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7 of 7 people found the following review helpful:
4.0 out of 5 stars
Make Sure You Have A Box of Kleenex Close By, April 9, 2009
This review is from: Come Sunday: A Novel (Hardcover)
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When I picked this book to read, I didn't know what I was getting myself into. I definitely did not expect the book to pull at my heart strings like it did. This is a heart-breaking tale of a mother's grief.
Born and raised in Africa, Abbe finds herself married to a minister, who is the opposite of her violent father. Her husband was a minister and very laid-back in comparison, perhaps too laid-back, as the beginning of the book suggests. They're in Hawaii and their little girl Cleo was three years old and very energetic. As any mother knows, raising kids can be mentally and physically exhausting. Then tragedy strikes. A mother wonders if she is still a mother if her child is no longer there.
This book will haunt your dreams at night like it did mine, so don't read it before bed. It is very vivid and descriptive of a mother's grief. Not only did Abbe grieve for her daughter, she also grieved for her mother. In flashbacks, she tells of the abuse her father put on her mother while she was growing up and how she was trying to find meaning of her mother ... trying to reconnect with her mother again even though her mother is long dead. Eventually, Abbe returns to Africa to confront her memories and perhaps put the ghosts to rest.
It is well-written ... and very heart-breaking. I gave it a four star because I cannot "love" a book like this because it stirs up too many emotions. Would I recommend it? Yes, because it is definitely good fodder for book club discussions, and for discussions among friends. Would I read it again? Probably not because it was just too intense and it's not something I even want to contemplate let alone read again. It is not just a book about grief, but finding onself again through the darkness only to find the sun has been shining all along ... one just has to find it. It is a book about forgiveness and grace, and all the things a person must find on their own even in the midst of life's tragedies.
This is a book about life and death; about the resurrection of the spirit long after it thinks it has given up.
4//9/09
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6 of 6 people found the following review helpful:
3.0 out of 5 stars
Mazes Past and Present, May 20, 2009
This review is from: Come Sunday: A Novel (Hardcover)
Customer review from the Amazon Vine™ Program (What's this?)
"Come Sunday" is not a book with a straight-forward plot. It is, rather, more like a maze that takes the reader round and round the present and snakes back into the past. Abbe, the protagonist, is obsessed with the accidental death of her little girl, Cleo. That is the door to the maze.
Isla Morley writes well and feelingly, leading the reader deeper and deeper into the tangled web of her family. She gives us insights into family relationships as well as the hidden currents beneath the surface.
For me, the book was sometimes too ordinary in an effort to show the ordinary life of Abbe and Greg. Africa doesn't come into the picture until the book is 3/4's finished. Sometimes the book is crisp and at other times it becomes a besotted soap opera in love with stubbornness, unkindness and self-pity. The side characters are interesting, though, and if you like the emotional turmoil of a woman who thinks too much, and yet not nearly enough, you will like "Come Sunday."
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4 of 4 people found the following review helpful:
4.0 out of 5 stars
Slow to unfold, but tugs on your heart..., March 30, 2009
This review is from: Come Sunday: A Novel (Hardcover)
Customer review from the Amazon Vine™ Program (What's this?)
Author Isla Morley weaves together a tale of grief and geography, heroism and history, and sin and survival in Come Sunday. Abbe Deighton is a writer, mother, and wife of a minister, Greg, in Honolulu. She loses her little girl, Cleo in a tragic accident. Abbe dissolves into grief, blaming anyone and everyone for their role in Cleo's loss.
This is the first 100+ pages. This constant grieving is a lot to ask the reader to wade through, not that it is unrealistic (I'm sure it isn't for many mothers and fathers), but that there are only so many ways to state that Abbe is unhappy, that she wakes up unhappy, that everything reminds her of Cleo, and that her daily ablutions suffer under the constant bombardment of this grief.
It was enough to seriously consider just giving up on the rest of the novel.
And I'm glad I didn't.
Abbe is a complicated person. She grew up in South Africa, under apartheid, with a seriously abusive father, a battered mother, a famous poet brother, and a secretive domestic aide named Beauty Masinama. I say Beauty was secretive in the sense that she was a 'sangoma', or witch doctor, so she knew the rituals and formulas that are part and parcel of her trade. But when Abbe escaped her father, she left all that behind.
She thought.
Morley skillfully crafts a tale that connects lives halfway across the planet, meshing Abbe's sophistication with ancient traditions. When Abbe is put to the test, there are times she fails, miserably and terribly, but Abbe rises to the task in other occasions. Isn't that human of her?
There was an unevenness in how Morley characterized Hawaii and South Africa. Being more familiar with Honolulu myself, I expected to recognize places and "characters." Was it me, or was there greater detail and color when Morley described Abbe's adventures in South Africa? Did the intensity of Abbe's grief dilute any need to develop Honolulu more as a place?
This is a book about grief and healing, but it is more than that. We are all tested in our lives. How do we react when we are found wanting? How do we divvy blame? How do we connect the life dots that surround us?
Stick with this book, and you won't be disappointed.
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