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Coloring Time: An Exhibition from the Archive of Korean-American Artists Part One (1955-1989) Paperback – July 31, 2014

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Product Details

  • Paperback: 108 pages
  • Publisher: Ahl Foundation (July 31, 2014)
  • Language: English
  • ISBN-10: 0989037800
  • ISBN-13: 978-0989037808
  • Product Dimensions: 8.5 x 0.3 x 11 inches
  • Shipping Weight: 12 ounces (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #2,919,467 in Books (See Top 100 in Books)

More About the Author

Kyunghee Pyun is an assistant professor of art history at State University of New York, F.I.T. (Fashion Institute of Technology) in New York City. She is also a visiting assistant professor at Pratt Institute, Brooklyn, NY. She has also taught at Wagner College, Montclair State University, Hunter College, Brooklyn College, Fashion Institute of Technology, and New School Parsons School of Design. She has BA from Seoul National University, MA and PhD from the Institute of Fine Arts, New York University. She is currently working on representation of monks and nuns in illuminated manuscripts. She also write on collectors of Asian art. Her articles have been published in Viator, Art History and Visual Culture, Sculpture Review, and other art magazines.

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Format: Paperback
Books devoted to Korean contemporary art are still rare. When I teach a course on Asian modern/contemporary art, I will use this book. It covers a crucial period from 1955 to 1989 when a first generation of study-abroad Korean artists arrived in New York. They were much influenced by Abstract Expressionism, Minimalism, Conceptual Art, mixed-media art of the 1970s, performance art of 1960s, and Civil Rights Movements. Yet Korean or Korean-American artists developed unique ways to preserve their identity as immigrant artists living in a cosmopolitan center of contemporary art. Many artists from Korea, like other immigrant artists, pursued questions of assimilation, isolationism, Asian-ness, race and gender. Some are more politically sensitive than others.

All of them maintained a high spirit to be recognized as serious artists. It was wonderful to see that Namjune Paik was a central figure in this small circle of Korean artists in New York.

The chronological table at the end as well as history of exhibitions held for Korean artists are enormously useful sources for those interested in impact of the Civil Rights Movements as well as public art institutions like Queens Museum of Art, Artists Space, Henry Street Settlement, etc.
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Coloring Time: An Exhibition from the Archive of Korean-American Artists Part One (1955-1989)
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