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1 of 1 people found the following review helpful:
5.0 out of 5 stars Get Color, September 8, 2000
By A Customer
This review is from: Color & Its Reproduction (Hardcover)
No way would I take COLOR AND ITS REPRODUCTION off my shelf of all-time excellent reading except for the next update. The author says the best printed image steers clear of dot gain, goes in for trapping and perfect register, and prints high-density neutral black. Color quality works best when the original has no image defects, fluorescent materials or nongamut colors; the ink film is glossy, thick and transparent; the paper is a glossy, opaque, smooth white, with little absorbency and internal light scattering; and the printing sequences black after yellow in a stably run press with properly-adjusted impression pressures.

Gary G. Field refers electrophotographic, flexographic, gravure, letterpress, lithographic, and screen printing for such different short- to long-run color markets as high- or routine-quality and on-demand. His book stands on its own as a teach-yourself guide, with an elegantly straightforward style and with thick appendixes including bibliography, color equations, and glossary. But it also helps anyone reading Richard M. Adams II and Joshua Weisberg's THE GATF PRACTICAL GUIDE TO COLOR MANAGEMENT, Kelly Kordes Anton's USING QUARKXPRESS 4, Steve Bain's FUNDAMENTAL QUARKXPRESS 4, Hal Hinderliter's UNDERSTANDING DIGITAL IMPOSITION, Harold L. Peck's STRIPPING: THE ASSEMBLY OF FILM IMAGES, Z.A. Prust's GRAPHIC COMMUNICATION: THE PRINTED IMAGE, and Fred Wentzel's GRAPHIC ARTS PHOTOGRAPHY: COLOR.

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5.0 out of 5 stars Les couleurs du paradis, January 14, 2004
By A Customer
This review is from: Color & Its Reproduction (Hardcover)
Les meilleures images imprimees se font des points nonbaves, du noir a haute densite, et des couleurs superimposees dans les sequences correctes. Les meilleures couleurs se font des couleurs de la gamme, des images nondefectueuses, et des nonfluorescents. Les meilleures encres se montrent epaisse, lustree, transparente. Les meilleures feuilles se montrent blanche, lustree, peu absorbente, avec la lumiere dispersee a l'interieur. Les meilleures presses reglent la tension a l'empreinte et impriment le noir apres le jaune. Les meilleures gens de la couleur connaissent les marches, tels que la qualite haute ou ordinaire ou bien la sur-demande, qu'il s'agisse de l'imprimer electrophotographique, flexographique, gravure, lithographique, typographique or bien celui a l'ecran
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Color & Its Reproduction
Color & Its Reproduction by Gary G. Field (Hardcover - Mar. 1999)
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