From School Library Journal
Influenced by the same 1950s abstract art scene that forged the improvisational aesthetics of John Ashbery and other New York School poets, Guest (1920–2006) nevertheless eschewed the overt playfulness and "personism" of her male counterparts for more oblique modes that combined, say, Marianne Moore's painterly visual sense with H.D.'s and Gertrude Stein's concern with conceptual experimentation. Venturesome and exploratory throughout, Guest's work suggested directions for both "language" poetry and the postmodern lyricism that followed it, performing "a drama of exacting dimension" that questioned and refocused familiar poetic forms—lyric, narrative, prose poem—as if they were "composed with magic and euphony." In an insightful introduction, Peter Gizzi notes that Guest's poems "evoke the joy of being found," and the appearance of this omnibus, gathering the contents of Guest's published volumes from
The Location of Things (1960) through
The Red Glaze (2005), offers a grand occasion for that discovery. Recommended for most collections.—Fred Muratori, Cornell Univ. Lib., NY
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Review
"(Barbara Guest's) 500-page Collected Poems belongs among the achievements of 20th-century modernism, a sphere overlapping almost nowhere with the mimetic, anecdotal, psychologically motivated poetry that predominated in the US for much of her career."--Ange Mlinko, London Review of Books
"The Collected Poems of Barbara Guest belongs on every poetry lover's bookshelf. This large and lovely volume, as the title suggests, contains all the poetry Guest published in her lifetime, along with a smattering of new, posthumous poems, a partial bibliography, a time line, and a fine essay by Peter Gizzi."--Dan Giancola, The East Hampton Star
"The Collected Poems of Barbara Guest...gradually reveals and artist's growing expressive confidence and self-possession. Despite the false starts and wrong turns, Guest found a way, mastering the labyrinth of tradition and influence. Her work is a struggle to render the order of perception in language, for clarity of the observed phenomenon."--Robert Huddleston, Mantis