Disc 1: ANNIE HALL Disc 2: EVERYTHING YOU ALWAYS WANTED TO KNOW ABOUT SEX BUT WERE AFRAID TO ASK Disc 3: INTERIORS Disc 4: LOVE AND DEATH Disc 5: MANHATTAN Disc 6: SLEEPER Disc 7: STARDUST MEMORIES Disc 8: BANANAS
Starting with 1971's Bananas
, Woody Allen's second film as director, this set of eight movies includes all of Allen's work as a director up to 1980, when he wrestled with his own popularity in the Fellini-esque Stardust Memories
, showcasing the distinctive arc of a filmmaker who moved from lighthearted movies to more serious fare that still remains breathtaking after 20 years. In between those two movies, there are wonderful trips of comedy, tragedy and romance to be had. Everything You Always Wanted to Know About Sex but Were Afraid to Ask
is a hilarious set of vignettes based on the popular instructional manual, the most notable a segment featuring Gene Wilder's infatuation with a female sheep. The futuristic Sleeper
and the underrated Love and Death
showcase Allen at his funniest, especially the latter, which tackles the weighty subjects of Russian novels and Bergman films with adroit parody.
Allen's Oscar-winning Annie Hall is one of the most joyous (and melancholy) romances ever made, with a star-making turn by Diane Keaton and a witty screenplay (cowritten with Marshall Brickman) that remains one of Allen's best. Allen did a 180 with the Bergman-esque Interiors, a sometimes stilted drama that nonetheless presaged the dysfunctional-family drama of films like Ordinary People and featured outstanding performances by Geraldine Page and Mary Beth Hurt, as well as unparalleled cinematography by Gordon Willis. The last two films in the set--the romantic Manhattan and the acidic Stardust Memories--are both gorgeously shot in black and white and represent Allen at the peak of his creative powers, as he wrestles with the meaning of life in terms of both love and art, albeit from different perspectives. Indispensable to any film fan, this boxed set represents nothing less than a landmark of American cinema. --Mark Englehart