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The Collected Short Stories of Louis L'Amour, Volume 5: The Frontier Stories [Hardcover]

Louis L'Amour (Author)
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More from Louis L'Amour
The premier storyteller of the West, Louis L'Amour has thrilled generations of readers with his chronicles of the men and women who settled the American frontier. Visit Amazon's Louis L'Amour Page.

Book Description

October 30, 2007 Collected Short Stories of Louis L'Amour (Book 5)
Louis L’Amour’s world is built on those dramatic moments when men and women cast their fears, doubts, and pasts behind them and plunge into the unknown–into split-second decisions with life-and-death consequences. Nowhere is that more evident than in this latest collection of stories set on the American frontier. Here L’Amour takes us across a bold, beautifully rendered landscape where strangers may come to trust–or kill–one another; where old scores haunt new lives and the wrong choice leaves unwitting victims. Even at the best of times, this is a world in which every man and woman must be responsible for their own survival.

This keepsake volume features unforgettable moments and timeless characters. From fugitives to visionaries, from fortune seekers and drifters seeking a new life to young women trying to build homes in an all too often lawless world, the characters in these pulse-pounding stories are vintage L’Amour. Together in this vivid, rollicking collection of stories, they bring to life the American spirit and confirm Louis L’Amour’s place at the very top of the pantheon of American writers.


From the Trade Paperback edition.

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Editorial Reviews

About the Author

Louis L’Amour is undoubtedly the bestselling frontier novelist of all time. He is the only American-born author in history to receive both the Presidential Medal of Freedom, and the Congressional Gold Medal in honor of his life's work. He has published ninety novels; twenty-seven short-story collections; two works of nonfiction; a memoir, Education of a Wandering Man; and a volume of poetry, Smoke from This Altar. There are more than 300 million copies of his books in print worldwide.

Excerpt. © Reprinted by permission. All rights reserved.

No Man's Man

CHAPTER I


He came to a dirty cantina on a fading afternoon. He stood, looking around with a curious eye. And he saw me there in the corner, my back to the wall and a gun on the table, and my left hand pouring tequila into a glass.

He crossed the room to my table, a man with a scholar’s face and a quiet eye, but with lines of slender strength.

“When I told them I wanted a man big enough and tough enough to tackle a grizzly,” he said, “they sent me to you.”

“How much?” I said. “And where’s the grizzly?”

“His name is Henry Wetterling, and he’s the boss of Battle Basin. And I’ll give you a thousand dollars.”

“What do I do?”

“There’s a girl up there, and her name is Nana Maduro. She owns a ranch on Cherry Creek. Wetterling wants the girl, and he wants the ranch. I don’t want him to have either.”

“You want him dead?”

“I want him out of there. Use your own judgment. When I hire a man for a job, I don’t tell him how to do it.” This man with the scholar’s face was more than a quiet man; he could be a hard man.

“All right,” I said.

“One thing more”—he smiled a little, quietly, as though enjoying what he was about to say—“Wetterling is top dog and he walks a wide path, but he has two men to back him.” He smiled again. “Their names are Clevenger and Mack.”

The bartender brought a lemon and salt, and I drank my tequila.

“The answer is still the same,” I told him, then, “but the price is higher. I want five thousand dollars.”

His expression did not change, but he reached in his pocket and drew out a wallet and counted green bills on the dirty table. He counted two thousand dollars.

“I like a man who puts the proper estimate on a job,” he said. “The rest when you’re finished.”

He pushed back his chair and got up, and I looked at the green bills and thought of the long months of punching cows I’d have to put in to earn that much—if anybody, anywhere, would give me a job.

“Where do you fit in?” I asked. “Do you want the girl or the ranch or Wetterling’s hide?”

“You’re paid,” he said pointedly, “for a job. Not for questions. . . .”


THERE WAS SUNLIGHT on the trail, and cloud shadows on the hills, and there was a time of riding, and a time of resting, and an afternoon, hot and still like cyclone weather when I walked my big red horse down the dusty street of the town of Battle Basin.

They looked at me, the men along the street, and well they could look. I weighed two hundred and forty pounds, but looked twenty-five pounds lighter. I was three inches over six feet, with black hair curling around my ears under a black flat-brimmed, flat-crowned hat, and the brim was dusty and the crown was torn. The shirt I wore was dark red, under a black horsehide vest, and there was a scar on my left cheek where a knife blade had bit to the bone. The man who had owned that knife left his bones in a pack rat’s nest down Sonora way.

My boots were run-down at the heels and my jeans were worn under the chaps stained almost black. And when I swung down, men gathered around to look at my horse. Big Red is seventeen hands high and weighs thirteen hundred pounds—a blood bay with black mane, tail, and forelock.

“That’s a lot of horse,” a man in a white apron said. “It takes a man to ride a stallion.”

“I ride him,” I said, and walked past them into the bar. The man in the white apron followed me. “I drink tequila,” I said.

He brought out a bottle and opened it, then found lemon and salt. So I had a drink there, and another, and looked around the room, and it all looked familiar. For there had been a time—

“I’m looking for a ranch,” I said, “on Cherry Creek. It’s owned by Nana Maduro.”

The bartender’s face changed before my eyes and he mopped the bar. “See Wetterling,” he said. “He hires for them.”

“I’ll see the owner,” I said, and put down my glass.

A girl was coming up the street, walking fast. She had flame-red hair and brown eyes. When she saw Big Red she stopped dead still. And I stood under the awning and rolled a cigarette and watched her, and knew what she was feeling.

She looked around at the men. “I want to buy that horse,” she said. “Who owns him?”

A man jerked a thumb at me, and she looked at me and took a step closer. I saw her lips part a little and her eyes widen.

She was all woman, that one, and she had it where it showed. And she wore her sex like a badge, a flaunting and a challenge—the way I liked it.

“You own this horse?”

One step took me out of the shade and into the sun, a cigarette in my lips. I’m a swarthy man, and her skin was golden and smooth, despite the desert sun.

“Hello, Lou,” she said. “Hello, Lou Morgan.”

“This is a long way from Mazatlán,” I said. “You were lovely then, too.”

“You were on the island,” she said, “a prisoner. I thought you were still there.”

“I was remembering you, and no walls could hold me,” I said, smiling a little, “so I found a way out and away. The prison will recover in time.”

“How did you know I was here?”

“I didn’t,” I said. “Remember? I killed a man for you and you left me, with never a word or a line. You left me like dirt in the street.”

And when that was said I walked by her and stepped into the saddle. I looked down at her and said, “You haven’t changed. Under that fine-lady manner you’re still a tramp.”

A big young man who stood on the walk, filled with the pride of his youth, thought he should speak. So I jumped the stallion toward him, and when we swept abreast I grabbed him by his shirtfront.

I swung him from his feet and muscled him up, half strangling, and held him there at eye level, my arm bent to hold him, my knuckles under his chin.

“That was a private conversation,” I said. “The lady and I understand each other.”

Then I slapped him, booming slaps that left his face white and the mark of my hand there, and I let him drop. My horse walked away and took a trail out of town.

But those slaps had been good for my soul, venting some of the fury I was feeling for her! Not the fury of anger, although there was that, too, but the fury of man-feeling rising within me, the great physical need I had for that woman that stirred me and gripped me and made my jaws clench and my teeth grind.

Nana Maduro! And that thin-faced man in the cantina hiring me to come and get you away from this—what was his name?—Wetterling!

Nana Maduro, who was Irish and Spanish and whom I had loved and wanted when I was seventeen, and for whom I had killed a man and been sentenced to hang. Only the man I killed had been a dangerous man, a powerful man in Mexico, and feared, and not all were sorry that he had died. These had helped me, had got my sentence commuted to life imprisonment, and after two years I broke out and fled to the hills, and after two more years word had come that the records had been lost and that I was a free man.

At fifteen Nana Maduro had been a woman in body and feeling, but untried yet and restless because of it.

And at seventeen I had been raw and powerful, a seasoned Indian fighter knowing mining, hunting, and riding, but a boy in emotion and temper.

It was different now that seven years had passed. Nana now was full-flowered and gorgeous. But they had been seven hard, lean years for me, a man who rode with a gun and rode alone, a man who fought for pay, with a gun for hire.

Three days I rode the hills and saw no man, but looked upon the country through eyes and field glasses. And I saw much, and understood much.

Cherry Creek range was dream range, knee-deep to a tall steer with waving grass and flowers of the prairie. Even on the more barren stretches there were miles of antelope bush and sheep fat, the dry-looking desert plants rich in food for cattle. There was water there, so the cattle need walk but little and could keep their flesh, and there was shade from the midday sun.

And this belonged to Nana Maduro, to Nana, whom I’d loved as a boy, and desired as a man. And did I love as a man? Who could say?

She had cattle by the thousand on her rolling hills, and a ranch house like none I had ever seen, low and lovely and shaded, a place for a man to live. And a brand, N M, and a neighbor named Wetterling.

The Wetterling ranch was north and west of hers, but fenced by a range of hills, high-ridged and not to be crossed by cattle, and beyond the ridge the grass was sparse and there were few trees. A good ranch as such ranches go, but not the rolling, grass-waving beauty of Cherry Creek.

Then I saw them together. He was a huge man, bigger than I was, blond and mighty. At least two inches taller than I, and heavier, but solid. He moved light on his feet and quickly, and he could handle a horse.

Other things I saw. Nana was without friends. She was hemmed in by this man, surrounded by him. People avoided her through fear of him, until she was trapped, isolated. It could be a plan to win her finally, or to take her ranch if the winning failed.

But they laughed together and raced together, and they rode upon the hills together. And on the night of the dance in Battle Basin, they came to it together.

For that night I was shaved clean and dusted, my boots were ...

Product Details

  • Hardcover: 448 pages
  • Publisher: Bantam; Reprint edition (October 30, 2007)
  • Language: English
  • ISBN-10: 0553805290
  • ISBN-13: 978-0553805291
  • Product Dimensions: 6.3 x 1.4 x 9.3 inches
  • Shipping Weight: 1.4 pounds (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #191,508 in Books (See Top 100 in Books)

More About the Author

"I think of myself in the oral tradition--as a troubadour, a village tale-teller, the man in the shadows of a campfire. That's the way I'd like to be remembered--as a storyteller. A good storyteller."

It is doubtful that any author could be as at home in the world re-created in his novels as Louis Dearborn L'Amour. Not only could he physically fill the boots of the rugged characters he wrote about, but he literally "walked the land my characters walk." His personal experiences as well as his lifelong devotion to historical research combined to give Mr. L'Amour the unique knowledge and understanding of people, events, and the challenge of the American frontier that became the hallmarks of his popularity.

Of French-Irish descent, Mr. L'Amour could trace his own in North America back to the early 1600s and follow their steady progression westward, "always on the frontier." As a boy growing up in Jamestown, North Dakota, he absorbed all he could about his family's frontier heritage, including the story of his great-grandfather who was scalped by Sioux warriors.

Spurred by an eager curiosity and desire to broaden his horizons, Mr. L'Amour left home at the age of fifteen and enjoyed a wide variety of jobs, including seaman, lumberjack, elephant handler, skinner of dead cattle, and miner, and was an officer in the transportation corps during World War II. During his "yondering" days he also circled the world on a freighter, sailed a dhow on the Red Sea, was shipwrecked in the West Indies and stranded in the Mojave Desert. He won fifty-one of fifty-nine fights as a professional boxer and worked as a journalist and lecturer. He was a voracious reader and collector of rare books. His personal library contained 17,000 volumes.

Mr. L'Amour "wanted to write almost from the time I could talk." After developing a widespread following for his many frontiers and adventure stories written for fiction magazines, Mr. L'Amour published his first full length novel, Hondo, in the United States in 1953. Every one of his more than 120 books is in print; there are more than 300 million copies of his books in print worldwide, making him one of the bestselling authors in modern literary history. His books have been translated into twenty languages, and more than forty-five of his novels and stories have been made into feature films and television movies.

The recipient of many great honor and awards, in 1983 Mr. L'Amour became the first novelist to ever to be awarded the Congressional Gold Medal by the United States Congress in honor of his life's work. In 1984 he was also awarded the Medal of Freedom by President Reagan.

Louis L'Amour died on June 10, 1988. His wife, Kathy, and their two children, Beau and Angelique, carry the L'Amour publishing tradition forward with new books written by the author during his lifetime to be published by Bantam.

 

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5 of 5 people found the following review helpful:
5.0 out of 5 stars Book is great!, February 28, 2008
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This review is from: The Collected Short Stories of Louis L'Amour, Volume 5: The Frontier Stories (Hardcover)
I've read several of these stories and they're great. I'm not sure I can agree with the reviewer who said the stories are not by L'Amour. As I look at the index, I note numerous stories which have appeared in previously published versions, such as the "Ghost Maker" and the "Cactus Kid" stories. So if these are not authentic L'Amour then they weren't years ago either when they appeared under his byline. In any case, these are a great read!
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2 of 2 people found the following review helpful:
4.0 out of 5 stars Louis Lamour great story teller, October 27, 2008
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This review is from: The Collected Short Stories of Louis L'Amour, Volume 5: The Frontier Stories (Hardcover)
Louis Lamour is a great storyteller. They often have an ending one cannot envision and they are of the old school in that they almost always turn out OK in the end even though sometimes there are suprize endings. I have all 5 books of his short stories and they are all good.
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4.0 out of 5 stars Lifetime reader of L'Amour, November 27, 2011
This review is from: The Collected Short Stories of Louis L'Amour, Volume 5: The Frontier Stories (Hardcover)
This only had a few more stories that I had not read from L'Amour. Still, for anyone who likes a nice series of good Western short stories, this is a decent book.
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