Customer Reviews

The Colossus

5 star:		(3)
4 star:		(4)
3 star:		(1)
2 star:		(0)
1 star:		(0)

 

 

I don't know what other fans are hearing, but what I'm hearing is RJ's best release since deadringer. I think that he does want to be a singer/songwriter, but he also knows his strong suits with multi-layered sampling and does it well. "Let there be horns," "giant squid," and "the stranger" sound like they could fit right onto deadringer, and that alone is worth the purchase.
One of the things that was a pleasant surprise about this album was that even the singer/songwriter style tracks RJ pulled through on are miles better than the third hand in terms of energy, general structure, and especially the SOUL involved.
Throughout the album, whether they be the multilayered sampling compositions we're used to or not from RJ, you can still listen and tell based on his choice of instruments and arranging that its definitely his style.
If you were disappointed by the approach on the third hand, this new release should definitely satisfy you. It's a very refreshing approach to an album that I needed to hear very badly.

I'm very pleased with this new album. From the start RJ grabs the listener and you're committed from that point forward. I love the Kenna track which has a very RJD2-style R&B synth to it. The track with Illogic gives you a verse, though short, that is packed to the brim with pure style. I had never heard the other two artists before this but though they were good pairing in quality to the Weightless MC. In the later part of the album RJ jolts you back to his love of the introduction coming mindfully late in the recording and sends a good reminder to the listener that he has only gone higher with this one. An album well-worth the awful $16, 18, or 20 you occasionally see tacked on to a CD, but at 10.99 - seriously, this is the definition of a steal.

Producing for over a decade, Ramble Jon Krohn, aka RJD2 is back with his fourth full length studio album, and all of the hype lives up to its expectations! With intricately cut up samples, funky percussion and original soul vocals, Krohn crafts an album full of tracks that have originally captured my attention back with Deadringer (2002, Definitive Jux). Two years later, Krohn has absolutely swept me away with his original take on instrumental hip-hop with Since We Last Spoke (2004, Definitive Jux). In 2007, Krohn got signed to XL and released The Third Hand, which is also available as an instrumental-only version. Getting signed on a major label landed Krohn on the road, touring extensively for two years. The mixed reviews and the constant performing must have been tiring... In 2009, he decided to take it easy, launch his own label, RJ's Electrical Connections, and get back to his original sound. This move is definitely welcome. The Colossus is the first new album for his label, on which he already re-released the extended version of The Horror EP, enhanced with a second disc full of live footage and the making of the music video; and a boxset of 12", reissuing Deadringer, The Horror, Since We Last Spoke, and Tin Foil Hat. The latter is a super nice limited release for all the collectors, titled 2002-2010. The Colossus is immediately solid, fresh, and welcoming to an audience looking for those soulful sounds and laid-back beats. Featuring vocals from Kenna Zemedkun, Phonte Coleman, Aaron Livingston (as well as a few of his own), and the raps of The Catalyst, Illogic and NP, the album lightly skips across songs and instrumentals, demonstrating that Krohn feels back at home, in his own studio, on his own label, doing exactly what he always loved to do! With The Colossus, RJD2 is back, and fans of instrumental sampled funkadelica will not be disappointed! Be sure to also dig up RJD2's obscure funky 39-track mix, Your Face Or Your Kneecaps, also known as Poorboy Lover Megamix, if you can find it in the archives. If you've never heard RJD2 before, prepare to fall in love if you enjoy DJ Shadow, Cut Chemist, Blockhead and Prefuse 73. And... start with his earlier output and work your way up to The Colossus.

I had heard RJD2 on a few internet radio stations that I listen to. Individual songs across time, but each time I heard his work, I was compelled to stop whatever work I was doing and check out the player to see who the artist was. So, when this new album came out, I bought it on a whim, having not heard any of the songs.

I love the album and listen to it often. I am drawn to the throwback nature of his work, but appreciate how he has brought soul, funk, sampling, and some 60s devices into a very modern sounding album. I'm not a DJ-aphile who follows specific DJs or the scene. So someone more versed in that world could better evaluate RJD2s place in it. I just know that the songs on this album propelled me when walking the streets of New York or San Francisco; or when biking, driving or taking the train. It is motivational and chill at the same time.

My fave tracks: Games You Can Win, The Shining Path, Tin Flower, Small Plans, Walk with Me, and The Stranger.

Possibly. Its a great culmination of all the styles that he has accumulated over the years, mixing hip-hop with electro, funk with rock, and soul with breakbeat. A really nice musical exploration.

Picked this up for $5 and I can't stop listening to it... amazing mixes and compilations make this a must buy.

Definitely great, but takes a few listens to fully appreciate. I initially was unimpressed, but after about the third listen I was mesmerized. This is a bold, eclectic album that combines many genres together in a way that continues to surprise me after listening to it probably 15 times. I am glad he is challenging himself as an artist, and taking us along for the ride, it's a fun one.

The beats aren't all that creative. The songs aren't all that great. I'd say I like 3 or 4 of the songs. Use to be a big RJD2 fan.....still am......but only of his older stuff...(I even liked the third hand).... but this is just like argggggg......he's better than this.