Color and Culture: Practice and Meaning from Antiquity to Abstraction [Paperback]

John Gage (Author)

Book Description

ISBN-10: 0520222253 | ISBN-13: 978-0520222250 | Publication Date: August 3, 1999 | Edition: 1st

Color is fundamental to life and art yet so diverse that it has seldom been studied in a comprehensive way. This ground-breaking analysis of color in Western culture from the ancient Greeks to the late twentieth century is a John Gage triumph. With originality and erudition, he describes the first theories of color articulated by philosophers from Democritus to Aristotle and the subsequent attempts by the Romans and their Renaissance disciples to organize color systematically or endow it with symbolic power. The place of color in religion, Newton's analysis of the spectrum, Goethe's color theory, and the theories and practices that have attempted to unite color and music are among the intriguing topics this award-winning book illuminates.
With a large classified bibliography, discursive footnotes, and an exhaustive index, Color and Culture is an invaluable resource for artists, historians of art and culture, psychologists, linguists, and anyone fascinated by this most inescapable and evocative element of our perceptions.

Editorial Reviews

From Publishers Weekly

In this searching, dazzlingly illustrated investigation of the experience of color in the West, Cambridge University art historian Gage explores color as a language of emotions, psychological meaning and religious significance. His 14 scholarly yet accessible essays, accompanied by 223 plates (more than half of which are in color), are full of arcane and wondrous lore, from ancient Rome's cult of purple (a hue associated with the ruling elite) to the symbology of rainbows, perceived correspondences between colors and music, and color symbolism in heraldry and alchemy. Certain themes re-emerge, such as the impact of color scientists Goethe and Newton on artists like Turner and Surat, and the popular notion of the Orient as a repository of colored, exotic stimuli and attitudes. The magnificent plates range from a fourth-century Egyptian mummy portrait to the color experiments of Kandinsky, Mondrian, Helen Frankenthaler, Sonia Delaunay, Kenneth Noland and Josef Albers.
Copyright 1993 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Library Journal

This book contains everything you wanted to know about color as a cultural construct, physical and optical property, and theoretical problem. Gage (art, Cambridge Univ.; J.M.W. Turner , LJ 7/87) has ranged very widely and come up with an extremely inclusive book dealing with nearly every Western, historical, and perceptual aspect of color. Trained at the Courtauld Institute of Art, Gage has an artist's direct sense of color and communicates it well in his writing, even when the illustration is in black and white. He has written a fascinating survey of this universal--but very subjective--aspect of art; no other title compares in depth and scope to this work. Recommended for general collections as well as for specialists, who will find much of interest in Gage's bibliographical excavations and careful looking.
- Jack Perry Brown, Art Inst. of Chicago Lib.
Copyright 1993 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Product Details

• Paperback: 335 pages
• Publisher: University of California Press; 1st edition (August 3, 1999)
• Language: English
• ISBN-10: 0520222253
• ISBN-13: 978-0520222250
• Product Dimensions: 11 x 10 x 1.1 inches
• Shipping Weight: 4.1 pounds (View shipping rates and policies)
• Average Customer Review: 4.2 out of 5 stars  See all reviews (4 customer reviews)
• Amazon Best Sellers Rank: #611,313 in Books (See Top 100 in Books)

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Customer Reviews

Most Helpful Customer Reviews

46 of 50 people found the following review helpful:

5.0 out of 5 stars EXCELLANT SOURCE FOR ARTISTS ON COLOR AND PALETTE DEVELOPMEN, March 7, 1999

By 

Darlene L. Swaim "LEHI" (Mesa, Arizona, USA) - See all my reviews

This review is from: Color and Culture: Practice and Meaning from Antiquity to Abstraction (Color & Culture) (Hardcover)

This book is an excellant source of palette development, pigment uses and development as well as color theories throughout history. My students have worn out my copy -- needs to be reprinted and made known in college art departments. Good, solid informational writing and illustrations. A must-have book for artists and students. D. Swaim, Prof., M.C.C., Arizona

10 of 10 people found the following review helpful:

4.0 out of 5 stars pretty complete, January 11, 2007

By 

Femke "textile designer" (Amsterdam, the Netherlands) - See all my reviews

This review is from: Color and Culture: Practice and Meaning from Antiquity to Abstraction (Paperback)

This book shows you all you want to know about colours. It's not truly scientific but it showed me the best and most of colour-theory. I had some trouble with the science-language but hey, I'm Dutch, not a native "American" speaker! The only thing that I would change in this book is more pictures, and all in colour!

1 of 1 people found the following review helpful:

5.0 out of 5 stars A significant work on color, October 13, 2011

By 

Susanna Banks Baum (Great Barrington, MA, US) - See all my reviews

Amazon Verified Purchase

This review is from: Color and Culture: Practice and Meaning from Antiquity to Abstraction (Paperback)

I can't say much about this book because I am continually blown away by the dense, complete and inspirational writings on color. The examples are stunning. I use them as color studies in my work. I copy out passages in to my artist books. I share what I read with my friends who are similarly intrigued by color. As an artist, this book is a valuable resource. I recommend it highly to anyone who is interested in the history of how we see and think about color.