―The Tyee (thetyee.ca) (The Tyee 2007-12-14)
This resurrection of lost queer physique photography is a clever and rewarding blend of packaging and content.... The pictures are a voyeur's delight; the text by Chapman and Waugh give this book historical heft.
―Richard Labonte, Bookmarks (Bookmarks 2008-01-28)
What's really fun and fascinating are the vintage pictures from the '50s by Denfield of men in swim trunks large enough to be diapers, or posing on craggy rocks in the nude.... The perfect coffee table book. .
―HX Magazine (New York) (HX Magazine 2008-01-22)
Fun and entertaining.
―New Gay Travel Guide (newgaytravelguide.com) (New Gay Travel Guide 2008-02-05)
Looking at [these photographs] in this new volume allows us to see precursors to the modern age of gay male pornography, but there is something more than that here: sheer beauty.... The true value of a book like this is that many of us have never been aware of the work of the photographer. Now we have a beautiful book which contains beautiful and exciting photographs that might have been lost to us forever.
―Eureka Pride (Eureka Springs, Arkansas) (Eureka Pride 2008-01-31)
An amazing collection of full-color, explicit 3-D photos of men.... Chapman and Waugh have rescued Denfield's art and brought it right into your living room.
―Out Front Colorado (Out Front Colorado 2008-02-15)
A surprisingly classy book about an overlooked part of gay history, male physique modeling as a cover for gay erotica in the 1950s.... The naked men that fill each page are brought to startling life.... The photographs really are stunning. Their importance is discussed in the two essays, both of which prove to be enlightening, and provide a portrait of the private man behind the lens.
―EDGE Boston (EDGE Boston 2008-02-14)
Viewed through 3-D glasses (each volume includes a sturdy pair), the photos and their impressive illusion of depth may prove titillating for many. Despite the allure, I found myself scrutinizing these strangers and the tableaus in which they stood, sprawled or reclined, wondering about the queer lives led in a bygone era.
―Xtra! West (Xtra! West 2008-02-01)
Denfield's stereoviews meant to be viewed through 3-D glasses, a sturdy plastic pair of which are provided with the book don't just spontaneously step outside the sucked-in abs and strained muscles of physique pictorials into occasional messy, drunken hardcore. More successfully, they venture into atmospheric realms. This is especially the case in photos taken at Baker Beach and the nearby woods: rock formations and sun-dappled tree trunks and branches dramatically play off and sometimes even overshadow the human subjects. Furtiveness and a potent melancholic experience of the ephemeral are built into this adult version of the childhood ViewMaster experience.... Denfield's stereoview work might be richest when viewed as a light West Coast with an emphasis on the coastal answer to Alvin Baltrop's gay libera photos of the piers in New York. Both photographers took their vision to the literal edges of America.
―San Francisco Bay Guardian (San Francisco Bay Guardian 2008-02-12)
This new book of photographs is remarkable in a number of ways.... That fifty years later, the subjects still have the powers to get the hormones flowing attests, perhaps, to the universality of male beauty and desire over time and place. But they also reveal a world so different from our own in style: that paradoxically straightlaced but voluptuous world of America in the 50s.
―Gay & Lesbian Review (Gay & Lesbian Review 2007-03-15)
In comparison with the erotic images so readily available today, the Denfield photos may appear tame and old-fashioned. Yet, for their time, they were amazingly bold and they still retain an air of titillation, the excitement of the forbidden. Comin' at Ya! gathers together a series of colourful visual artifacts from our past.
―Wayves (Wayves 2008-11-10)
One of the most esthetically curious and impressive titles I found was Comin' at Ya! It's amazing that it exists, when you consider the risks that Denfield took shooting these pictures in the 1950s and 60s. And you can't help but revel in the social history captured here.
―Vancouver Sun (Vancouver Sun 2009-02-14)
Our present favorite, by title and packaging alone, is Comin' at Ya!, which includes 3-D glasses! The beefcake takes you back to the day of Farley Granger, Rock Hudson, Tab Hunter, and wild, wild parties in Malibu.
―Seattle Weekly (Seattle Weekly 2009-02-14)