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Colored Pencil Solution Book
 
 
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Colored Pencil Solution Book [Paperback]

Janie Gildow (Author), Barbara Newton (Author)
4.7 out of 5 stars  See all reviews (37 customer reviews)

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Book Description

May 29, 2006
Colored Pencil Solution Book

Colored pencils are a fascinating medium, offering a palette rich with nuance, versatility and creative potential. Successful colored pencil artists and teachers, Janie Gildow and Barbara Benedetti Newton answer the most commonly asked questions about colored pencil techniques.

Over twenty easy-to-follow, step-by-step demonstrations show you how to:

  • Select the right tools, as well as set up your workspace to optimize efficiency and comfort
  • Effectively express yourself through color and value to create light, shadow and mood
  • Use and master basic essential colored pencil techniques
  • Create the look of realistic metal, including brass, copper and silver
  • Create glass that sparkles, mirrors that reflect and water that distorts
  • Create realistic texture, from slippery satin, fuzzy peaches and velvety roses to coarse linen and the bumpy surface of corn
  • Fix common mistakes and problems with easy-to-use solutions
Whether you already enjoy working with colored pencils or are looking to try this exciting medium for the first time, this book will provide you with all the information you need to create your own colored pencil compositions.

Frequently Bought Together

Colored Pencil Solution Book + Colored Pencil Painting Bible: Techniques for Achieving Luminous Color and Ultrarealistic Effects + Prismacolor Premier Colorless Blender Pencil, 2 Pencils
Price For All Three: $34.59

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Editorial Reviews

About the Author

Janie Gildow is an award-winning colored pencil artist and teacher. She has taught numerous workshops for the Colored Pencil Society of America and has appeared in The Artist's Magazine. Barbara Newton is an award-winning artist and veteran instructor. Her work has appeared in The Best of Flower Painting.

Product Details

  • Paperback: 128 pages
  • Publisher: North Light Books (May 29, 2006)
  • Language: English
  • ISBN-10: 1581809190
  • ISBN-13: 978-1581809190
  • Product Dimensions: 10.9 x 8.5 x 0.4 inches
  • Shipping Weight: 1.2 pounds (View shipping rates and policies)
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (37 customer reviews)
  • Amazon Best Sellers Rank: #195,019 in Books (See Top 100 in Books)

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Customer Reviews

37 Reviews
5 star:
 (28)
4 star:
 (6)
3 star:
 (3)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.7 out of 5 stars (37 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

94 of 94 people found the following review helpful:
5.0 out of 5 stars Would Give it a 6 if I Could, November 17, 2001
Get this book. Really. Even if you work in colored pencil only occasionally it is worth it. This book is as close to being a reference guide on anything to do with realistic colored pencil work I've ever seen. The only things missing are styles that are more experimental in approach and no focus on water-soluable colored pencils.

Some of the things I particularly liked:
1. Focus on specific name-brands of colored pencils, their binders, the effects this has on different types of paper, etc.
2. Techniques - such as:
a. mixing colors, how to apply colors evenly on varying degrees of rough to smooth paper, tonal gradations.
b. linear, stroke overlap, circular/oval strokes, burnishing.
c. liquifying dry colored pencil layers with solvents.
3. Underpainting in grey tones to get values correct and more vibrant color applied on top.
4. The actual patterns of each of the demonstrations shown step-by-step in the book. So you can actually practice each technique used in each of the demonstrations. Each demo gives a recipe of the "ingredients" used.
5. A section on common mishaps or mistakes along with tricks to fix them.

And this is only a portion of the things you can learn. I would like to mention one other thing. Most of the subjects chosen for the book all lean to the still-life or floral arrangement category. So you won't find in-depth discussions of skin tones for portraiture or fur for wildlife paintings. Even so, I believe the consistent high quality of the artwork displayed and wealth of techniques make it a worthwile addition to any colored pencil artists library.

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72 of 75 people found the following review helpful:
4.0 out of 5 stars Very Good With Only One Drawback, December 4, 2000
There is a lot of good information for every colored pencil artist in this book. I certainly have gotten my money's worth. It is excellently organized and answers many questions and problems. However, the sole style represented throughout is super realistic. What you see pictured on the cover represents the one style shown throughout the book. If this is not your style, and it is not mine, then some of the information you will have to try to adapt to your own style. Some of the rest of the information you will not be able to adapt at all if you have a different style. The colored pencil field desperately needs a book showing styles that are not so realistic. I don't regret buying this book though. Despite my having a radically different style from theirs, there was still a lot of information for me to glean from its pages.
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51 of 52 people found the following review helpful:
3.0 out of 5 stars It's good, but things are missing..., January 16, 2005
By 
I. Trejos (Miami, FL United States) - See all my reviews
(REAL NAME)   
First of all, the book is good in a way. It has a lot of useful explanations and even has drawings that you can copy to practice what they teach you. But the authors concentrate exclusively on still lifes, which makes the book rather limited for other subjects. For example, it doesn't cover animals or animal "textures" such as fur, scales or feathers. Landscapes are not even mentioned, or natural textures such as tree barks, leaves, rocks, wood, water, etc. Portraits or people are not included either. So no skin types, hair or clothing are present in the book. Flowers are very briefly covered. The book has gorgeous illustrations, and it was carefully done, but incomplete. It should have been called "Still Life Colored Pencil Solution Book", in order to be really true to its contents. To "fill the gaps" left by this book, I had to buy other colored pencil books: "Creating Textures in Colored Pencil" by Gary Greene which is very comprehensive,"Creating Radiant Flowers in Colored Pencils" also by Gary Greene, "Colored Pencil Portraits, step by step" by Ann Kullberg and "The big book of Drawing" by Lee Hammond.
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Inside This Book (learn more)
First Sentence:
Solving problems-that's what this book is all about. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
color and light solutions, design your composition, complement wheel, transparency solutions, reusable adhesive, pencil pressure, art knife, foundation color, kneaded eraser, drawing surface, slip sheet, lightest value, white pencil, solution book, good setup
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Black Grape, Indigo Blue, Tuscan Red, Slate Grey, Dark Green, Rising Stonehenge, Burnt Ochre, Crimson Red, Deco Blue, Light Green, Pale Vermilion, French Grey, Greyed Lavender, Dark Magenta, Dark Umber, Fabriano Uno, Barbara Benedetti Newton Colored, Deco Yellow, Grass Green, Janie Gildow Colored, Scarlet Lake, Dark Purple, Azure Blue, Black Cherry, Hot Pink
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