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  • The Prog Collective feat. Rick Wakeman, John Wetton, Tony Levin, Billy Sherwood, et al.
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The Prog Collective feat. Rick Wakeman, John Wetton, Tony Levin, Billy Sherwood, et al.


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Vinyl, February 26, 2013
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The Prog Collective feat. Rick Wakeman, John Wetton, Tony Levin, Billy Sherwood, et al. + Epilogue Featuring members of Yes, Dream Theater, Gong, Curved Air, Porcupine Tree, Asia, and Nektar PLUS Steve Stevens, Nik Turner, Steve Morse, Alan Parsons, special guest William Shatner and more!
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Product Details

  • Vinyl (February 26, 2013)
  • Original Release Date: 2013
  • Number of Discs: 2
  • Label: Cleopatra
  • ASIN: B00AFEYM6O
  • Average Customer Review: 3.5 out of 5 stars  See all reviews (33 customer reviews)
  • Amazon Best Sellers Rank: #130,557 in Music (See Top 100 in Music)

Editorial Reviews

Product Description

LP 1 A
1. The Laws of Nature
2. Over Again
3. The Technical Divide

LP 1 B
1. Social Circles
2. Buried Beneath
3. Follow the Signs

LP 2 A
1. Check Point Karma
2. The Laws of Nature (Instrumental)
3. The Technical Divide (Instrumental)

LP 2 B
1. Social Circles (Instrumental)
2. Check Point Karma (Instrumental)
3. Over Again (Single Edit)
4. BONUS TRACK: Let the World Revolve

Review

The biggest super group of Progressive Rock players ever assembled and one of the most talked about releases of 2012 finally arrives on vinyl!

Features performances by John Wetton (Asia), Tony Levin (King Crimson), Jerry Goodman (Mahavishnu Orchestra), Richard Page (Mr. Mister), Geoff Downes (Yes/Asia), Alan Parsons (Alan Parsons Project), Chris Squire (Yes), Rick Wakeman (Yes), Gary Green (Gentle Giant), Annie Haslam (Renaissance), Steve Hillage (Gong), John Wesley (Porcupine Tree), Tony Kaye (Yes), Colin Moulding (XTC) and more!

Includes bonus instrumental mixes and another original composition Let The World Revolve! --Official Press Release

Customer Reviews

The songs, while not bad, are not memorable.
William E. Houser Jr.
This is a wonderful album, showcasing the variety of talent that makes up the genre we call Prog.
L. Masco
You wouldn't regret buying it but might not listen to it for more than a month.
Thomas E. Stazer

Most Helpful Customer Reviews

50 of 56 people found the following review helpful By Scott O. Harrell on August 14, 2012
Format: Audio CD
This was a joyful purchase for me, as I've been a long-time fan of most of the artists associated with this project -- in fact, I've had the pleasure of seeing many of the original groups in concert, including Yes, King Crimson, Gentle Giant, Mahavishnu Orchestra and Renaissance. What a treat to hear Annie Haslam again, and what a bonus to also feature Yes' original guitarist, Pete Banks on the same track!
My initial concern was the quality of the songwriting, but I was pleasantly surprised - these tracks are tuneful and melodic, and thankfully mostly free of the bombast of much of latter-day prog. I also appreciate that Billy Sherwood is willing to share the guitar spotlight with other players, including Gary Green (Gentle Giant) and Steve Hillage (acid glissando king!) Fine vocals from Richard Page and Colin Moulding further enhance the experience. Coming right on the heels of "Squackett", this is a good time for prog fans! Enjoy!
So why "only" 4 stars? This is a fine album, but I'll reserve 5 stars for true classics, such as "Fragile", "Birds of Fire", "Three Friends" and "Larks' Tongues in Aspic". Very few albums (including this one) are in that league, but I heartily recommend this outing without hesitation - it's very good and very well done.
Note: I opted for the "Deluxe" edition (which also contains instrumental versions of each track). My only gripe is that there is no pdf of album artwork or liner notes, so I'll need to search the web myself for details about the recordings, artists and production.
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36 of 41 people found the following review helpful By William E. Houser Jr. on August 27, 2012
Format: Audio CD Verified Purchase
I had such high hopes for this album. With guests like Annie Haslam, John Wetton, John Wesley, Gary Green, Richard Page, Chris Squire, Rick Wakeman, Peter Banks, et al, I was expecting so much more. The playing is fine, but somewhat uninspired as it's not a whole band with guest spots. This is a Billy Sherwood production - Billy on drums, Billy on guitar, Billy on keyboard, Billy on bass. The guests are playing with recordings. This does not mean it's bad...it's not. BUT. It easily could have been better. Billy is only average on drums, which is not good enough for me. He's average on bass. He's can play a lot of instruments, but not up to my prog standards.

The songs, while not bad, are not memorable. Melodies are kind of ho hum. The songs don't hold up.

I like Sherwood's work in general. Back Against the Wall, his World Trade Albums, his work with Squire, his work with Yes. This to me is too disjointed. One of the best aspects to prog for me was great musicians playing together. That is missing here, the energy is gone. It's just OK.
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23 of 29 people found the following review helpful By Tony Y. on August 15, 2012
Format: MP3 Music
I couldn't agree with Scott more. More often than not, a release containing so many great artists in one assembly does not produce a memorable yield of material, but TPC is certainly an exception. I was also pleasantly surprised to see participation by Steve Hillage, Gary Green and Colin Moulding. A great review by Scott and a great disc worthy of your prog collection.
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7 of 8 people found the following review helpful By William Polhemus on August 25, 2012
Format: MP3 Music
I cannot get over how many times I am returning to this album for a rehearing. Normally, "new music" just doesn't move me this much. My general philosophy is that most of what there is to be "said" in popular music - even the quasi-serious variety represented by "prog" - has already been done. There is so much stuff out there now, that Sturgeon's Law - "Ninety percent of everything is crud" ([...]) - can be overcome easily; the remaining non-crud ten percent is quite voluminous.

However, this d*mn record is a joy to hear. Every track is at least satisfyingly good. And a couple of them (my favorites, "Over Again" and "Social Circles") are absolutely sublime.

In the 1920s and 30s, Igor Stravinsky turned to the music of the late Baroque/early Roccoco period, and composed such delightful pieces as "The Fairy's Kiss," his Symphonies, and "Oedipus Rex," rehashing 18th Century music forms in a way that makes them fresh.

Well, these guys in their 50s and 60s, are rehashing the music of these same guys in their 20s, yet the same effect presents: it sounds fresh and new again.

I love it, and if you enjoy the Progressive Rock of the early 1970s, I think you will too.
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6 of 7 people found the following review helpful By Thomas E. Stazer on December 4, 2012
Format: MP3 Music Verified Purchase
A lot of talent goes pretty much nowhere on this album. It is worth a few listens, but the lack of inventiveness makes it wear out its welcome rather quickly. Everyone is quite talented, but Sherwoods compositions don't really do the job this time. You wouldn't regret buying it but might not listen to it for more than a month.
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5 of 6 people found the following review helpful By Thomas J Futsch on November 16, 2012
Format: Audio CD
I saw all the fantastic musicians on this cd and couldn't
Wait to hear it,we'll what disappointment,the songs ok but seem to ramble on
With really no cohesion.It is a boring cd and I probably not listen to it in the near
Future
Save your money,don't buy this cd
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7 of 9 people found the following review helpful By Randolph J. Woodard on January 23, 2013
Format: Audio CD Verified Purchase
This is a great big let down it is a bunch of great player that never play together. The guest performers phone in there performances, the recordings are sent to each performer to overdub at different home studios. And the recording sounds like it no real interaction between musicians. This sounded good on paper with such a strong line up. But the CD is a let down.
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