A Collection of artwork by the author. Both traditional pencil work and computer graphics, every page is a fully realized statement of an idea inspired by the revolutionary artistic movements of the 20th century, i.e., Surrealism and Abstract-Impressionism.
Book Description
Editorial Reviews
From the Author
Collateral contains excellent reproductions of many of my favorite pencil drawings and computer generated images. I have also recently used some of the same software used in Collateral to create animations that can be seen in the Video/DVD's Planetary Traveler and Infinity's Child.
About the Author
Bill Ellsworth is an artist of both the traditional and digital worlds of artists expression. He has recently worked on the "Planetary Traveler" video, published by Fox-Lorber and the soon to be released follow-up, "Infinity's Child" video and DVD.
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Most Helpful Customer Reviews
5.0 out of 5 stars
Wonderful,
By Drew Pickard (Seattle) - See all my reviews
This review is from: Collateral (Paperback)
I first discovered Bill's work in 1997 through his online gallery. I was amazed by the incredible detail in his textures and his different way of using the Bryce 3D software. Bill was, and is, truly inspiring to me in my pursuit of sucess in digital graphics. This book is yet another example of his incredible body of work, both 'analog' and digital.A truly awesome visual journey.
5.0 out of 5 stars
Digital art that is truly Art,
By A Customer
This review is from: Collateral (Paperback)
Bill Ellsworth is leading the way in creating digital art that is truly Art with a capital "A".If you want to see the work of a master in a new medium, get this book.
5.0 out of 5 stars
personal thank-you to Mr. Ellsworth,
By A Customer
This review is from: Collateral (Paperback)
I want to personally thank Mr.Ellsworth for sharing this fascinating and beautiful book with me 9/11/99 at Orion sound studios. His unique vision can be compared, to a certain degree, with German expressionist Paul Klee (given the information and impressions dictated by my own interperatave apparatus) had he had access to the contempory medium of computer-assisted art. Hopefully by this epoch, the public as well as the art cogescenti-intelligentsia (the latter of which I must emphasise I myself have no pretence of being included) have accepted graphic works as part of the mainstream of ever-evolving Fine art.
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