Amazon.com: The Colonial Andes: Tapestries and Silverwork, 1530-1830 (Metropolitan Museum of Art Series) (9780300104912): Elena Phipps, Johanna Hecht, Cristina Esteras Martin: Books


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The Colonial Andes: Tapestries and Silverwork, 1530-1830 (Metropolitan Museum of Art Series)
 
 
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The Colonial Andes: Tapestries and Silverwork, 1530-1830 (Metropolitan Museum of Art Series) [Hardcover]

Elena Phipps (Author), Johanna Hecht (Author), Cristina Esteras Martin (Author)

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Book Description

September 10, 2004 Metropolitan Museum of Art Series

The arrival of the Spanish in South America in 1532 permanently transformed the Andean cultural landscape. Within a generation, societies that had developed over thousands of years, including the great Inca Empire, had been irrevocably altered. The arts from the Spanish colonial period—those that drew on native traditions, such as textiles, silver, woodwork, and stonework, as well as painting, sculpture, and other genres introduced by the Spanish—preserve an unspoken dialogue that developed between Andean and European modes of expression.

This beautiful book presents silver objects, textiles, and other masterpieces of colonial Andean culture. Essays discuss the artistry of this culture and explain how it has been recently reevaluated and celebrated for its vibrant energy reflecting the convergence of two essentially distinct cultural traditions.


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Customers buy this book with Contested Visions in the Spanish Colonial World (Los Angeles County Museum of Art) $49.00

The Colonial Andes: Tapestries and Silverwork, 1530-1830 (Metropolitan Museum of Art Series) + Contested Visions in the Spanish Colonial World (Los Angeles County Museum of Art)


Editorial Reviews

Review

This beautiful book presents silver objects, textiles, and other masterpieces of colonial Andean culture that evolved from the convergence of native tradition with Spanish influence.

About the Author

Elena Phipps is conservator, Textile Conservation, and Johanna Hecht is associate curator, European Sculpture and Decorative Arts, at The Metropolitan Museum of Art.


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More About the Author

Elena Phipps has been a textile conservator at Metropolitan Museum of Art, where she worked between 1977-2010. She has her PhD in Pre-Columbian art from the Department of Art History and Archaeology, Columbia University (1989). Her interests focus on the history of textile materials and techniques in relation to cultural perspectives. In 2004 she was co-curator of an exhibition and co-author of the catalogue The Colonial Andes: Tapestries and Silverwork 1530-1830, at the MMA. The catalogue was awarded both the Alfred Barr Jr. award from the College Art Association, and the Mitchell Prize, in 2006. She has contributed essays in a number of scholarly publications including The Getty Murúa: Historia General del Piru, and her forthcoming publication Cochineal Red: the art history of a color (Metropolitan Museum of Art and Yale University Press) is expected Feb 2010.

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Inside This Book (learn more)
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
Nińo Jesús, Arzáns de Orsúa, foliate man, foliate men, weft selvages, red neck yoke, eccentric wefts, tocapu waistband, tapestry mantles, dovetailing joins, coca box, tocapu designs, colonial tapestries, camelid hair, dark cochineal red, warp selvages, colonial tunics, checkerboard tunics, tapestry weave, wedge weave, armorial tapestries, selvage cords, colonial garments, metallic weft, linen core
Key Phrases - Capitalized Phrases (CAPs): (learn more)
The Colonial Andes, Esteras Martin, Buenos Aires, Corpus Christi, New York, Lake Titicaca, Guaman Poma, Inca Empire, Museum of Fine Arts, Túpac Amaru, New World, Esteras Martín, Southern Andes, The Metropolitan Museum of Art, Chiguan Topa, Textile Museum, Viceroyalty of Peru, Christ Child, Brooklyn Museum, South America, American Museum of Natural History, Alto Peru, Virgin Mary, Viceroy Toledo, Museo Inka
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