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After graduating in 1917 she lived in Greenwich Village in New York for a few years, acting, writing satirical pieces for journals (usually under a pseudonym), and continuing to work at her poetry. She traveled in Europe throughout 1921-22 as a "foreign correspondent" for Vanity Fair. Her collection A Few Figs from Thistles (1920) gained her a reputation for hedonistic wit and cynicism, but her other collections (including the earlier Renascence and Other Poems [1917]) are without exception more seriously passionate or reflective.
In 1923 she married Eugene Boissevain and -- after further travel -- embarked on a series of reading tours which helped to consolidate her nationwide renown. From 1925 onwards she lived at Steepletop, a farmstead in Austerlitz, New York, where her husband protected her from all responsibilities except her creative work. Often involved in feminist or political causes (including the Sacco-Vanzetti case of 1927), she turned to writing anti-fascist propaganda poetry in 1940 and further damaged a reputation already in decline. In her last years of her life she became more withdrawn and isolated, and her health, which had never been robust, became increasingly poor.
She died in 1950.
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Most Helpful Customer Reviews
64 of 65 people found the following review helpful:
5.0 out of 5 stars
Brilliant and Evocative,
By
This review is from: Collected Poems of Edna St. Vincent Millay (Paperback)
Millay has been criticized for her lack of technical rigor, but that is the very essence of her accessibility to readers. Yes, she wrote poems that rhymed, sometimes to the point of sing-song meter, but her words carried weight. They meant (and still mean) something, not like the esoteric, pseudo-intellectual hodge-podge that passes for modern poetry. It seems that today's poets wear their inaccessibility as a badge of honor - that only a select group of academic word-smiths can even understand what they have written seems to represent success for them. Not so with Edna. She touches your heart, sometimes even breaks it, with common words, feelings, emotions. You don't have to work for her meaning, it is plainly presented for all to read. But beware! Her poems may be easy to understand, but they are impossible to forget.
24 of 25 people found the following review helpful:
5.0 out of 5 stars
A must for poetry lovers,
By I. Sondel "I. Sondel - lover of the arts" (Tallahassee, FL United States) - See all my reviews (VINE VOICE) (REAL NAME)
This review is from: Collected Poems of Edna St. Vincent Millay (Paperback)
There is so much to praise here, where do I start? How can I possibly communicate what these poems mean to me? "Renascence" alone takes my breath away - "The soul can split the sky in two, And let the face of God shine through." These words too, allow the divine to shine through. "Interim" is, perhaps, as beutiful a poem as I have ever read. The author brilliantly captures the essence of loss, that grief and confusion, the mind's inability to accept the notion of a life alone: "...part of your heart aches in my breast; part of my heart lies chilled in the damp earth with you. I have been torn in two, and suffer for the rest of me..." There are still so many other passages that leap off these pages. Her phrases are like literary gem stones: Sonnet XXVII: "I know I am but summer to your heart, And not the full four seasons of the year" - could it be said any more succinctly? This collection is a must for anyone who cares at all about poetry - American or otherwise.
9 of 9 people found the following review helpful:
5.0 out of 5 stars
Edna's poems for the next generation,
By
This review is from: Collected Poems of Edna St. Vincent Millay (Paperback)
how delightful to find a beautiful copy to introduce my granddaughter to Edna St. Vincent Millay.
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