The Collected Works of W.B. Yeats, Vol. 1: The Poems [Hardcover]

William Butler Yeats (Author)

Book Description

Publication Date: June 2, 1989

Commemorating the fiftieth anniversary of his death, this definitive collection includes accurate texts for all of the poems that Yeats is known to have written.

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William Butler Yeats, whom many consider this century's greatest poet, began as a bard of the Celtic Twilight, reviving legends and Rosicrucian symbols. By the early 1900s, however, he was moving away from plush romanticism, his verse morphing from the incantatory rhythms of "I will arise and go now, and go to Innisfree" into lyrics "as cold and passionate as the dawn." At every stage, however, Yeats plays a multiplicity of poetic roles. There is the romantic lover of "When You Are Old" and "A Poet to His Beloved" ("I bring you with reverent Hands / The books of my numberless dreams..."). And there are the far more bitter celebrations of Maud Gonne, who never accepted his love and engaged in too much politicking for his taste: "Why should I blame her that she filled my days / With misery, or that she would of late / Have taught to ignorant men most violent ways, / Or hurled the little streets upon the great, / Had they but courage equal to desire?" There is also the poet of conscience--and confrontation. His 1931 "Remorse for Intemperate Speech" ends: "Out of Ireland have we come. / Great hatred, little room, / Maimed us at the start. / I carried from my mother's womb / A fanatic heart."

Yeats was to explore several more sides of himself, and of Ireland, before his Last Poems of 1938-39. Many are difficult, some snobbish, others occult and spiritualist. As Brendan Kennelly writes, Yeats "produces both poppycock and sublimity in verse, sometimes closely together." On the other hand, many prophetic masterworks are poppycock-free--for example, "The Second Coming" ("Turning and turning in the widening gyre / The falcon cannot hear the falconer; / Things fall apart; the centre cannot hold; / Mere anarchy is loosed upon the world...") and such inquiries into inspiration as "Among School Children" ("O body swayed to music, O brightening glance, How can we know the dancer from the dance?"). And at his best, Yeats extends the meaning of love poetry beyond the obviously romantic: love becomes a revolutionary emotion, attaching the poet to friends, history, and the passionate life of the mind.

Though this edition has been reset and revised, the changes are not as shocking as the 1984 edition, which included 100 extra pages of notes, changes in language and punctuation, and, most significantly, a redefinition of the Last Poems. Richard Finneran has had the courage to reorder the poems according to notes that Yeats made shortly before his death. Readers may be surprised to find that "Under Ben Bulben," the poet's powerful and self-mythologizing epitaph, no longer ends the collection, as it has for more than 30 years. In its place they will discover the wistful "Politics": "How can I, that girl standing there, / My attention fix / On Roman or on Russian / Or on Spanish politics..." Yet devotees of either ending will agree that this is a truly necessary volume--indeed, one of the few. As Seamus Heaney writes, "All readers of Yeats will need this book; when they open it they will feel a surprise like that experienced by St. Brendan the Navigator and his crew when they disembarked upon an island that turned out to be the back of a dormant sea monster." --This text refers to an alternate Hardcover edition.

From Library Journal

This is the first of a projected 14-volume edition of Yeats's work issued under the general editorship of Finneran and George Mills Harper. Volume 1 is actually a reissue, slightly revised, of Finneran's The Poems (LJ 1/84). To this latest edition he adds four previously uncollected poems and makes a few minor editorial changes. While The Variorum Edition of the Poems of W.B. Yeats (Macmillan, 1957) remains a standard source for scholars, Finneran's edition is the definitive reading text. And while it adds little new material, this volume (along with those forthcoming) should be part of any serious subject collection.-- Michael Hennessy, Southwest Texas State Univ., San Marcos correction: The Poems of Paul Celan ( LJ 5/15/89) , to have been published in May by Persea Books, will now be published in June.
Copyright 1989 Reed Business Information, Inc.

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Product Details

• Hardcover: 781 pages
• Publisher: Macmillan; Rev edition (June 2, 1989)
• Language: English
• ISBN-10: 0026327015
• ISBN-13: 978-0026327015
• Product Dimensions: 8.6 x 5.6 x 1.9 inches
• Shipping Weight: 2 pounds
• Average Customer Review: 4.6 out of 5 stars  See all reviews (8 customer reviews)
• Amazon Best Sellers Rank: #755,153 in Books (See Top 100 in Books)

Customer Reviews

Most Helpful Customer Reviews

39 of 41 people found the following review helpful:

5.0 out of 5 stars The reason to buy this edition, February 22, 2005

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R. W. "RW" (Oregon) - See all my reviews

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This review is from: The Collected Works of W.B. Yeats, Vol. 1: The Poems, 2nd Edition (Hardcover)

There are two editions of Yeats' poetry with similar titles, this one (The Collected Works of W. B. Yeats: Volume 1: The Poems, edited by Richard Finneran, with 751 pages and published by Macmillan) and The Collected Poems of W. B. Yeats (also edited by Finneran, but published by Scribner with only 576 pages).

The Collected Works: Volume 1: The Poems, contains all of Yeats' verse, including the poems from his plays and essays (hence the almost 200 additional pages in length). If you want every poem Yeats wrote, buy this edition.

26 of 27 people found the following review helpful:

4.0 out of 5 stars Complete but costly, October 3, 2001

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A Williams "honestpuck" (Neutral Bay, NSW Australia) - See all my reviews
(VINE VOICE)    (REAL NAME)   

This review is from: The Collected Works of W.B. Yeats, Vol. 1: The Poems, 2nd Edition (Hardcover)

If you are, like me, a huge fan of the William Butler Yeats then you will find yourself slowly accumulating the 'Collected Works' volume by volume and not concern yourself with the cost. You will probably start with this volume, enjoy reading every poem written and feel this is an excellent volume.

If, however, you are looking for a volume to study Yeats or enjoy the best of his verse you may be better served by 'The Collected Poems of W.B. Yeats" or "The Yeats Reader: A Portable Compendium of Poetry, Drama and Prose", both edited by Richard J. Finneran and less expensive, more portable paperbacks.

12 of 13 people found the following review helpful:

5.0 out of 5 stars The Psalmody of the Free Irish State, and of all free humanity, February 24, 2009

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C. Scanlon "least helpful reviewer" (among us humans) - See all my reviews
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Amazon Verified Purchase

This review is from: The Collected Works of W.B. Yeats, Vol. 1: The Poems, 2nd Edition (Hardcover)

One may find from Finneran similar collections in the The Yeats Reader: A Portable Compendium of Poetry, Drama, and Prose and his ample collection, similarly titled but briefer, The Collected Poems of W.B. Yeats. Either may also be found more favorably priced as well, and, more humbly bound, submissive to rough and daily usage.

Nevertheless this is the best you can get, and the price for a Like New or even a New copy is now quite accessible. I am very glad to have acquired mine today, through the great and mighty amazon.

I have the Scribner Collected Poems linked here, which I shall use for my reading copy. This I will place in the shelf of Bibles, for special use, and special times, when settled in arm chair to read, in peace and safety, should that day ever come. This is a glorious book, of great scholarship and dignity, and commands respect.

I refer here to the revised Second Edition published copyright 1997, so wonderful to hold, to find familiar verse, to bear in arms and to read.

Essential reading for any appreciation of Mr. Yeats I have found in Professor Vendler's Our Secret Discipline: Yeats and Lyric Form, which has opened so much to me, not only Mr. Yeats but beyond, into lyric form. I wished it had included a explicit and systematic revelation of his shifting meter as well, but what magnitude there is is ever-expanding.

Please see also Mr. Ellman's study of WB, Yeats, the man and the masks (A Dutton paperback) and Eminent Domain: Yeats Among Wilde, Joyce, Pound, Eliot and Auden.. I now await a recorded version of his work on Yeats, also through the amazon.

In this present volume, so dignified, so glorious, so firm, so stern and serious to hold in hand, certain of its own great worth, we find therefore the most comprehensive collection of Mr. Yeats poetry possible, and the most authoritative. Part one of this 752 page book is titled Lyrical, containing every collection of poetry published in his lifetime, plus other collections, in chronological order, beginning with the 1889 Crossways through the 1899 Wind Among the Reeds through the Wild Swans at Coole of 1919 (containing some of his best known pieces) through the 1928 The Tower, through the Winding Stair and other poems of 1933, which includes Blood and Moon so well explained by Professor Vendler, and the Crazy Jane sequence, through New Poems and Last poems of 1938-9. Of course several collections are skipped in this present list for lack of space.

This first Part also contains "Narrative and Dramatic" Poems beginning with the early Wanderings of Oisin (1889) through to the 1923 Gift of Harun Al-Rashid.

Part Two contains Additional Poems, 129 in all. Then follows Appendix A of Yeat's own notes to his Collected Poems (1933). These from the Poet himself are followed by Finneran's Notes upon those Notes, as in the Scribner collection. Then follows five musical notations for five poems from 1938's New Poems, with notes for the tunes and their traditional origin.

Then comes one hundred pages of explanatory notes original to this editor, who explains what to expect and what not to expect within them. "The purpose of these notes is to annotate all specific allusions in the poems. Annotation of other kinds, as well as interpretive commentary, has been avoided (p. 623)." Along with other avoidances, Finneran mentions ascribing certain personages to certain poems as a slippery slope not to be approached, although traditionally we have assumed certain poems to be "about" someone in Yeats' life, just as we like to assume we know the object of the Sonnets of Shakespeare, including his "Dark Lady." Finneran explains: "This last omission perhaps requires comment, as many readers of Yeats are accustomed to approaching a particular poem 'knowing' that it is about a certain person - be it Maude Gonne, Olivia Shakespear, Margot Ruddock, or whomever. However, firm evidence for many of those identifications is lacking. Moreover it is arguable that Yeats did not wish to narrow the meanings of those poems by presenting them as statements about specific autobiographical situations. A key instance is 'Upon a Dying Lady.' ( . . .) he preferred to present it as a universal statement on death and dying, much as he told Hugh Lane that 'To a Wealthy Man . . .' was addressed to 'an imaginary person' (see note to 114.4)"

I quote this at length to demonstrate the academic rigor of these notes, that they keep to what is provable and not fanciful. We may trust Finneran's judgment and scholarship here in these notes as elsewhere. The notes therefore are not only extensive but based on solid, demonstrable research.

Then follows a few pages of Textual Notes which describe the sources used for the poems, in Part B the copy texts used and in Part B Emendations to the copy texts, with the authority for emendations made. Those requiring further information upon these, Finneran's editorial decisions are referred to his Editing Yeats Poems: A Reconsideration.

Following this helpful section lies the Index of Titles and of course the Index of First Lines.

I hope this brisk walk through this tome has been of some assistance in your search to purchase. Certainly you might have discovered this through the Search Inside feature of the amazon product page, but perhaps this helps in something. Truly this is a book worthy of every home, each library, each university, every hearthside.

Incidentally this is but the first of fourteen volumes collecting every thing known published by Mr. Yeats, with additional materials. The entire series is overseen by Mr. Finneran and George Mills Harper. The second volume contains the The Plays: Vol.2 (The collected works of W.B. Yeats), edited by David R. Clark. Let these small steps begin your acquisition of the full set, well worth it in our darkening post-literate age, in which we lose the power to express the human heart with this power and precision, and glory.

Read this book, and live it, and sing it, and write your own . . .