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12 of 13 people found the following review helpful:
4.0 out of 5 stars
Don't be a hero, they're mostly dead..., June 9, 2008
This being my second time reading Braunbeck I would have expected to be used to his lyrical and poetic style of writing but it still shakes me. His writing is different, more philosophical than your average horror stories; his thinking dissects ideas to the core and reaches deeper levels of emotion while still giving the reader a fantasy like story where the reality blurs with magic.
Cedar Hill, Ohio is the fictional place all his books take place in. A place that has murders, terror and non stop violence mixed in with a heavy duty dose of the supernatural, now call me crazy but I don't know how this place still has any residents. They are sitting ducks waiting to be taken out by their own family members and neighbors in this novel, a new twists that the author ads for a new measure of terror. In Coffin Country mass murders take stage and the killer seems nonchalant about it, informing the police about his actions, playing with their minds and planting a seed of destruction in randomly - or so it seems - people to do his bidding. When a police officer who lost his family to a random act of violence feels the murders are starting to get personal his life reaches levels of hell no one could have imagined possible. The hunt is on to find the killer who finger prints defy logic and sanity. I won't say anymore because the real beauty of any book is finding the juicy bits on your own. But be prepared to be mad and outraged at the ease with which gruesome acts happen, as if it really was another layer of life and part of our existence which we can't escape and are destined to experience.
The only thing that bothered me about the book was the drawn out police procedures, at one point, Stanley - the finger print guru - gets to involved in explaining how tracking of criminals is done that it was throwing my concentration off and forcing my brain to adapt to new terms that were lightly explained yet they spanned some good amount of pages. There was too much technical info on the procedures of different sorts and it slowed me down to the point where it took me longer than usual to get through the book. And the book is short, 270 pages yet it felt extra long.
The best part was the ending, totally crazy and shocking, it made me say "No way!" when I got to it, I can see how it made some readers mad, it was pretty arrogant and selfish of a certain character, almost unbelievable in why he would act in that way with his background but it ended the book with a bang and earned it's 4th star in my review. If you want a creepy story that touches on human madness and it's repercussions of trying to save man kind in the wrong way then this is it, a heavy book with a bite.
- Kasia S.
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3 of 3 people found the following review helpful:
4.0 out of 5 stars
I read the same book..., July 7, 2008
...and thought the ending was very well done (and yes, I know my religion and history). When you read as many horror novels a year as I do (which is over 50), COFFIN COUNTY stands out like a shining blade among the crowd. Whenever the fantastic comes into play, a suspension of belief is going to be required sooner or later. If anyone feels "insulted" by this ending, perhaps you're forgetting this is FICTION, and a temporary escape from reality (at least its supposed to be).
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9 of 12 people found the following review helpful:
5.0 out of 5 stars
"My quiver is once again empty. . .", May 22, 2008
This is a complex tale spanning about 200 years worth of history in Braunbeck's oft revisited, fictional locale of Cedar Hill, Ohio. The epigraph page invokes the tragic shootings at University of Texas, San Ysidro, Columbine, and Virginia Tech alongside several passages about madness, selflessness and love... This novel is an attempt to understand chaos and the sort of violence committed at those four locales (among others) by introducing similar acts to large town/small city Cedar Hill... While the actual violence is, for the most part, kept off stage, the work does not shy away from the aftermath.
At turns startling, depressing, provocative, stomach churning, thoughtful, and reprehensible, the book communicates its grim meditations in beautiful prose. I find myself conflicted. Part of me absolutely despises the work's cosmological conceit (which I feel runs the dangerous line of trivializing the aforementioned tragedies), and yet the book has done what Kafka tells us books should do. It got my mind turning, even as it horrified me; this horror is not the simplistic "Boo!" or "Ewww, Gross!" or creepy atmosphere, but something far less enjoyable, something that hit me on a deeper level. While it did not quite make me nauseous (as the amoral underpinning of David J. Schow's "Bad Guy Hats" did, when I first read it; BGH is the only piece of fiction that brought me close to actually puking), Coffin County certainly shook me up. There were times I seriously wanted to throw the book against the wall for what it had to say about violence and those who perform it, yet I read through to the end. I doubt I will ever read this one again, and yet I will keep it on my shelf. This book has teeth.
The novel itself is short (270 of the 334 pages). It is followed by two short stories, also set in Cedar Hill...
This book makes me wonder if I am losing my spine for real horror.
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