A new edition of Sylvia Plath's Pulitzer Prize-winning Collected Poems, edited and with an introduction by Ted Hughes
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A new edition of Sylvia Plath's Pulitzer Prize-winning Collected Poems, edited and with an introduction by Ted Hughes
Sylvia Plath was born in 1932 in Massachusetts. Her books include the poetry collections The Colossus, Crossing the Water, Winter Trees, Ariel, and The Collected Poems, which won the Pulitzer Prize. A complete and uncut facsimile edition of Ariel was published in 2004 with her original selection and arrangement of poems. She was married to the poet Ted Hughes, with whom she had a daughter, Frieda, and a son, Nicholas. She died in London in 1963.
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"Southern Sunrise" 1956
SP uses the imagery of color- lemon,mango, peach, pinapple barked, green crescent of palms, quartz clear, blue drench, red watermelon sun. One can see she was happy when she wrote this poem. (Probably just met Ted)
"Fiesta Melons" 1956
Bright green and thumpable/Laced over With stripes/
Of turtle-dark green/Choose an egg shape/ a world shape/
Bowl one homeward to taste/ in the whitehot noon
I find it interesting how much SP's poems reveal about her state of mind as she wrote them. One can observe the progression of depression, her troubled marriage and lonliness, especially in the later poems 1960-63...
"Tulips" 1961
I am nobody/I have nothing to do with explosions.
I didn't want any flowers/I only wanted/to lie with my hands turned up and be utterly empty.
"The Rival" 1961(About Ted??)
I wake to a mausoleum; you are here/Ticking your fingers on the marble table/looking for cigarettes/Spiteful as a woman, but not so nervous/ And dying to say something unanswerable.
The Moon and the Yew Tree" 1961
Separated from my house by a row of headstones/ I simply cannot see where there is to get to.
"A Birthday Present" 1962 (SP's struggle w/depression)
I would have killed myself gladly that time any possible way/Now there are these veils, shimmering like curtains./
The diaphanous satins of a January window/White as babies' bedding and glittering with dead breath. O ivory!
"Lesbos" 1962 (SP's experimentation w/ lesbianism??)
You say your husband is just no good to you/His Jew Mama guards his sweet sex like a pearl/You have one baby, I have two/I should sit on a rock off Cornwall and comb my hair./ I should wear tiger pants, /I should have an affair/ We should meet in another life,/ we should meet in air/ Me and you.
People are fascinated w/ SP, her confessional poetry, giving us a glimse into her world. We feel as if we know her. And even though she appears strong and nasty at times, we see the sweetness behind it all, the lonliness, and somehow, like Marilyn Monroe, we would have liked to be her friend.
1962-63 were Sylvia's darkest days and it shows in her poetry...
"Sheep in Fog"
The hills step off into whiteness/People or stars/
Regard me sadly,/ I disapoint them.
All morning the / Morning has been blackening.
"Daddy"
If I've killed one man, I've killed two/
The vampire who said he was you/ (ted hughes)
Who drank my blood for a seven years,/ if you want to know/ Daddy you can lie back now./
There's a stake in your fat black heart/ And the villagers never liked you/They are dancing and stamping on you/They always knew it was you/ daddy, you bastard,/ I'm through.
Sylvia Plath is somebody we want to know better, this is why we read her poetry. Although much of it is dark, the music of her voice still crys out with such precision and brilliance that we listen, we learn, and we continue reading the words she left behind.
"Death & Co."
I do not stir.
The frost makes a flower,
The dew makes a star,
The dead bell,
The dead bell.
Someboy's done for.