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| Song Title | Artist | Time | Price | ||
|---|---|---|---|---|---|
| Play | 1. Jubilee: Begin the Beguine (orch. Russell Warner) | Thomas Hampson/London Symphony Orchestra/John McGlinn | 6:51 | $0.99 |  |
| Play | 2. Rosalie: In the still of the night (orch. Russell Warner) | Thomas Hampson/London Symphony Orchestra/John McGlinn | 4:12 | $0.99 | |
| Play | 3. Born to Dance: Easy to Love (orch. Russsell Warner) | Thomas Hampson/London Symphony Orchestra/John McGlinn | 5:26 | $0.99 | |
| Play | 4. Greenwich Village Follies: Two little babes in the wood (orch. Russell Warner) | Thomas Hampson/London Symphony Orchestra/John McGlinn | 5:49 | $0.99 | |
| Play | 5. Something For the Boys: When My Baby Goes to Town (orch. Don Walker) | Thomas Hampson/Ambrosian Chorus/London Symphony Orchestra/John McGlinn | 4:39 | $0.99 | |
| Play | 6. Hitchy-Koo: When I had a uniform on (orch. Maurice de Packh) | Thomas Hampson/London Symphony Orchestra/John McGlinn | 3:31 | $0.99 | |
| Play | 7. Born to Dance: I've Got You Under My Skin (orch. Russell Warner) | Thomas Hampson/London Symphony Orchestra/John McGlinn | 5:13 | $0.99 | |
| Play | 8. Hitchy-Koo: Bring me back my Butterfly (orch. Frank Saddler) | Thomas Hampson/London Symphony Orchestra/John McGlinn | 2:34 | $0.99 | |
| Play | 9. Can-Can: Who Said Gay Paree? (orch. Russell Warner) [unused] | Thomas Hampson/London Symphony Orchestra/John McGlinn | 3:54 | $0.99 | |
| Play | 10. Rosalie: A Fool There Was (orch. Russell Warner) [unused] | Thomas Hampson/London Symphony Orchestra/John McGlinn | 2:00 | $0.99 | |
| Play | 11. Gay Divorce: How's Your Romance? | Thomas Hampson/Ambrosian Chorus/London Symphony Orchestra/John McGlinn | 3:35 | $0.99 | |
| Play | 12. Hitchy-Koo: My cozy little corner in the Ritz | Thomas Hampson/London Symphony Orchestra/John McGlinn | 2:30 | $0.99 | |
| Play | 13. Hollywood Canteen: Don't Fence Me In | Thomas Hampson/London Symphony Orchestra/John McGlinn | 4:00 | $0.99 | |
| Play | 14. Seven Lively Arts: Drink | Thomas Hampson/Ambrosian Chorus/London Symphony Orchestra/John McGlinn | 5:00 | $0.99 | |
| Play | 15. Gay Divorce: Night and Day | Thomas Hampson/Ambrosian Chorus/London Symphony Orchestra/John McGlinn | 5:52 | $0.99 | |
| Play | 16. Du Barry was a Lady: It was written in the stars | Thomas Hampson/Ambrosian Chorus/London Symphony Orchestra/John McGlinn | 2:52 | $0.99 | |
| Play | 17. Broadway Melody of 1940: I Concentrate on You | Thomas Hampson/Ambrosian Chorus/London Symphony Orchestra/John McGlinn | 4:35 | $0.99 | |
| Play | 18. Yale College: Bull Dog | Thomas Hampson/Ambrosian Chorus/London Symphony Orchestra/John McGlinn | 2:04 | $0.99 | |
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Most Helpful Customer Reviews
7 of 7 people found the following review helpful:
5.0 out of 5 stars
Excellent schmalz!,
By
This review is from: Night & Day - Thomas Hampson Sings Cole Porter (Audio CD)
Cole Porter songs,original Broadway arrangements beautifully played by the London S.O. and superb singing by Thomas Hampson.A Total Aural Treat.
6 of 6 people found the following review helpful:
5.0 out of 5 stars
The style may be operatic, but Hampson soars,
By Santa Fe Listener (Santa Fe, NM USA) - See all my reviews (TOP 500 REVIEWER) (HALL OF FAME REVIEWER)
This review is from: Night & Day - Thomas Hampson Sings Cole Porter (Audio CD)
The glut of crossover albums that came our way in the ripe era of Pavarotti, Kiri Te Kanawa, and Domingo has abated, leaving not the best taste in the mouth. But there were some high points, and this 1991 Cole Porter collection from Thomas Hampson is a gorgeous example. Like his hero from the 30s, Lawrence Tibbett, who triumphed as much on radio as in the opera house, Hampson sings full out, applying an overtly operatic baritone to popular song. He has such a command of vocal technique that, as with Tibbett and more recently Ben Heppner, the glory of the vocalism would carry the day on its own.
But Hampson adds to this a good deal of finesse, humor, and suavity--particularly the last. "Begin the Beguine" and "In the Still of the Night" convey the cosmopolitan asurance that is a Cole Porter trademark. There are also some bigger songs, such as "It Was Written in the Stars," where Hampson can unleash his voice at full force, a thrilling experience. I don't think there's been an opera star who's made a Cole Porter recording other than Kiri Te Kanawa, in forty years. This is a very enjoyable one indeed.
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