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The Color of Heaven (Color Trilogy)
 
 
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The Color of Heaven (Color Trilogy) [Deckle Edge] [Paperback]

Dong Hwa Kim (Author)
4.0 out of 5 stars  See all reviews (4 customer reviews)

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This Book Is Bound with "Deckle Edge" Paper
You may have noticed that some of our books are identified as "deckle edge" in the title. Deckle edge books are bound with pages that are made to resemble handmade paper by applying a frayed texture to the edges. Deckle edge is an ornamental feature designed to set certain titles apart from books with machine-cut pages. See a larger image.

Book Description

Color Trilogy September 1, 2009
A celebration of the triumph of true love
 
As Ehwa grew from a girl to a young woman in The Color of Earth and The Color of Water, she began to understand and experience love and relationships, with her mother as a model and confidante.  Now, in the heartwarming conclusion to this lyrically written and delicately drawn trilogy, Ehwa's true love comes at last, and as her mother looks on, she takes the final steps towards becoming an adult. 
 
In the tradition of My Antonia and A Tree Grows in Brooklyn, from the pen of the renowned Korean manhwa creator Kim Dong Hwa, comes a girl's coming of age story, set in the vibrant pastoral landscape of Korea. 

Frequently Bought Together

The Color of Heaven (Color Trilogy) + The Color of Water (The Story of Life on the Golden Fields) + The Color of Earth
Price For All Three: $36.32

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  • The Color of Water (The Story of Life on the Golden Fields) $6.78

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  • The Color of Earth $16.29

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Editorial Reviews

From Publishers Weekly

Seventeen-year-old Ehwa bids good-bye to the man she wants to marry as the final volume of this delicate and poetic Korean historical trilogy opens. Her mother is simultaneously full of angry concern and understanding sympathy—each woman must wait, tending flowers and hoping to see their loves again. It's fascinating to see such a female-centered generational story, but it's a shame that, due to the time period, the women can take no action. They are passive, waiting, because that is the heart of a woman; their lives are incomplete without a man. Natural metaphors and seasonal images give the story texture: trees are undressed; male organs are chili peppers; and young men are butterflies flitting among flowers. Village girls see naked neighbors; men who aspire too much in their love are beaten to death; and marriage proposals come to the prettiest. The art is as minimally poetic as the content. Panels are spare, with plenty of white space, and the eyes are most often stacks of horizontal lines, making the characters seem thoughtful or as though they're looking sidelong at life. (Sept.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

About the Author

Kim Dong Hwa is a widely revered Korean comic artist. Since his debut in 1975 he has become a mainstay of Korean manhwa (comics), best known for his tender stories and uncanny ability to write from a profoundly feminine perspective.

Product Details

  • Paperback: 320 pages
  • Publisher: First Second (September 1, 2009)
  • Language: English
  • ISBN-10: 1596434600
  • ISBN-13: 978-1596434608
  • Product Dimensions: 8.4 x 6 x 1 inches
  • Shipping Weight: 1 pounds (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #1,310,347 in Books (See Top 100 in Books)

 

Customer Reviews

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Average Customer Review
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2 of 2 people found the following review helpful:
3.0 out of 5 stars A poetic finish with no surprises..., April 8, 2010
By 
J. Horan (Seoul, South Korea) - See all my reviews
(REAL NAME)   
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This review is from: The Color of Heaven (Color Trilogy) (Paperback)
Having read the first the first two books of this trilogy in fairly quick succession, I eagerly awaited the arrival of the third. Like Osamu Tezuka, Kim Dong Hwa creates in grayscale a beautiful scenic backdrop in which his sparsely (by comparison) drawn characters play. His commitment to the realism of rural Korea is a testament of his devotion to them (some of them are, after all, his family). There is a strong pastoral but poetic voice that echoes throughout which has the tendency to become rather redundant and thick, making the reading tedious at times.

The Color of Heaven is Kim's strongest work in the trilogy artistically speaking. He contrasts the general brightness of the first two books with some beautiful, effective shading in the third.

The story itself is weak and though there was little action in The Color of Earth and The Color of Water, readers will find themselves wading through pages about a main character whose primary objective is waiting.

Make no mistake, this book is worth the completion of the trilogy, but if you're expecting the deft plot twists and moral ambiguity of Osamu Tezuka's work, you will be disappointed. It's a light and airy love song, written by a Korean, about Koreans, to Koreans. And while the author/illustrator's love for his female forebears is commendable, the ending is much too easy to be the kind of realism he painted at the beginning.
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4 of 5 people found the following review helpful:
5.0 out of 5 stars Unforgettable, November 2, 2009
This review is from: The Color of Heaven (Color Trilogy) (Paperback)
After discovering that his boss was trying to buy Ewha's hand in marriage and then retaliating against the old man on his dearly beloved's behalf, the farmer's assistant Duksam is going to have to flee town. He shows up late at night in the inn, angry men hot on his tail, and tells Ewha that he plans to travel to Mokpo and make his fortune as a sailor. When he has enough money to support Ewha as his wife, he will return for her.

But in the meantime, she will have to become like her mother--and wait at home for the one she loves, constantly looking toward the entrance to town in the hopes that her man will be walking through the gate toward her. Much of The Color of Heaven, the third and final volume of Kim Dong Hwa's path-breaking Colors Trilogy, documents this bittersweet waiting game. Mother and daughter spend many a break during the busy day and respite during the quiet night ruminating and expounding upon their desires and the nature of the male portion of the species.

It can get a bit tiresome in places; take this manhwa literally and you might assume that the only thing women talk about amongst each other is men. While this is a perspective of the world that flatters the male ego, it has no relationship to reality. However, inasmuch as the setting, pre-industrialized, agrarian Korea, was intensely patriarchal, the nostalgic, pseudo-poetic way in which mother and daughter discuss human relationships does indirectly explicate the ways in which social selfhood are conferred only upon women who are attached to a man, either as daughter or wife.

Furthermore, those with interest in Korean culture will appreciate the final portions of The Color of Heaven. Duksam does, needless to say, return to Ewha, and their marriage ceremony--not to mention their first conjugal night together--is depicted in languid, loving detail. Though quite frank in its sexuality, it is not pornographic, and the suggestive visual metaphors, such as a mortar and pestle, for example, used by Kim at the end of the book is reminiscent of a less permissive era of Japanese manga.

One of the keenest pleasures of this book, as with the previous two volumes, is its exquisitely beautiful artwork. Pitch-perfect traditional style and content merge seamlessly with the modern conventions of sequential art storytelling. It's like a Korean costume drama in two-dimensions...save that costume dramas on television typically depict the lives of the privileged, while the protagonist of the Colors Trilogy is a girl of very modest means and ambitions. Nevertheless, the wedding ceremony with its traditional dress is glorious, and much improved image reproduction in this First Second edition means that it can be enjoyed without distraction.


The Color of Heaven is without peer in the English language graphic novel market. Nowhere else is there such a sustained view of Korean tradition and agrarian life. For its uniqueness alone, it is a must read, and for the magnitude of its achievement, it is unforgettable. Highly recommended.


-- Casey Brienza
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1 of 1 people found the following review helpful:
3.0 out of 5 stars "Color of Heaven", October 29, 2010
In this concluding volume to the Color of Earth trilogy, Kim Dong Hwa takes the relationship between Ehwa and her mother to a new level, for the little girl is now seventeen and a blossoming woman. The women find they have more in common than they thought, as they wait and yearn for their lovers who are far away, wondering when they will return. Nevertheless, Ehwa still has some crucial lessons to learn from her parent. But Hwa must bring the series to a close, and he does so with Ehwa's betrothal to Duksam, and their beautiful wedding. Her mother says goodbye to the daughter she's had in her home for so long, and while her lover now returns to her for good, she finds herself once again looking out from her home, waiting, this time for the return of her daughter who she now misses greatly. Kim Dong Hwa's artwork and scenery continue to astound, while The Color of Heaven does an incredible job of revealing facets of Korean culture rendered in such a beautiful way.

Originally written on August 8th, 2009 ©Alex C. Telander.

Originally published in the Sacramento Book Review.

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