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Our highly-educated heroine Flora Poste, intelligent, witty, but fashion-addled, aimless, and seemingly shallow, descends on her rural relatives when her parents die leaving her penniless. Sharp parodies of rural England, the family includes, among others, an insane matriarch locked in her room, a love-mad and graceless granddaughter, a grandson who plays the same role among the maids that the bull does among the cows, an antique manservant who fails to notice when a cow's leg falls off. In short order Flora contrives to marry off the granddaughter to a local grandee, packs the grandson off to Hollywood, and generally manages things so craftily that everyone not only lives Happily Ever After but also does so with Good Manners and better haircuts.
The most winning feature of Gibbon's book (after the fact that it is hysterically funny) is that she skewers not only the conventions of the 1930s upper classes to which Flora belongs, but also the working class denizens of the farm. At first everyone seems faintly ridiculous but over time your affections for ALL these characters grows. By the end you are actually happy to see them all happily settled, and Flora no longer seems like a conniver but a clever and sympathetic heroine-more Elizabeth Bennet than Becky Sharpe. A very neat trick on the part of the author, and one well worth the discovering.
One miniscule note of caution: Gibbons, writing in the 1930s, sets her novel "in the near future," and adds a couple of futuristic features that confuse the casual reader-telephones with televisions in them so you can see the speaker, references to the "Anglo-Nicaraguan War" and the like. You may safely ignore them without diminishing the book.