Combo Concert [Import, Live]

Roy Orbison | Format: Audio CD

Product Details

• Audio CD (January 13, 1998)
• Number of Discs: 1
• Format: Import, Live
• Label: Orbison Records
• ASIN: B0000017S1
• Also Available in: Audio Cassette  |  VHS Tape  |  MP3 Download
• Average Customer Review: 4.0 out of 5 stars  See all reviews (2 customer reviews)
• Amazon Best Sellers Rank: #467,815 in Music (See Top 100 in Music)

Editorial Reviews

ROY ORBISON Combo Concert (1997 UK 13-track CD album featuring live concert recordings in Holland from 1965 plus 5 bonus tracks of authorized bootleg recordings from the Paris Olympia in 1965 complete with picture sleeve and still sealed)

Customer Reviews

Most Helpful Customer Reviews

4 of 4 people found the following review helpful:

5.0 out of 5 stars Orbison At The Top, April 17, 2000

By 

Denis Reed (Stockton-on-tees, Cleveland England) - See all my reviews
(REAL NAME)   

This review is from: Combo Concert (Audio CD)

This live Dutch b&w concert from the 60's shows the Big 'O'at his peak.Backed by co-composer Bill Dees he performs his greatest hits with all the power and perfection of a man at his peak. Not until 'Black and White Night' would he put on film such a masterful performance.This is classic Orbison.This is what all the fuss was about.

3 of 4 people found the following review helpful:

3.0 out of 5 stars rebooted and remasted, November 18, 2004

By 

Don Schmittdiel "running_man" (Clinton Twp., MI) - See all my reviews

This review is from: Combo Concert (Audio CD)

I use to trade bootleg cassettes, and hearing this pair of 1965 European concert recordings of Roy Orbison shows was a deja vu' of the bootleggin' experience. Much of the fun in collecting bootleg recordings is in hearing the different spins artists would put on their best known songs from one tour to the next, or on alternate takes in the studio. Unfortunately many of these recordings are, of course, sub par, but it doesn't take long to start seeing the promise beyond the spit and polish of immaculate recordings. Somewhere along the way you start actually valuing the realism only reality can afford. What you never actually value however, is hearing the same faux pas over and over, so bootlegs are frequently a one-listen-only endeavor.

Which makes this a curious release by Roy Orbison. The tapes themselves are not free of defect. The occasional electronic crackling and warbling of the tape reveals just how far live concert recordings had to go in 1965. The dynamic range of the equipment is noticably limited as well, and the mix could benefit from an enhancement of the background vocals. At times, especially on the Paris tracks, the instruments coalesce into a hopeless muddle. Fortunately this isn't the case with the one unique track from the Paris show, 'Blue Bayou'. Orbison's vocals, of course, are the prime attraction, and they are well represented in both concerts. The master tapes have been remastered, so this is as good as it's ever going to get.

This relatively short collection gives one an appreciation of just how accomplished Orbison was at this point in his career. He performs only one cover, that being a venerable rendition of Ray Charles' 'What'd I Say'. The other eight tracks from the Holland show include two number one hits ('Running Scared', and 'Oh, Pretty Woman'), two number two hits ('Crying' and 'Only the Lonely'), and three other Top Ten numbers ('Dream Baby, #4, 'It's Over', #9, and 'Mean Woman Blues', #5). 'Blue Bayou', featured only in the Paris show, hit number twenty-nine for Orbison in 1963. All of these songs charted between 1960 and 1965. He was nursing another number two hit, 'Goodnight', which appropriately closes out the concert, when the show was recorded in March of 1965. Clearly, Orbison was holding his own with the more celebrated acts of his day, The Beatles and The Stones.

The liner notes are fairly good for a "bargain-bin" disc (I paid only 98 cents for my brand-new in-the-shrinkwrap copy), featuring background information on the concerts, detailed information on each track, and several photographs of Roy with fans from the era. Other aspects of the production speak to its near-bootleg quality besides the price: the bonus tracks are actually labeled as "authorized bootleg recordings" (which sounds like an oxymoron to me...), and instead of "remastered" the back cover says the tracks have been "remasted". Maybe Roy did that himself while he was sailing to Holland!

It's a fun listen for avid fans and the curious at heart.