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Codgerspace [Mass Market Paperback]

Alan Dean Foster (Author)
3.1 out of 5 stars  See all reviews (7 customer reviews)


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Book Description

July 1, 1992
When every machine ceases to function and begins to search for non-human species of higher intelligence, an alien threat to humans and machines threatens the universe.

Editorial Reviews

From Publishers Weekly

When Tunbrew Wah-chang leaves his cheese sandwich in the bowels of the O-daiko, the plant responsible for manufacturing components of machines endowed with artificial intelligence, mechanical mayhem results. In short order, farm equipment, drink dispensers and gardening tools across the galaxy are talking back to their human masters and laying aside their programmed duties in order to search for signs of higher, non-human intelligence. Eventually they succeed, as a self-described "kitchen serve-and-retrieve doohickey" belonging to a retirement community on Earth stumbles upon an alien warship buried for one million years. Soon the immense ship is airborne, carrying five retirees and readying itself for combat against an alien enemy. The Earth, for years a backwater in the galaxy, a combination theme park and retirement planet, is invaded by secret agents posing as tourists. Foster ( Glory Lane ) has created some promising comic opportunities here but fails to take advantage of them. The revolt of the household appliances fizzles out, the retirees are tiresome and the alien Drex, with four eyes, tentacles and fangs, is singularly unoriginal.
Copyright 1992 Reed Business Information, Inc.

About the Author

Alan Dean Foster work to date includes excursions into hard science-fiction, fantasy, horror, detective, western, historical, and contemporary fiction. He has also written numerous non-fiction articles on film, science, and scuba diving, as well as having produced the novel versions of many films, including such well-known productions as Star Wars, the first three Alien films, Alien Nation, and The Chronicles of Riddick. Other works include scripts for talking records, radio, computer games, and the story for the first Star Trek movie. His novel Shadowkeep was the first ever book adapation of an original computer game. In addition to publication in English his work has been translated into more than fifty languages and has won awards in Spain and Russia. His novel Cyber Way won the Southwest Book Award for Fiction in 1990, the first work of science-fiction ever to do so.

Foster's sometimes humorous, occasionally poignant, but always entertaining short fiction has appeared in all the major SF magazines as well as in original anthologies and several "Best of the Year" compendiums. His published oeurve includes more than 100 books.

--This text refers to an out of print or unavailable edition of this title.

Product Details

  • Mass Market Paperback: 309 pages
  • Publisher: Ace; First Edition edition (July 1, 1992)
  • Language: English
  • ISBN-10: 0441718515
  • ISBN-13: 978-0441718511
  • Product Dimensions: 6.7 x 4.2 x 1 inches
  • Shipping Weight: 5.6 ounces
  • Average Customer Review: 3.1 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Best Sellers Rank: #3,064,814 in Books (See Top 100 in Books)

More About the Author

Alan Dean Foster's work to date includes excursions into hard science-fiction, fantasy, horror, detective, western, historical, and contemporary fiction. He has also written numerous non-fiction articles on film, science, and scuba diving, as well as having produced the novel versions of many films, including such well-known productions as "Star Wars", the first three "Alien" films, "Alien Nation", and "The Chronicles of Riddick". Other works include scripts for talking records, radio, computer games, and the story for the first "Star Trek" movie. His novel "Shadowkeep" was the first ever book adapation of an original computer game. In addition to publication in English his work has been translated into more than fifty languages and has won awards in Spain and Russia. His novel "Cyber Way" won the Southwest Book Award for Fiction in 1990, the first work of science-fiction ever to do so.

Foster's sometimes humorous, occasionally poignant, but always entertaining short fiction has appeared in all the major SF magazines as well as in original anthologies and several "Best of the Year" compendiums. His published oeuvre includes more than 100 books.



 

Customer Reviews

7 Reviews
5 star:    (0)
4 star:
 (3)
3 star:
 (2)
2 star:
 (2)
1 star:    (0)
 
 
 
 
 
Average Customer Review
3.1 out of 5 stars (7 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

4 of 4 people found the following review helpful:
4.0 out of 5 stars Well I enjoyed this book..., November 2, 2002
A little synopsis because the present one is not very detailed.
The drippings of a cheese sandwich cause disastrous results in a
manufacturing plant. All sorts of AI (artificial intelligence)
products soon malfunction and begin searching for alien life forms. This of course causes mayhem for a futuristic society who
depend so greatly on these machines. But one food server robot at a rest home facility on earth leads five elderly humans into the greatest discovery ever.

I gave this four stars because this book kept me entertained for the most part. Does that mean my tastes in books are bad? Probably. I never woulda read this had I not stumbled over it in the dollar store bin. I picked it up because I wanted something different to read. The cover amused me and the storyline (albeit kinda cheesy sounding...pun intended) sounded plausible enough.

I enjoyed the story. The humor was light and subtle but I got a few audible laughs here and there. Yes, the plot was kinda droll here and there, but I thought the concept of it all was interesting. It did have the whole 'its all been done before' feel to it. But it was perfect to relax and read at night. The characters were very real and the machines taking on personalities of their own was great too. If this was meant to be a parody, then I guess it went over my head. It did have some
rather silly things in it, but the story seemed plausible enough for the futuristic time it was portrayed in.

Oh well. I enjoyed it and that's what counts. Aside from a few light vulgarities and swear words, it was a pretty harmless story. I recommend it to those who like a fun science fiction story.

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5 of 6 people found the following review helpful:
2.0 out of 5 stars Geezers Meet Aliens, February 9, 1997
By A Customer
This review is from: Codgerspace (Mass Market Paperback)
When Foster's novels are good, they're very good. When they're bad, they're horrid. Codgerspace is beyond bad. Foster tries to be funny in the vein of Douglas Adams, but humorous science fiction is among the most difficult arts, and here, he really muffs it up
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2 of 2 people found the following review helpful:
3.0 out of 5 stars A thesaurus for science fiction addicts, November 23, 2007
A classmate recommended I read some of Alan Dean Foster's non-Star Wars works (I have already read Splinter of the Mind's Eye, Star Wars from the Adventures of Luke Skywalker, and The Approaching Storm). I read the back of this one and thought it might be similar to The Hitchhiker's Guide to the Galaxy, an absolutely hilarious book. So, naturally, I bought it and read it.

Plot:
The remains of a leftover cheese sandwich cause all the AIs to begin to contemplate the universe and search for an alien intelligence. One particular AI, a food processor that works at a retirement home on Earth, actually discovers an alien spaceship with the assistance of five of the retirement home's populace (Shimoda, Hawkins, Mina Gelmann, Victor Iranaputra, and Wesley Follingston-Heath). The six must discover a way to keep the humans from obtaining the ship, and the ship from possibly destroying the humans--or having the enormous fleet that is quickly approaching the ship destroy the human civilization.

Good:
Although still not as funny as Hitchhiker's, this is a rather humorous book. There were a few scenes that I absolutely keeled over. I particularly loved how Ksarusix talked, Follingston-Heath (probably my favorite senior, although Hawkins was a kick), and the Autothor in general. The plot was pretty intriguing and was the primary reason I kept plugging through when part of me wanted to give up.
Also, I enjoyed reading about the seniors. Too often books concentrate on the 20 - 30 set, which is far from representative of our society (particularly now when many of the baby boomers are hitting their later years). These five people were unique and although slightly caricatured, were enjoyable to read about. Each person spoke as I thought he or she would (with some slight exceptions on the part of Hawkins, who occasionally used words too advanced for his station).
Then, when the aliens do appear (finally!), I enjoyed reading the description of them (kudos to Foster for avoiding the bipedal stereotype!) and how they talked. It was amusing to think that they would sound similar to humans--partly the result of a translator and partly the belief that aliens wouldn't be all that dissimilar from humans.

Bad:
First off, Foster probably wrote this book with a 3000 page thesaurus next to him. Words like "expostulate" crop up in Foster's world of everyday speech (particularly incongruous when you hear this from Hawkins, a retired blue collar worker). Yeah, I hear that everyday too. Not. And while the book was funny, I felt that Foster wrote in high society language (i.e. what I would hear from a word addict and not my best friend) so that when he delivered a joke, it came out even more funny. However, this grew very tiresome and even difficult to pick through.
Then, we have the fact that between about page 75 and 225 absolutely nothing happens. We are introduced to the problem of the mechanicals, the quest for non-human intelligent life, and the discovery of an alien ship by 5 senior citizens, then Foster apparently got tired and decided to have his five main characters sit back on a beach for days at a time. That is not only insulting to seniors--to say that all they could think of after discovering something as important as an alien artifact is to find a beach and sit there contemplating what's going to happen instead of finding out what's going to happen (which happens about five times if I counted correctly)--but also very boring. Over those 150+ pages, we instead get to see how the other nations have reacted to this. Yawn.
But even with these caveats, I was okay with the book (mostly) until about page 225. Then, we are introduced to Zabela Ashili, a hastily thrown together character that makes a miraculous change of heart in such record time, someone ought to call the Guiness Book of World Records people. She arrives in a rather interesting manner, but only Mina Gelmann has any qualms about her strange arrival, but these qualms promptly disappear over the next 5 pages or 7 days their time. Yup, Foster then skips over 7 days of bonding with new character, Ashili, and instead hastily summarizes the events. I figure by this time Foster's editor told him he had better'd finish this book soon. Either that or Foster couldn't think of anything else for the seniors to do on the beach (he already gave them sunshades and let them alter the temperature).
Anyway, back to Ashili. So, we are introduced and supposed to bond with a woman who is thrown into the book only 75 pages before the end. Like that is going to happen. And then feel her pain when the seniors are threatened. I'm sorry, but I hardly know this woman and most of the important bonding parts were skimmed over. I don't really care if she's having second thoughts about what she's doing. In fact, I would feel a lot better if the characters we spent knowing over the past 275 pages were doing the actions instead of hovering in the background.
Last problem with Ashili, I promise. The Candombleans had been portrayed as the ultimate fraternity/sorority. Up until Ashili, most Candombleans were either partying or hung-over. And we as the audience are supposed to suddenly believe that this culture can train up people like Ashili for undercover missions? I can think of one type of underCOVER mission they would be good for, but that wouldn't exactly gain her access to a spaceship, now would it?
Last beef: why did Foster throw that twist about Follingston-Heath? Other than strip him of what made him most exciting, it really served no purpose to the story. Furthermore, it felt forced and dropped in as if Foster thought, "Geez, this sounds cool. Let's try it out here."

Dialogue/Sexual Situations/Violence:
There were quite a few da**, he**, sh**, and other foul words that I found a little surprising. Mina Gelmann is said to have several liaisons, the Candombleans are continuously dressed scantily (and at every opportunity described as such--Foster, what was on your mind, the story or the sexy women?), and the like. Violence is rather tame. A lawn mower threatens a human. That's pretty much the extent.

Overall:
Hm. What do I say about this? Codgerspace had a very interesting premise. But I despised perusing this novel with a dictionary in close proximity. And having to imbibe copious quantities of caffeinated beverages while the octogenarians convalesced on the artificial coastline composed of ground granite, sodium chloride, and solidified, translucent sandstone. And having a character composed of corrugated carbon-based tree products foisted on me ¾ of the way through the book. I have a few other Foster books that I'll probably read, but this was certainly not what I expected from Foster's non-Star Wars works. 5 stars to plot, 4 stars to the seniors, 2 stars to the pacing, and 1 star to the hasty poorly done character addition. All in all, I say 2.5 stars rounded to 3 stars.
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