I'd give CLUB DEAD a 4.5 if that were possible. First off, I really love this series. It's unique in its supernatural chills mixed with insightful social speculation, lusty romance and hoot-out-loud hilarity. (Hamilton's Anita Blake series, you say? Puh-leeze.) So I approach it as a solid 5 just for great world building and characterization, then work down from there.
I won't bother with a plot summary since it's already been done but this book is less balanced than the first two in the series. The characters are still vivid and grow in suprising but logical ways. Sookie is just as tough, wry and clear-sighted about her own situation and vulnerabilities. Her lover Bill The Vampire's unexpected treachery suprised me but Harris is nothing if not tough minded. She's consistently sprinkled reminders throughout all the diverting humor and action that vampires are fundamentally different; they do not share conventional human morality or emotions. Vampire area boss Eric is still a gorgeous hunk who cheerfully lusts for Sookie but shows signs of being a more simpatico, genuine friend, albeit somewhat reluctantly. (He's still a vampire and "doesn't *like* having feelings, remember.) The introduction of hunky (and breathing) Alcide the Werewolf, hung up on the Ex-Girl Friend From Hell, makes a poignant counterpoint to Sookie's situation. And Bubba, oh my GOD, the ineffable Bubba...(This raving won't make a lick of sense to anyone who hasn't read the series but betcha anyone who HAS can't keep from chortling.)
As always w/ this this series, there are some purely wonderful scenes. Sookie and Alcide nervously trying to dispose of a corpse wrapped in a shower curtain, "like a big green burrito." And as usual Harris seamlessly, suavely injects unexpected humor into horror and vice versa. An appalling bloodbath at Club Dead jolts weres and shapeshifters, already jittery from the full moon, into drifting through the carnage as falcons, German Sheperds and a stray bison. It's pretty danged disconcerting to snicker during a scene where the thoroughly likeable main character gets a stake driven into her side.
But that leads to my one caveat about this book. It's exhausting in its relentless violence against Sookie. Over the span of a few days she's subjected to one horrific assault after another, bam, bam, bam. She isn't granted any respite or downtime and neither is the reader. Even after her harrowing rescue of Bill from the torture chamber--a logical watershed moment--she's ambushed and/or brutally assaulted two more times (once by Bill) and then once again when she finally, grimly flees home. Maybe the constant violence and terror (no matter how deftly leavened with wry humor) set up Sookie's decision to slam the door against her dear undead but the book still ends with a thump. The relentless tension never really gets released; it just...ends.
I'm sure (uh, I *hope*) Charlaine Harris will back-fill the aftermath in the next book. (Soon, please!) It just would have been satisfying to have that coasting-down and wrapping-up at the end of this book for balance. I feel a little thwarted of conversations and resolutions that could have served as coda to this installment. Bill helplessly marching backward, her brush still in hand, doesn't quite cut it. It's not like Harris hasn't built huge suspense already...how will Sookie cope now, with her increasing familiarity and fame with the undead and supernatural ? If she can't "go back", where can she go...and where and how far does she *want* to go? Great stuff.
Please place these few, very minor quibbles in perspective. This series is a genuine, rare *find* for readers jaded with the same old same old. Charlaine Harris is a writer, not a by-the-numbers word factory, who won't insult your intelligence, waste your time or money. If you haven't read the series, you're in for a treat.