From Publishers Weekly
Starred Review. Named for the great amphitheatre in Rome, Ford's second collection of poetry reckons with the themes that iconic structure brings to mind: achievements of architecture and engineering, spectacles of violence, lost empires and forgotten gods. Opening with the author's birth amidst the fall of Saigon and civil war in Beirut, the book travels backward and forward through historical destructions, biblical floods and Ford's own firsthand account of the devastation of New Orleans by Katrina. Faced with the unstoppable storm and the rising waters, she writes: We will be overcome by waters/ where I stand with my lanterns and cans,/ my useless preparations and provisions,/ with the God I loved, I hated, and you. Considering the sum of all these ruins—the human achievement of which they are the shadow—the author continually reckons with meaning and interrogates her own faith; she pleads: Something please tell me I'm wrong/ about impermanence,/ wrong there is no unbroken believable thing/ on this earth. Moving through the Colosseum in Rome, to the Duomo in Florence, to the Louisiana Superdome, Ford shows impressive restraint in reconciling the vast accomplishments and devastations of history, creating an enduring collection of quiet and powerful elegies. (
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Review
“Colosseum is a book of polychromatic comprehensions and fiercely kinetic observation. In its vatic stock-taking of event and aftermath, the usual boundaries seem to fall away: interior and exterior, public and private, the intimacies of the close at hand and the overview clarities of distance interweave with precise and startling balance . . . Katie Ford’s poetry scours, distills, unsettles, and awakens.” —Jane Hirshfield
