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"For colored girls..." does not have a conventional "plot" or characters. The parts of the choreopoem are performed by characters described as "lady in brown," "lady in white," etc. Together, these women talk about spirituality, violence, female sexuality, music, and the discovery of one's heritage. One particularly moving part of the choreopoem is a tribute to Haitian leader Toussaint L'Ouverture.
"For colored girls..." is a stunning hybrid of poetry, drama, and feminist theology. It is both tragic and sensuous, with the healing power of ritual. The final scenes contain some of the most powerful words ever written for the theater. If you are interested in African-American literature, women's studies, or 20th century drama, I recommend you read this work.