Customer Reviews

College

5 star:		(2)
4 star:		(1)
3 star:		(1)
2 star:		(1)
1 star:		(0)

 

 

For some reason College provokes the most extreme reaction of any Keaton film-- I've seen it called both his best and his worst by critics. It is undoubtedly a lightweight work, and marred by some racial stereotyping, but the main setpieces, in which Buster runs through gags on all the major collegiate athletic activities, show off his physical dexterity at its best and are as close to pure Keaton as it comes. (The idea of him playing a weakling is pretty quickly belied by the sight of his muscles in athletic clothes.) The tape includes three shorts that also fall pretty much in the middle of the pack, although Hard Luck is worth noting both as one of the last lost Keaton films to be rediscovered and as one of the blacker comedies he ever did.

While this VHS format of "College" may be considered a "Hollywood Classics Collector Edition" by some critics, it is certainly that, and something else; irritating to watch.

The story and the acting aside, the main problem is the substandard transfer from film to video. The result is a poor quality picture with loss of detail, poor focus, and exaggerated and disturbing contrasts of black and white. This is due, no doubt, to the poor decision by someone to transfer the video using the slowest speed possible of EP/SLP. The low cost of this video reflects it's inferior picture quality. The video may have been of better quality if recorded on the standard speed (SP).

The secondary problem is the ridiculous sound track which has been added to the video with absolutely no regard for the story or the action. It is merely "elevator music" and would better have been used in a circus. In addition, the style of the music is not of the same era as the story, and therefore doesn't match.

The movie itself, although not the best of Keaton's, is entertaining and worth having in your "Muster, Buster" video library. Just not this taped version! The poor quality of this video interfers greatly with the enjoyment of the comedy - at least for this viewer.

There has to be a "College" out there with a far better image.

Buster Keaton does well here, but the movie lacks the sense of adventure and fun his better works. Still an important addition to any proper Keaton collection.

Because all the reviewers that have written about " College " here before have done the job this doesn't want to be a review of my own. The lines that comes next are a translation to english of an excerpt from a review that the surrealist spanish filmmaker Luis Buñuel wrote in 1927 about this movie. For everyone who hasn't read it, here comes:

" Here's Buster Keaton with his most recent film, the splendid " College ". Asepsis. Disinfection. Freed from tradition our gaze revels in the youthful, tempered world of Buster, the great specialist in fighting sentimental infection of all types. The movie is beautiful as a bathroom, as vital as an Hispano-Suiza ( ... ) In Buster the expression is modest as the expression of a bottle. But in the circular rink of his pupils plays his aseptic soul: the bottle and Buster's face have infinite points of view. They are things that must to fulfil its mission in the rhythmic and architectonic gear of the film. The montage - gold key of the movie - comments and unites all these elements. "

Kino's DVD edition of " College " also contains Keaton's silent shorts " The electric house "; " The blacksmith " and " Bad luck ".

The following review applies to the Kino VHS/DVD version that includes 3 Buster shorts as well as the main feature, "College".

COLLEGE (1927): Bus stars as the valedictorian of his high school who goes to college to exceed in athletics in order to impress the girl he's in love with. It's fun to watch him fail in all aspects of sports that the college offers, but I think he went too far to make himself look ridiculous at playing the game of baseball, which in reality he happened to be very talented at. What's more funny are the scenes of the jobs he gets while working his way through college. The interior of the soda fountain/drugstore he works at would make a 21st century antique dealer drool. He also tries his hand working as a black waiter and intentionally looks as bad in minstrel makeup as Al Jolson did.

THE ELECTRIC HOUSE (1922): The Electric House involves his interest in gadgets. Buster is hired erroneously to electrify the house of a family who's away on vacation. Not wanting to refuse the job, he (incredibly!) finds out about and installs electrical gadgets in the house from a learner's manual - all this in the time span of an average vacation period (!). The gadgets are really clever though, including a moving stairway, which Buster actually broke his leg on and caused him to stop shooting The Electric House until the cast came off. The filmed exteriors of the house were actually of Buster's own home (it's neat-o!).

HARD LUCK (1921): This gag-infested short stars Buster as a loser who repeatedly tries to commit suicide and bungles each time. One gag shows him drink out of some guy's bottle marked "poison", dramatically fake a death act, then realize he drank bootleg hootch, and goes back for more. This was Buster's favorite short because it included his favorite gag. Unfortunately, we'll never see the gag because the scene's been lost forever, despite gallant searches by film historians worldwide to find it. The scene is about Buster crashing through the hole of a swimming pool and coming out of it years later with a Chinese wife and kids. Even without that scene, Hard Luck is pretty good. This version had to be compiled from prints that were located from around the world. I could tell that at least one scene was found somewhere in the United Kingdom because the word "organization" on a title card was spelled "organisation".

THE BLACKSMITH (1922): Bus and his perennial heavy Joe Roberts work at a blacksmith shop. Joe plays his boss. . .a meany boss. Unlike the rest of us, I don't understand how Buster could've related to the mean boss concept since, up until 1928 (at the age of 32) when he got a "factory" job at MGM and started working under the tyrant L.B. Mayer, Buster's real-life bosses (except for the "stripes" that cluttered his World War 1 experience) were either family or friends (I'm getting jealous) but he does pull it off. The Blacksmith is a fun short with lots of good gags. A scene where Bus clumsily destroys a white Rolls Royce really makes you squirm and nervous.