturing the characters with accuracy and depth (which he accomplishes here as in his other novels) but also on painting the mood and character of the time itself. This is the story not only of Owen and John Brown, but of pre-Civil War America itself.

At 758 pages it isn't a quick read, and the characters develop more slowly than they do in his other novels, but I never found the book to be needlessly verbose. We get a picture of John Brown that is comprehensive and complete, warts and all. And we also get an interesting look at the institution of chattel slavery in the United States, its crushing effectiveness, and the racial norms of the time.

Brown is painted as a man of principle, but a fanatic nonetheless. His power over his small band of followers is based largely on his overwhelming charisma, not on his vision or his doomed mission. The novel is based on actual events and therefore the reader knows how the action will end before it even begins, but Banks manages to keep the suspense building.

Banks employs some strange tactics in this novel, including a risky "out of body" experience that mixes an element of fantastic into his otherwise literal and meticulous storytelling (you might think you've wandered into a Rushdie or Gabrial Marquez novel). But somehow it all works. In summary: an interesting and challenging novel.