The Colour of Memory [Paperback]

Geoff Dyer (Author)

Product Details

• Paperback
• Publisher: Jonathan Cape (1991)
• ASIN: B000OOY6BQ
• Average Customer Review: 4.8 out of 5 stars  See all reviews (4 customer reviews)

More About the Author

Geoff Dyer is the author of four novels and six other nonfiction books, including But Beautiful, which was awarded the Somerset Maugham Prize, and Out of Sheer Rage, which was a National Book Critics Circle Award finalist. The winner of a Lannan Literary Award, the International Centre of Photography's 2006 Infinity Award for writing on photography, and the American Academy of Arts and Letters' E. M. Forster Award, Dyer is a regular contributor to many publications in the US and UK. He lives in London. For more information visit Geoff Dyer's official website: www.geoffdyer.com

Customer Reviews

Most Helpful Customer Reviews

12 of 12 people found the following review helpful:

4.0 out of 5 stars What Remains of our Hopes: Colour of Memory, August 20, 2000

By 

Eric J. Steger (New York, New York USA) - See all my reviews

This review is from: The Colour of Memory (Paperback)

Geoff Dyer's The Colour Of Memory is an amazingly well-written first novel novel, perhaps more so for how it is written than for what actually takes place on the pages-more about this a bit later. The narrator of Colour Of Memory, plus five or six close friends are all young, university-educated and living a near-impoverished existence in a series of barely inhabitable South London, Council flats.

In Colour Of Memory, Dyer describes in beautifully vivid detail a series of intimate snapshots of life lived day to day on the margins of Thatcher's Britain in the mid-1980's. The novel begins with a kind of lost generation, Hemingway-esque line: "In August it rained all the time-heavy, corrosive rain from which only nettles and rusty metal derived refreshment". From this line onward, the tone is set with the narrator losing his low-paying, unengaging, government-sponsored job as well as being evicted from his Brixton apatment. Narrator and friends are all portrayed by the author with a wistful, near-biographical approach. Discussing the Darwinist, capitalist landscape of Tory-dominated Britain, listening to Maria Callas on a cloudy afternoon, arguing the merits of John Coltrane's sixties-era recordings, smoking strong dope on the roof of the narrator's flat, attending parties in dangerous neighborhoods and just scraping by while trying to nurture their separate, artistic ambitions. Without question, the characters of Colour Of Memory, narrator included, are all 1980's beatniks of one kind or another and the novel makes clear how quixotic a life this really is- living in a society and an atmosphere that values financial prowess and ordinary survival skills over creativity of any variety.

What takes place on the pages of Colour Of Memory is seemingly woven together with an invisible thread; there appears to be no obvious plot, rhyme or reason to the action. Yet, the reader is propelled forward through one shimmering vignette after another. One can't articulate why, one just seems to feel some connection to these people and therefore cares about what comes next, no matter the order of happenings. Colour Of Memory could be seen as self-indulgent and a tad mundane, but fortunately for the reader it easily escapes this fate by presenting itself as a compelling group of beautifully written recollections, sometimes sad, usually funny and certainly tracing the beginning of a great writer. Maybe Dyer summarized this novel before it even began with a quote from John Berger, probably his biggest influence: " What remains of our hopes is a long despair which will engender them again".

6 of 6 people found the following review helpful:

5.0 out of 5 stars The Other View, May 4, 2000

By 

Le Noir (United States) - See all my reviews

This review is from: The Colour of Memory (Paperback)

What can you say of a book that starts with the line - "In August, it rained all the time."? Literary connotations of rain, as in Hemingway's 'A Farewell to Arms' immediately come to mind. It is safe to assume that Dyer is well aware of the build-up he is creating - indeed he draws on Hemingway (The Sun Also Rises) later in his book when one of his characters says "We are all a lost generation".

Within the first few pages after this remarkable line, the protagonist is thrown out of his 'rented' house, loses his job, and soon has his car stolen. In other words he is set up for re-entering the 'other life'. Through him, Dyer leads us into the 'other world', the 'other view' of life.

In a high-pitched discussion at a drunk party, one of his main characters, Steranko, makes a crisp speech about how he is involved in some of the most important political work of his time- "I don't eat at McDonalds.., I don't see [s**t] films, if someone is reading a tabloid-I try to make sure that I don't see it.., when people talk of house prices, I don't listen...!". This aversion to mass activities and interests is the underlying theme of the book.

The small group of friends that 'rides together' in Brixton is in a world of its own. They think their own thoughts, discuss the most important and most trivial issues of life amongst themselves,and play their own invented card games. Their perspective on life, though impractical at times, is fresh and often throws insights into life that 'normal' people 'who buy houses' miss.

Dyer's excellence at his craft keeps the book rolling at a perfect pace without any overt plot, moving from one snapshot of the city's life in the 1980s to another. The structure of the book is itself a rebellion against conventional forms of the novel. As Freddie, the wannabe author says about his own book "Oh no, there's no plot. Plots are what get people killed."! Maybe not as challenging as James Joyce's "Finnegans Wake", but certainly a refreshing way to look at the concept and structure of a novel.

In many ways, the rebellion of his characters and their unacceptance of conventional wisdom, is reminiscent of J.D.Salinger's Holden Caulfield (The Catcher in the Rye). The issues change, the age group and geography is different, but the cynicism with which the protaganists in each book regard accepted human occupations is similar.

There is a need to run away from it all. The book actually culminates with the break up of the group which starts with Freddie's sudden decision to leave the country.

In all a wonderful, painful book, that lets you in to life on the other side. A book to hold when you remember similar phases in your life, or are going through one. A book that raises several important questions, and probes us to think of answers.

3 of 3 people found the following review helpful:

5.0 out of 5 stars The other view, May 2, 2000

By 

Le Noir (United States) - See all my reviews

This review is from: The Colour of Memory (Hardcover)

What can you say of a book that starts with the line - "In August, it rained all the time."?

Literary connotations of rain, as in Hemingway's 'A Farewell to Arms' immediately come to mind. It is safe to assume that Dyer is well aware of the build-up he is creating - indeed he draws on Hemingway (The Sun Also Rises) later in his book when one of his characters says "We are all a lost generation".

Within the first few pages after this remarkable line, the protagonist is thrown out of his 'rented' house, loses his job, and soon has his car stolen. In other words he is set up for re-entering the 'other life'. Through him, Dyer leads us into the 'other world', the 'other view' of life.

In a high-pitched discussion at a drunk party, one of his main characters, Steranko, makes a crisp speech about how he is involved in some of the most important political work of his time- "I don't eat at McDonalds.., I don't see [s**t] films, if someone is reading a tabloid-I try to make sure that I don't see it.., when people talk of house prices, I don't listen...!". This aversion to mass activities and interests is the underlying theme of the book.

The small group of friends that 'rides together' in Brixton is in a world of its own. They think their own thoughts, discuss the most important and most trivial issues of life amongst themselves,and play their own invented card games. Their perspective on life, though impractical at times, is fresh and often throws insights into life that 'normal' people 'who buy houses' miss.

Dyer's excellence at his craft keeps the book rolling at a perfect pace without any overt plot, moving from one snapshot of the city's life in the 1980s to another. The structure of the book is itself a rebellion against conventional forms of the novel. As Freddie, the wannabe author says about his own book "Oh no, there's no plot. Plots are what get people killed."! Maybe not as challenging as James Joyce's "Finnegans Wake", but certainly a refreshing way to look at the concept and structure of a novel.

In many ways, the rebellion of his characters and their unacceptance of conventional wisdom, is reminiscent of J.D.Salinger's Holden Caulfield (The Catcher in the Rye). The issues change, the age group and geography is different, but the cynicism with which the protaganists in each book ragard accepted human occupations is similar.

There is a need to run away from it all. The book actually culminates with the break up of the group which starts with Freddie's sudden decision to leave the country.

In all a wonderful, painful book, that lets you in to life on the other side. A book to hold when you remember similar phases in your life, or are going through one. A book that raises several important questions, and probes us to think of answers.